ADELAIDE CAMERA CLUB

Founded - Tuesday 19th September 1902

HISTORY 1941 - 1950

Founded as the
MALVERN PHOTOGRAPHIC CLUB

The name was changed to the
ADELAIDE CAMERA CLUB
when meetings were transferred to the city in 1904.

The name was changed to the
ADELAIDE AMATEUR CAMERA CLUB
in January 1905.

Incorporates the
SOUTH AUSTRALIAN PHOTOGRAPHIC SOCIETY
which was founded in 1885.

HONORARY MEMBERS
1912 - 4th September
Mrs IRWIN

HONORARY LIFE MEMBERS
1940 - August
Miss DORIS BARNES
1945
Mr. AINSLIE ROBERTS
1947
Mr. A.V. CLUTTERBUCK

April 1941  Page 143 - The Australasian Photo-Review

ADELAIDE CAMERA CLUB
The Club commenced its activities for 1941 during February when Mr. G.R. Packer gave a demonstration of the paper negative process. This was followed by “Figure Studies”. Models were provided and members made numerous exposures the lighting being arranged by a senior member.

Members recently learned with deep regret the passing of one of its Honorary Life Members and Past Presidents, Mr. C.N. Tomlinson, who had been a staunch Club worker for many years and was well known throughout Australia as a pictorial photographer.

Mr. Max Ragless, a South Australian artist, gave a talk on composition and at the same time, constructively criticized members prints. Many valuable points were learned from his remarks and members pictorial work should benefit from the instruction.



June 1941  Page 228 - The Australasian Photo-Review

ADELAIDE CAMERA CLUB
Entries for the Sixth Annual Australasian Exhibition of Pictorial Photography will close at the end of July and entry forms are now available from Kodak Ltd., or from the Hon.Secretary, Mr. H.L. Austin, 70 Watson Avenue, Rose Park. The Committee have made available silver and bronze plaques, to be awarded to work of outstanding merit. Certificates will also be at the disposal of the judges.

The three judges will be: Messrs. Hans Heysen, Arthur Dickinson FRPS, and J.C. Goodchild.



Friday 4th July 1941  Page 12 - The Advertiser (Adelaide SA)

At 8pm on Tuesday in the Society of Arts Gallery, North terrace, an exhibition of photographs will be opened, and remain open until Monday week. The photographs have been contributed by well-known Australian pictoralists, and will be for sale to benefit the Red Cross. The collection includes photographs from the Victorian Salon of Photography, the Photographic Society of New South Wales, the Australian tour organized by Kodak, and the Adelaide Camera Club. Admission by silver coin.



Tuesday 8th July 1941  Page 4 - News (Adelaide SA)

EXHIBITION OF PHOTOGRAPHS
The chairman of the Red Cross executive (Mr. W.H. Sheppard) will open the exhibition of photographs in aid of Red Cross funds at the Society of Arts Galleries. North terrace, tonight. The Governor (Sir Malcolm Barclay-Harvey), who was to have performed the opening ceremony, will be unable to attend.

The exhibition, which consists of high quality pictorial photographs contributed by members of the Victorian Salon of Photography, the Photographic Society of New South Wales and the Adelaide Camera Club, will remain open until next Monday. A silver coin admission and the proceeds from sales of the photographs, will benefit the Red Cross.



Wednesday 9th July 1941  Page 8 - The Advertiser (Adelaide SA)

EXHIBITION OF PHOTOGRAPHS FOR RED CROSS
An exhibition of about 500 photographs for sale in aid of the Red Cross Society was opened at the Society of Arts Gallery, North terrace, city, last night by the chairman of the Red Cross Society (Mr. W.H. Sheppard). The exhibition has been sponsored by KODAK and includes photographs from the Victorian Salon of Photography, the Photographic Society of New South Wales, the Australian tour organized by Kodak and the Adelaide Camera Club. The pictures have been given for sale for the Red Cross. In opening the exhibition, Mr. Sheppard said that the prisoner of war assistance work of the Red Cross alone made a heavy drain on the society's funds apart from the cost of its other work. The exhibition will be open daily up to 10pm until Monday.



Saturday 16th August 1941  Page 2 - News (Adelaide SA)

CAMERA CLUB DISPLAY SHOULD BE ARTISTIC
The Adelaide Camera Club's annual exhibition will open on Tuesday. If it is anything on the lines of the last display, then we may expect something really fine, tor the previous show displayed some transcriptions of Nature that were in the neighborhood of very high art indeed. The idea that this form of art is purely mechanical has gone by the board. There is so much of the old Chinese method of art study in these compositions that one finds it hard not to class it as equal to work accomplished by the action of brain and hand. The old Chinese of Confucian days used to sit and study his subject for hours and when he had drank his fill he went home and painted the emotion that the subject awakened in him. Now a lot of these camera artists do the same thing. I remember Miss Irene Viney once telling me that she sat for five hours on the rocks at Victor Harbor waiting for a breaking wave that filled the composition she had in mind. Eventually she secured it and rushed feverishly to develop it to find out the result. Now this is "art" in a high degree. A pure depiction of a phase of Nature carefully studied and finally nailed.



Tuesday 19th August 1941  Page 8 - News (Adelaide SA)

FINE DISPLAY OF CAMERA WORK
A fine display of photographic prints and color slides, comprising the sixth annual Australian exhibition of the Adelaide Camera Club, will be opened at the Society of Arts Gallery, North terrace, tonight by Mr. M.J. MacNally. Associated with the exhibition, which includes work from photographic artists in all Australian States, is a display of photographs by the noted New South Wales worker Mr. Harold Cazneaux. Straight prints, bromoils and many other photographic processes are represented among the entries, which number more than 200 and an interesting section will be the color transparencies, showing color photographs taken by the latest methods. The exhibition will remain open each day from noon until 5pm and from 7pm to 9.30pm until 29th August. admission being free.

MANY AWARDS
The judges (Messrs. Hans Heysen, J.C. Goodchild and Arthur Dickinson) have made the following awards:

SILVER MEDAL: "A Poem" Les Fisher South Australia	SILVER MEDAL: "Max" Gervaise Purcell N.S.W.	BRONZE PLAQUE: "Heavy Going" G.L. Fisher South Australia	BRONZE PLAQUE: "Helen" L. Cullen Victoria	BRONZE PLAQUE: "Light Splashed" C.B. Young N.S.W.	BRONZE PLAQUE: "Resting" C.B. Young N.S.W.	BRONZE PLAQUE: "Sunshine and Wind" Harold Cazneaux N.S.W.	CERTIFICATE: "What's Next" F.A. White South Australia
CERTIFICATE: "Sunkissed Hills" F. Cole South Australia	CERTIFICATE: "Winter Sunshine" Hugo Keil South Australia	CERTIFICATE: "Shadow Play" Ainslie Roberts South Australia	CERTIFICATE: "G.L. Fisher Esq." Ainslie Roberts South Australia	CERTIFICATE: "Black and White" Andrew Benko South Australia	CERTIFICATE: "Sunset Gleam" E.C. Sheldrick Tasmania	CERTIFICATE: "Autumn Leaves" W.G. Buckle N.S.W.	CERTIFICATE: "Autumn Shadows" L.W. DeSanto Tasmania
CERTIFICATE: "Surviros" F.G. Crook-King Queensland	CERTIFICATE: "Norman Lindsay" Harold Cazneanux N.S.W.	SPECIALLY COMMENDED: "Disapproval" Hugo Keil South Australia	SPECIALLY COMMENDED: "Study" F.G Knight Tasmania	SPECIALLY COMMENDED: "Water Lily" A.J. White N.S.W.	SPECIALLY COMMENDED: "Lisa" W.G Buckle N.S.W.	SPECIALLY COMMENDED: "Kangaloon Pastoral" W.G. Buckle N.S.W.	SPECIALLY COMMENDED: "The End of the Road" R.J. Rooney Tasmania
SPECIALLY COMMENDED: "Mischief Afoot" C.B. Young N.S.W.	SPECIALLY COMMENDED: "Dianne" G.A. Leichney N.S.W.	SPECIALLY COMMENDED: "Mount Warning" K. Burke N.S.W.	SPECIALLY COMMENDED: "Study" R.L. Packer South Australia	SPECIALLY COMMENDED: "Angela" Harold Cazneaux N.S.W.	COLOR SLIDE: CERTIFICATE: "The Visitor" W.S. Whisson South Australia	COLOR SLIDE: CERTIFICATE: "Autumn" Albert A. Ash South Australia	COLOR SLIDE: CERTIFICATE: "Reflections" Miss I.M. Capper South Australia

Saturday 30th August 1941  Page 2 - News (Adelaide SA)

STUDIES WITH CAMERA SHOW TRUE ARTISTRY
What can be done with a camera in portraying the moods of Nature is exemplified by members of the Adelaide Camera Club, whose exhibition is being held at the Institute Galleries.

High artistic perception, a deep knowledge of selection and composition and an uncanny knack of seizing the moment of a passing weather effect are the attributes of many.

Mr. Les. Fisher has seen a graceful elm bending to the wind and waits patiently for the breath that moves it gently. Nearby are some poplars stripped of their foliage by winter and they stand mute. The whole result is that of a gracious lady passing by as the children stand and gaze at her in undisguised admiration.

This composition was a favorite of the late John McWhirter R.A. and he loved to portray a graceful silver birch with admiring youngsters in the shape of mountain pines standing round. Mr. Fisher won the silver medal and richly deserved it, for he is an artist of high degree in his whole nature and outlook.

There is another Mr. Fisher - no relation - who presents an admirable composition of horses drawing a cart over sand. No wonder Hans Heysen admired it, for he has given us numerous studies in watercolor of the same subject. This Mr. Fisher stalked these horses for hours, finally getting the required light and pose he looked for. As he focused the camera, he tripped and fell, but, resting on one elbow, he snapped the trigger and got this lovely result.

Say what you like - these Fishers, Coles, Vineys, Wyldes, Tomlinsons and other members, are artists in every sense of the word and the exhibition they produce is worth going miles to see. One of the features is a panel by Harold Cazenaux, of Sydney - a beautiful group all done in his inimitable style and method.

APPEAL TO ARTISTS
The patients at Angorichina Hostel, in the Flinders Ranges, are eager to do some copies of Australian pictures to put on postcards, calendars and book markers, whereby they hope to secure some additional comforts for Christmas. These brave souls are putting up a fight against that deadly enemy, tuberculosis and with the help of devoted women and the good air of the ranges, are well on the road to victory.

I am going to ask South Australian artists to give a picture each for them to copy. If they will take it to Miss Cleggett, of Gresham street, Hon.Secretary of the hostel, she will see that they are delivered safely to the diggers there.

Mr. Hans Heysen and Mr. Max Ragless have already donated pictures and this has whetted the taste of the boys for more, so I feel sure that their call will be answered.

The artistic instinct is strongly developed at Angorichina and if you visit the office in Gresham street you will see the most beautiful designs in furniture and objets d'art that they have accomplished during their stay there. I appeal to all the art bodies and individual artists to help this appeal from those whose Masefield once called, "The bravest men God ever made".

Two exhibitions that will be worth seeing in the near future will be those of John Eldershaw's watercolors and Tom Garrett's monotypes. I am not sure yet of the exact location of the displays, but it will be announced in this column later.



September 1941  Page 315 - The Australasian Photo-Review

SPECIAL AWARDS
ADELAIDE CAMERA CLUB
SIXTH ANNUAL EXHIBITION

SILVER MEDAL: "A Poem" Les Fisher South Australia	SILVER MEDAL: "Max" Gervaise Purcell N.S.W.	BRONZE PLAQUE: "Heavy Going" G.L. Fisher South Australia	BRONZE PLAQUE: "Helen" L. Cullen Victoria	BRONZE PLAQUE: "Light Splashed" C.B. Young N.S.W.	BRONZE PLAQUE: "Resting" C.B. Young N.S.W.	BRONZE PLAQUE: "Sunshine and Wind" Harold Cazneaux N.S.W.	CERTIFICATE: "What's Next" F.A. White South Australia	CERTIFICATE: "Sunkissed Hills" F. Cole South Australia
CERTIFICATE: "Winter Sunshine" Hugo Keil South Australia	CERTIFICATE: "Shadow Play" Ainslie Roberts South Australia	CERTIFICATE: "G.L. Fisher Esq." Ainslie Roberts South Australia	CERTIFICATE: "Black and White" Andrew Benko South Australia	CERTIFICATE: "Sunset Gleam" E.C. Sheldrick Tasmania	CERTIFICATE: "Autumn Leaves" W.G. Buckle N.S.W.	CERTIFICATE: "Autumn Shadows" L.W. DeSanto Tasmania	CERTIFICATE: "Surviros" F.G. Crook-King Queensland	CERTIFICATE: "Norman Lindsay" Harold Cazneanux N.S.W.

The Exhibition was highly successful, the entries with the receipt of over 300 prints, being a record.



September 1941  Page 320 - The Australasian Photo-Review

ADELAIDE CAMERA CLUB

"PASTORAL VISTA"
G.L. Fisher
Second Prizewinner (equal) in the Senior Set Subject “Australian Landscape”
Australasian Photo-Review
1/25 sec. at f/8, Panatomic-X, K2 Filter

"RAIN CLOUD"
Ainslie Roberts
Second Prizewinner (equal) in the Senior Open Competition
Australasian Photo-Review
1/100 sec. at f/5.6, “S.S. Pan.”, Light Yellow Filter

Thursday 25th September 1941  Page 4 - News (Adelaide SA)

"NEWS" TO TELL ABORIGINAL FAIRY TALES
From Mr. Charles Pearcy Mountford, the South Australian ethnologist, "The News" has secured for publication a unique series of contributions, the first of which will appear on Saturday. Mr. Mountford has gathered in his many scientific expeditions to Central Australia, a hitherto unexplored wealth of aboriginal legends. These proved to have such charm and humor that he has retold them for "The News" as children's fairy tales, which, simple in style as their aboriginal origin, have yet a captivating appeal to the sophisticated reader also. South Australian children will recognize their own dusty Hans Christian Andersen and Grimm Brothers in the ancient tribal storytellers who made immortal "The Spider and His Wicked Nephews", "How the Moon Got Into the Sky" and "The Cunning Emu and Her Jealous Sisters". They will recognize two little black Babes in the Wood in the sad story of the Goanna and the Native Cat and will see something of Jack the Giant Killer in the story of the deserted aboriginal baby who grow up to be the great Papu-Didji.

VALUABLE KNOWLEDGE
All these are treasures of considerable scientific interest as well as excellent entertainment. In this connection it is interesting to recall that Grimm's fairy tales were collected by two grave ethnologists, the brothers Grimm, as scientific material, before they became the property of children of all ages and countries. A further attraction of "The News" series is that Mr. Mountford has obtained original illustrations by the aborigines themselves. Delightful in their spirited portrayals of animal life and primitive as the stories themselves, these are the work of fully initiated tribal black fellows. Mr. Mountford is an authority on aboriginal rock carvings in South Australia. Most of the rock carving sites known in this State were discovered by him. He has taken part in four of the scientific expeditions organized by the Board of Anthropological Research of the University of Adelaide and was leader of the 1941 expedition. Various learned societies have invited Mr. Mountford to address them on his researches and have afterwards published his addresses. He is a past President of the Anthropological Society of South Australia. Mr. Mountford's hobby is photographic art and he has twice been President of the Adelaide Camera Club. Two of his photographic pictures were purchased for the National Gallery. The color film, "Brown Man and Red Sand", which he took on his last scientific expedition in Central Australia, was recently awarded the Sherlock Gold Cup for the best film of the year.

CHARLES PEARCY MOUNTFORD

Born 8th May 1890 - Hallett, South Australia
Died 16th December 1976 - Norwood, Adelaide, South Australia

ETHNOLOGIST, ANTHROPOLOGIST, PHOTOGRAPHER

October 1941  Page 384 - The Australasian Photo-Review

HEAVY GOING
Mr. G.L. FISHER

December 1941  Page 451 - The Australasian Photo-Review

ADELAIDE CAMERA CLUB

"TABLE TOP ENSEMBLE"
Ainslie Roberts
Second Prizewinner in the Senior Special Competition “Pattern or Texture”
Australasian Photo-Review
Miniature Reflex, 1 min. at f/22 on Panatomic-X Film

1st January 1942  Page 39 - Vol. 49 No. 1 The Australasian Photo-Review

ADELAIDE CAMERA CLUB
The Adelaide Camera Club recently held a “gadget” evening, and Mr. Albert A. Ash presented a cash prize for the best gadget submitted. Being a draw, the prize was divided between Messrs. F. Cole and R. Bruce. Gadgets submitted were many and varied, ranging from an ingenious blob of lead with a bent pin embedded in it for holding down paper on the enlarging easel, to a formidable looking telephoto lens created out of a pair of spectacles and the union pipe from a wash basin. Nearly all of the 40 gadgets submitted were decidedly practical and gave the Club a new insight into the ingenuity of its members.

At the Annual General Meeting the following officers were elected to the Committee: President, Mr. Les Fisher; Vice-President, Mr. G.L. Fisher; Hon. Vice-Presidents, Messrs. J.D. Brown and J.C. Goodchild; Treasurer, Mr. F.A. White; Librarian, Mr. R.L. Packer; Committee, Messrs. K. Harrington, Ainslie Roberts, E. Robertson, J.N. Tomlinson, W.S. Whisson; Publicity and Program Organizers, Messrs. Ainslie Roberts and J.N. Tomlinson; Club Host, Mr. K. Harrington; Hon.Secretary, Mr. H.L. Austin.

AINSLIE ROBERTS

March 1942  Page 89 - The Australasian Photo-Review

IN THE TRACK OF THE SOUTH WINDS
AINSLIE ROBERTS
First Prize, Senior Set Subject Competition
Australasian Photo-Review

1/10 sec. at f/8, Medium Yellow Filter, Panatomic-X Film,
developed in DK-20, print on Kodabrom (Amidol).

March 1942  Page 99 - The Australasian Photo-Review

HARVEST GIRL
AINSLIE ROBERTS
Second Prizewinner in the Senior Open Competition for January 1942
Australasian Photo-Review

Miniature Reflex, 1/50 sec. at f/4, Panatomic-X Film, with Red Filter.

Monday 4th May 1942  Page 5 - News (Adelaide SA)

ARTISTIC PHOTOS ON EXHIBITION
The Adelaide Camera Club held an exhibition of artistic photography in aid of the Fighting Forces Comforts Fund today.

A careful survey reveals the amazing strides made by some of the exhibitors in technique, composition and selection. Some of the studies in bromide are quite the equal to the work done by the co-ordination of the brain and hand and in this department Mr. Day shows his finest efforts.

Mr. Tomlinson's study of the two children at the lakeside is a masterpiece of composition and so is Miss Irene Viney's study of the breaking wave at Port Victor.

The Camera Club has the credit of being the first artistic body to attempt anything concrete for the fund and it is to be hoped that its example will be followed by other organizations.



June 1942  Page 224 - The Australasian Photo-Review

"-as we who are left grow old"
AINSLIE ROBERTS
First Prizewinner in the Senior Open for June 1942
Australasian Photo-Review

Miniature Reflex. Exp. 1/50 sec. at f/5.6, Panatomic-X

June 1942  Page 230 - The Australasian Photo-Review

ADELAIDE CAMERA CLUB
SEVENTH ANNUAL EXHIBITION
Entries for the Adelaide Camera Club’s Seventh Annual Australasian Exhibition of Pictorial Photography will close on the 31st of July and forms are now available.

The Committee have made available silver and bronze plaques to be awarded for work of outstanding merit. Certificates will also be at the disposal of the judges.

There will be five sections this year instead of two: Landscapes (including “tree” studies), seascapes, portraits (including “character and figure” studies), any other subject (including architecture), and color transparencies.

The exhibition will be open from 17th to 28th August. Entry forms are available from stock houses, or from the Hon.Secretary, Mr. H.L. Austin, 70 Watson Avenue, Rose Park, South Australia.

To inaugurate the “Empire Appeal Week” in Adelaide, the Fighting Forces Comforts Fund have sponsored an exhibition of pictures by the advanced workers of the Adelaide Camera Club. About a dozen members have each lent twenty pictures, many of which have been hung in international salons. The show is a very inspiring one and the less experienced members of the Club should gain much benefit by a careful study of the composition, atmosphere and technique of these masterpieces.



1st August 1942  Page 309 - Vol. 49 No. 8 The Australasian Photo-Review

ADELAIDE CAMERA CLUB
At the July meeting a fine collection of entries was submitted for the bi-monthly competition. The awards were; 1st, “Sunlit Warrior”, Ida M. Capper; 2nd, “Storm Signal”, J.B. Shearer; 3rd, “The Secret of the Forest”, E. Robertson.

A pleasant hour was then spent in viewing the color transparencies entered for that competition. Mr. Andrews lent the projector and screen and very kindly took charge of the display. The awards were:

FIRST: “Pot o’ Gold” A. Ash

SECOND: “Sunlit Sheep” Ida M. Capper

THIRD EQUAL: “The Blessing” A. Ash

THIRD EQUAL: “Fruit and Leaves” Ida M. Capper

Thursday 13th August 1942  Page 3 - The Advertiser (Adelaide SA)

CAMERA CLUB EXHIBITION
At 3pm next Wednesday the seventh annual exhibition of the Adelaide Camera Club will be opened in the Society of Arts room, North terrace, city. There will be 84 entrants — 20 from South Australia, 24 from New South Wales, 18 from Victoria, nine from Tasmania, 10 from Queensland and three from Western Australia. Out of 450 entries, 233 Pictures have been selected.



Wednesday 19th August 1942  Page 3 - News (Adelaide SA)

EFFECTIVE STUDIES AT CAMERA CLUB'S EXHIBITION
Camera pictures - much too lovely to be called mere photographs - are lining the walls of the Society of Arts Gallery, on North terrace, for the seventh annual exhibition of the Adelaide Camera Club.

There are 233 pictures in the exhibition, which was opened to day. Entry will be free between noon and 5pm each day until August 27th.

These pictures, their subjects ranging from Australian landscape to character portraits and still life, show that camera artists have not been content to allow the chemical processes of photography to do all the work.

Intelligent approach to subjects, composition and treatment of light and shade have all contributed to a show of pictures in which art has triumphed over mere mechanics.

Silver medals and bronze plaques have been awarded to Keith Manning's atmospheric picture, "Road Repairs", showing workmen in a haze of dust and fume against a background of city skyscrapers and to A.J. White's lovely "Evening".

Influences of classical masters and of Australian treatment by Streeton and Heysen and Lionel Lindsay are evident in many of the approaches by the artists. It is an exhibition well worth seeing.



Friday 21st August 1942  Page 3 - News (Adelaide SA)
Saturday 22nd August 1942  Page 5 - Barrier Miner (Broken Hill, NSW)
Page 5 - The Advertiser (Adelaide, SA)
Thursday 27th August 1942  Page 31 - Chronicle (Broken Hill, NSW)

NUDE PHOTOS STOLEN FROM SHOW
Four photographs, three of nudes, have been stolen from the Adelaide Camera Club annual exhibition in the Society of Arts Gallery. The pictures were in place when the attendant left at 5pm yesterday and the theft was discovered when the exhibition was opened shortly before midday today. All four are the work of camera artists in other States and are valued at £2/2/ each. The photographs were torn from their mounts, which were left on the gallery floor.



Saturday 22nd August 1942  Page 3 - News (Adelaide, SA)

JUDITH'S JOKE
One of the photographs in the
Adelaide Camera Club
annual exhibition now being held in the Society of Arts Gallery.

September 1942  Page 319 - The Australasian Photo-Review

"... WE SHOT DOWN A JUNKERS 89"
AINSLIE ROBERTS

Special Award, Senior Set Subject "Still Life and Table Top" for September 1942
Australasian Photo-Review

September 1942  Page 331 - The Australasian Photo-Review

SOUVENIR of the
ADELAIDE CAMERA CLUB
SEVENTH ANNUAL
Australian Exhibition of Pictorial Photography

GLAD YOU LIKED IT
L.A. LOVE

UNITY AND STRENGTH
JOHN F. BILNEY

SUNLIT WARRIOR
IDA M. CAPPER

HOMEWARDS
LES FISHER

DESIGN
E. ROBERTSON

1st March 1943  Page 118 - Vol. 50 No. 3 The Australasian Photo-Review

ADELAIDE CAMERA CLUB
Readers of The A.P.-R. will regret to learn of the death of Mr. G.L. Fisher last December, after an illness of seven months. Mr. Fisher was an active member of the Adelaide Camera Club and took a very keen delight in the A.P.-R. competitions, his work having been well placed on many occasions. He was especially interested in landscape studies.

As a tribute to his memory, the committee of the Adelaide Camera Club has acquired a silver cup, to be known as “The G.L. Fisher Trophy”. This will be competed for annually by members of the Club and will be awarded for the best landscape study.



1st May 1943  Page 198 - Vol. 50 No. 5 Australasian Photo-Review

ADELAIDE CAMERA CLUB
Entries for the Adelaide Camera Club Eighth Annual Exhibition of Pictorial Photography will close on 30th June. Entry forms will shortly be available from Mr. H.L. Austin, 70 Watson Avenue, Rose Park, Adelaide, South Australia There will be no set sections and any photographic process may be employed. Open from the 16th to 27th August.

An innovation in the exhibition will be a special section set apart for hand-colored photographs. These must be the sole work of the entrant. This display will in no way compete with monochrome work and a certificate of merit will be awarded.



Saturday 7th August 1943  Page 2 - The Mail (Adelaide SA)

The eighth annual exhibition of the Adelaide Camera Club will be opened at the Society of Arts Gallery on Monday week at 8pm Mrs C.A. Hutchinson will open the exhibition, which will close on 27th August.

SILVER MEDAL: E. Robertson South Australia "The Golden Day"

SILVER MEDAL: E. Robertson South Australia "Gunner"

SILVER MEDAL: John G. McCredie New South Wales "Sand Ripples"

G.L. FISHER MEMORIAL TROPHY "The House on the Hill" John B. Shearer South Australia

BRONZE PLAQUE: "The House on the Hill" John B. Shearer South Australia

Monday 16th August 1943  Page 6 - News (Adelaide SA)

279 PHOTOGRAPHS IN CAMERA SHOW
Despite their dwindling stocks of photographic materials, 66 exhibitors from all over Australia have sent 279 photographs to the Adelaide Camera Club's eighth all Australian exhibition, which will be opened by Mrs C.A. Hutchinson at the Society of Arts Gallery, North terrace, tonight. Shortage of materials has caused many exhibitors to send smaller prints this year. The Adelaide Camera Club's exhibition is the only annual all-Australian exhibition in the Commonwealth. An innovation this year is a color section.

The G.L. Fisher Memorial Trophy has been awarded to J.B. Shearer (South Australia) for a country scene, "The House On the Hill". Altogether, 16 other prizes have been awarded, 12 of them to interstate competitors. Entries were judged by Messrs. Hans Heysen, A.E. Tulla and J.C. Goodchild. The exhibition, which is open to the public, will close on 27th August.



Thursday 19th August 1943  Page 3 - News (Adelaide SA)

The Governor (Sir Malcolm Barclay-Harvey) and Lady Muriel Barclay-Harvey were among the visitors today at the Adelaide Camera Club all Australian exhibition at the Society of Arts Gallery, North terrace. About 250 have visited the exhibition since it was opened on Monday. The show will end on 27th August.

SIR CHARLES MALCOLM BARCLAY-HARVEY, KCMG

Born 2nd March 1890 - London, England
Died 17th November 1969 (aged 79) London, England

Appointed the GOVERNOR of SOUTH AUSTRALIA in March 1939

MURIEL FELICIA VERE (BERTIE) BARCLAY-HARVEY

Born 20th January 1893 - Uffington, Lincolnshire, England
Died 1980 - Lincolnshire, England

Saturday 21st August 1943  Page 6 - The Advertiser (Adelaide SA)

The collection of pictorial photography now on view under the auspices of the Adelaide Camera Club at the Society of Arts Gallery, marks the high grade to which this form of art has risen. The whole of the exhibits, numbering nearly 300, will appeal in some point or another to the art loving public The choice of subject in most cases is wise and especially does this apply to seascapes and landscape and to studies of cloud effects. Congratulations must be extended to Hugo Kell, whose group of 11 artistic studies is outstanding. Les Lyons has two charming cloud pictures and effects of light and shade have been cleverly obtained by Mrs McCredie in "After the Storm". E. Robertson has done good work in "On the Road", with a fine study of a flock of sheep. Two portraits of old age, "The Sage" by Ida Capper and "Venerable", by G.C. Cramp, are particularly noticeable and the latter artist's work throughout will be generally admired. Portraits of children are deserving of special notice. "Well, That's a Good One" by K. Manning; "The Conspiracy" by Dr. Love; and "Jan" by W. Conochie, are among the best. The exhibition will close on Friday.



October 1943  Page 356 - The Australasian Photo-Review

GHOSTLY SENTINEL
AINSLIE ROBERTS

October 1943  Page 356 - The Australasian Photo-Review

ROAD TO NOWHERE (Table Top)
AINSLIE ROBERTS

February 1944  Page 44 - The Australasian Photo-Review

THE SCOUT
AINSLIE ROBERTS

June 1944  Page 170 and 171 - The Australasian Photo-Review

HAVEN
AINSLIE ROBERTS

RIVER STEPS
AINSLIE ROBERTS

Saturday 17th June 1944  Page 5 - The Advertiser (Adelaide SA)
Tuesday 20th June 1944  Page 2 - Army News (Darwin, NT)

ADELAIDE CAMERA CLUB WINS COMPETITION
The President of the Adelaide Camera Club (Mr. Ainslie Roberts) has received a cablegram from the Johannesberg Camera Club (South Africa) congratulating it on winning the club award in the amateur photographer's colonial and overseas competition in London. The Johannesberg Camera Club had won this coveted award for several years. This competition is conducted every year in Great Britain and the competition is keen, camera clubs in all parts of the Dominions participating with club entries comprising the work of club members.

In August the Adelaide Camera Club will be holding its ninth annual Australian exhibition of pictorial photography. Hundreds of Australian camera workers contribute to this annual event which is representative of the best in Australian photography. Messrs Hans Heysen, J.C. Goodchild and A.E. Tulla will be the judges.

AINSLIE ROBERTS

Saturday 17th June 1944  Page 3 - News (Adelaide SA)
Saturday 17th June 1944  Page 2 - The Mail (Adelaide SA)

CAMERA CLUB'S LONDON SUCCESS
Between 20 and 25 photographs, the work of nine South Australian photographers, made up the Adelaide Camera Club's exhibit which has won the club award in the Amateur Photographer's Colonial and Overseas competition in London.

News of the award was received yesterday by the President of the Adelaide Camera Club (Mr. Ainslie Roberts) in a cablegram of congratulations from the Johannesburg Camera Club, which has won the award for several years.

The South Australian photographers whose work was included in the exhibit were: Messrs. F. Day, F.A. White, F. Cole, E. Robertson, J.B. Shearer, R.H. Fisher and Miss I.M. Capper. The trophy will be a plaque and a signed exhibition photograph by F.J. Mortimer, of London, who is considered to be the world's greatest marine photographer.

Mr. Roberts said the Adelaide Camera Club was the only one in Australia that had managed to hold an exhibition every year during the war. Most of the members were using pre-war materials so old that they had become a problem, but with care they had managed to carry on. The Camera Club's exhibition this year would be held in the Royal South Australian Society of Arts Gallery from August 21st to September 1st.



1st July 1944  Page 207 - Vol. 51 No. 7 The Australasian Photo-Review

MAN AT WORK
AINSLIE ROBERTS

1st July 1944  Page 194 - Vol. 51 No. 7 The Australasian Photo-Review

ADELAIDE CAMERA CLUB
Meetings of the Adelaide Camera Club are held regularly on the first and third Mondays of each month. In May an interesting discussion was held on the after-treatment of prints and valuable hints given by the President, Mr. Ainslie Roberts and Mr. R. Bruce. First Mondays are given up entirely to the monthly competition. This is a very popular night and members are encouraged to criticize their own and others prints under the headings of: Composition, Technique, Mood, Subject Matter and Presentation; thus forming a valuable basis for the recognition of a good picture.

Awards on 5th June were:

A CLASS:			B CLASS:
FIRST Ainslie Roberts	SECOND E.W. Robertson	THIRD R.H. Nilsson	FIRST Albert A. Ash	SECOND I. Monfries	THIRD H. Stone

The following cablegram was received and read with great gratification; “To Adelaide Camera Club. ‘Congratulations on winning Amateur Photographic Club Award. Johannesburg Camera Club".



Monday 10th July 1944  Page 5 - The Advertiser (Adelaide SA)

RECORD ENTRIES FOR PHOTO SHOW
Judging was completed in "The Advertiser" meeting room yesterday of entries for the ninth annual Australian exhibition of pictorial photography, to be opened in the Society of Arts Gallery, North terrace, on August 21st.

Judges were Messrs Hans Heysen, J.C. Goodchild and A.F. Tulla. The results will not be announced for some weeks. A record number of 378 prints has been submitted for the exhibition, which is being organized by the Adelaide Camera Club. This club recently won a competition in London against exhibitors from all Dominions.

The President (Mr. Ainslie Roberts) said yesterday that most photographers with entries in the exhibition had been carrying on since the war began with what materials they had at the outbreak. The public was particularly receptive nowadays to any reminder that behind all the turmoil and chaos of war there still existed a love of the beautiful which always did and always would persistently assert itself.



1st August 1944  Page 242 - Vol. 51 No. 8 The Australasian Photo-Review

ADELAIDE CAMERA CLUB
At a meeting held on 19th June, the President, Mr. Ainslie Roberts, gave an excellent talk on “Table Tops", in which he stressed the necessity for always having a drawn plan, if one wished to obtain the best results. His remarks were illustrated by blackboard sketches and followed by a simple set-up which was photographed by some of the members.

For the monthly competitions on 3rd July, the awards were:

A CLASS:			B CLASS:
FIRST Ainslie Roberts	SECOND J.B. Shearer	THIRD J.B. Shearer	FIRST Mr. Peake	SECOND Albert A. Ash	THIRD I. Monfries

News has just been received that Messrs. F. Cole and E. Robertson, members of the Adelaide Camera Club, have been awarded the ARPS, Associate of the Royal Photographic Society.



Wednesday 16th August 1944  Page 7 - The Advertiser (Adelaide SA)

RECORD ENTRY FOR CAMERA CLUB SHOW
SOUTH AUSTRALIANS TAKE AWARDS
Although the majority of prints are much smaller than previously, the number of entries (378) for the ninth annual Australian exhibition of pictorial photography by the Adelaide Camera Club constitutes a record.

The exhibition will be officially opened at 8pm on Monday by Mrs C.A Hutchinson in the SA Society of Arts Gallery, North terrace and will be open daily until 1st September, between noon to 5.30pm and 7.30pm to 9.30pm.

The judges, Messrs. Hans Heysen, J.C. Goodchild and A.E. Tulla, have awarded silver medals to the club President (Mr. Ainslie Roberts) and to Charles Collin of NSW. Exhibits depict mainly rural, beach and city life, there being comparatively little emphasis on the war. Entries come from various parts of the Commonwealth. There are some particularly fine prints from South Australia.

Awards are:

G.L. FISHER MEMORIAL TROPHY "Western River, Kangaroo Island" Ainslie Roberts:			SILVER MEDAL "Western River, Kangaroo Island" Ainslie Roberts	SILVER MEDAL "The Shearman" Charles Collin NSW	BRONZE PLAQUE SPECIAL MENTION: "Circus In Town" J.B. Shearer South Australia	BRONZE PLAQUE SPECIAL MENTION: "Forest Fantasy" V. Gadsby Queensland	BRONZE PLAQUE: "The Scout" Ainslie Roberts South Australia	BRONZE PLAQUE: "Man At Work" Ainslie Roberts South Australia	BRONZE PLAQUE: "Power Dive" Ainslie Roberts South Australia
			BRONZE PLAQUE: "Along The Lower Yarra" W. Broadhead Victoria	BRONZE PLAQUE: "Australian Bush" A.W. Briggs Victoria	BRONZE PLAQUE: "Autumns Farewell" L.W. De Santo Tasmania	BRONZE PLAQUE: "When Beauty And Beauty Meet" V. Gadsby Queensland	BRONZE PLAQUE: "Civil Defence" Leo A. Lyons NSW	BRONZE PLAQUE: "Pastorale" A.T. Ullman NSW	CERTIFICATE: "Sunset Mood" Ida M. Capper South Australia
CERTIFICATE OF MERIT BEST CLUB ENTRY MELBOURNE CAMERA CLUB			CERTIFICATE: "Homework" A.V. Clutterbuck South Australia	CERTIFICATE: "Harvest" J.J. Noyce South Australia	CERTIFICATE: "Invitation For Gossip" E. Robertson ARPS South Australia	CERTIFICATE: "The Team" J.B. Shearer South Australia	CERTIFICATE: "Idle Moments" P.J. LeNeveu Victoria	CERTIFICATE: "What's Beyond" C.B. Young NSW	CERTIFICATE COLOR SECTION: "Cliff Path" Ida M. Capper South Australia

Six prints by WOII Greenhill, of Melvern, Victoria, which arrived too late for judging have been selected for hanging, special mention being made of their fine technique and first class presentation.

           

HANS HEYSEN

Tuesday 22nd August 1944  Page 6 - The Advertiser (Adelaide SA)

450 PHOTOGRAPHS IN EXHIBITION
U.S. CONSUL OPENS CAMERA CLUB SHOW
A record number of photographs are exhibited at the ninth annual Australian exhibition of pictorial photography arranged by the Adelaide Camera Club and opened at the SA Society of Arts Gallery last night. There are 450 photos, from every State in the Commonwealth and the display is described as the most successful held by the club.

The exhibition was opened by the United States Consul (Mr. C.A. Hutchinson), who was introduced by the President (Mr. Ainslie Roberts). The Adelaide Camera Club, said Mr. Roberts, was the only club in Australia to hold exhibitions in wartime.

Mr. Hutchinson congratulated the club on its fine display. He was amazed at the real artistic merit required for photographs such as those exhibited by the club; it was a work of art to produce such splendid pictures. He had seen amateur and professional photographs in the United States, but he had never seen anything more artistic than this display.

Mr. J.B. Shearer, on behalf of the club, presented Mr. and Mrs Hutchinson with a picture of an Australian gum tree.

Mr. Hutchinson presented the G.L. Fisher memorial trophy to Mr. Roberts for his picture, "Western River Kangaroo Island."

Awards were published in "The Advertiser" on 11th August.

In addition to the prizewinning prints, other exhibits of particular appeal include A.V. Clutterbuck's "Crusader Arches" for its range of tones; J.W. Watsons "Casting Steel", a dramatic industrial photograph successfully achieved under most difficult conditions; "Mist" by Albert Ash, a well balanced atmospheric study; A.F. D'Ombrain's "Eucalypt" an authentic and lovely picture of a familiar Australian scene; A.R. Eade's "A Heavy Load", a natural study of two boys, a stairway and shadows; J.C. Miller's piquant "Is Anyone Home?" a puppy at wrought iron gates; "June Morning" by W. Broadhead, for its delicate, unhackneyed presentation of an old subject; "The Swashbuckler" by E. Robertson ARPS, a dramatic character study; E.A. Lyons's "Phillip Lane" a remarkable study in tones with a quality that would appeal to the painter; P.J. LeNeveu's "Let It Rain", two children with an umbrella on a tricycle in delightful defiance of the rain; Ainslie Roberts's "Crumbs of Freedom", a classic and artistic study of a wren at the bars of a window; and A.F. D'Ombrain's delicate "Silver Lining".



Saturday 26th August 1944  Page 5 - The Mail (Adelaide SA)

CAMERA SHOW REVEALS HIGH QUALITY
The Adelaide Camera Club's ninth annual exhibition at the Society of Arts Gallery admirably exemplifies the wide range of pictorial possibilities of this medium.

It is a stimulating show and the quality of the work generally is excellent, not only from the point of view of choice of subject, but also angle of vision and technical treatment.

The range, of subjects embraces almost every phase of life and commendable inventiveness characterizes many of the examples shown. The works that have been selected for awards make a conspicuous show.

VITAL PORTRAIT
Those by Ainslie Roberts are especially arresting. "The Scout" is a vital portrait of compelling attractiveness. "Man at Work" shows imagination, ingenious selection and artistry. "Power Dive" must have been a "take" of extra ordinary good luck — a cat in mid air, the very embodiment of grace, strength and agility.

His picture of "Western River, Kangaroo Island", is a striking study of great beauty.

Another appealing work among the awards is "Harvest", by I.J. Noyce and Ida M. Capper shows good taste in her selections, "Sunset Mood" and "Cliff Path", both selected for awards and the latter very attractively colored.

High quality, however, is by no means confined to the awarded works. A charming study of a moss-girt post-and-rail fence by B.L. Andrews makes a strong appeal and Ainslie Roberts' "Winter Poem" is another exceptionally fine picture.



1st September 1944  Page 312 - Vol. 51 No. 9 The Australasian Photo-Review

ADELAIDE CAMERA CLUB
On 17th July, a most instructive lecture on portraits was given by Mr. A.E. Tulla. Blackboard sketches illustrating position, distance and values of lighting were followed by a visit to the studio where practical demonstrations were carried out with models.

On 7th August, the usual monthly competitions were won by:

A CLASS:			B CLASS:			SPECIAL TABLE TOP AWARD J.B. Shearer
FIRST E.W. Robertson	SECOND Ainslie Roberts	THIRD E.W. Robertson	FIRST Albert A. Ash	SECOND I. Monfries	THIRD E.G. Dickson

The Ninth Annual Australian Exhibition was duly opened on 21st August, by Mrs. C.A. Hutchinson. The number of prints received constituted a record, although the majority of prints are much smaller in size than previously.



1st October 1944  Page 362 - Vol. 51 No. 10 The Australasian Photo-Review

ADELAIDE CAMERA CLUB
On August 28th the color film entries were shown and judged, the awards being:

FIRST I.M. Capper

SECOND E.G. Dickson

THIRD R.H. Nillson

Then followed an exhibition by Mr. E.J. Andrew of many of his delightful slides, both scenic and flower studies, in which he specializes with great success; after which he gave us an interesting talk on the making of color prints.

On September 4th the usual monthly competitions were won by:

A CLASS:			B CLASS:
FIRST E. Robertson	SECOND Albert A. Ash	THIRD Albert A. Ash	FIRST I. Monfries	SECOND I. Monfries	THIRD D. Wolff

The Club’s “Ninth Annual” Exhibition was one of its most successful efforts and over 2000 visitors saw it. While no one entry was conspicuously outstanding, the average quality of the prints was very high and we thank all those who contributed to the success of the show.



1st November 1944  Page 387 - Vol. 51 No. 11 The Australasian Photo-Review

BE IT EVER SO HUMBLE . . .
AINSLIE ROBERTS

1st November 1944  Page 405 - Vol. 51 No. 11 The Australasian Photo-Review

ADELAIDE CAMERA CLUB
The meeting held on 18th September, was a “Gadget” evening and Mr. George Ziesing, in his inimitable, humorous style, entertained members with a display of and lively comments on, his numerous aids to photography. Other members also brought gadgets and it was felt that the time spent was both amusing and profitable.

The monthly competitions on October 2nd resulted as follows:

A CLASS:			B CLASS:
FIRST Albert A. Ash	SECOND Albert A. Ash	THIRD J.B. Shearer	FIRST B. Andrew	SECOND G.N. Mitchell	THIRD E.G. Dickson

1st December 1944  Page 416 - Vol. 51 No. 12 The Australasian Photo-Review

ADELAIDE CAMERA CLUB
The Annual General Meeting was held on 16th October and Executive Officers and Committee for 1945 are as follows:

President, Ainslie Roberts; Vice-President, J.B. Shearer; Treasurer, R.L. Packer; Librarians, Messrs. Albert Ash and Ian Monfries; Committee, Miss I.M. Capper, Messrs. A.V. Clutterbuck, E. Robertson ARPS, J.N. Tomlinson, George Ziesing. Club Host, R. Bruce; Hon.Secretary, H.L. Austin.

On November 6th an hour’s program of moving pictures was shown as a prelude to a buffet supper, at the close of which Mr. George Ziesing conducted a spirited auction of photographic literature; the Club Library having, over a period of years, accumulated a large surplus of books and periodicals. If the members went home with lighter pockets, but laden with antiques, the laughter and enjoyment caused by the witty sallies of the “auctioneer” more than compensated for buying a “pig in a poke”.

AINSLIE ROBERTS

1st January 1945  Page 6 - Vol. 52 No. 1 The Australasian Photo-Review

ADELAIDE CAMERA CLUB
On November 20th Mr. Jack Tomlinson gave a breezy talk on “Exposure in the Camera”, stressing the point that 98 per cent, of all pictures are made by light reflected from the subject and the importance of the correct assessment of the value of the light thereof. Various types of exposure meters were then described.

Competition results at the December 4th meeting were:

A CLASS:			B CLASS:
FIRST Albert A. Ash	SECOND EQUAL J.B. Shearer Albert A. Ash	THIRD H.L. Austin	FIRST G.N. Mitchell	SECOND Miss C. Parsons	THIRD E.G. Dickson

The judging was followed by a brief lecture on pictorialism by the President (Mr. Ainslie Roberts), in which he chose one point only for discussion — simplicity. This was ably illustrated by pictures chosen from the competition entries.



Wednesday 17th January 1945  Page 4 - The Advertiser (Adelaide SA)

VICE-REGAL PATRON
His Excellency the Governor (Lieutenant General CHARLES WILLOUGHBY MOKE NORRIE, 1st Baron Norrie GCMG, GCVO, CB, DSO, MC and Bar) has accepted the position of patron of the Adelaide Camera Club.

LIEUTENANT GENERAL CHARLES WILLOUGHBY MOKE NORRIE
1st Baron Norrie GCMG, GCVO, CB, DSO, MC and Bar

Born 26th September 1893
Died 25th May 1977 (aged 83)

23rd GOVERNOR of SOUTH AUSTRALIA
19th December 1944 to 19th June 1952

1st February 1945  Page 97 - Vol. 52 No. 2 The Australasian Photo-Review

ADELAIDE CAMERA CLUB
On December 18th a profitable evening was spent in discussing “Darkroom Technique”; four members taking part. Mr. J.B. Shearer spoke on developing and developers, advocating certain Kodak recommendations; Mr. H. Stone on the layout of the darkroom; Mr. Ainslie Roberts on the importance of fixing and washing; and last, but not least, Mr. George Ziesing on how to make the best of stale materials.

Results of the competitions held on January 8th were:

A CLASS:			B CLASS:
FIRST I. Monfries	SECOND J.B. Shearer	THIRD I.M. Capper	FIRST Mr. Dickson	SECOND Mr. Dickson	THIRD Mr. Malpas

Judging was followed by the reading of criticisms of last month’s prints by the President, Ainslie Roberts, after which the monthly pictorial talk was given by J.B. Shearer, who chose “Lighting” and “What to look for in a Landscape”, as his main point; laying particular emphasis on the importance of the time of day in which to obtain the best effects early morn or late afternoon.



Monday 26th February 1945  Page 5 - The Advertiser (Adelaide SA)

CAMERA CLUB SHOW: The President of the Adelaide Camera Club (Mr. Ainslie Roberts) said yesterday that arrangements had been made to hold an international salon of photography in August this year. Not only the best of Australian photographic art, but original prints from well known overseas photographers would be on view.



1st March 1945  Page 106 - Vol. 52 No. 3 The Australasian Photo-Review

ADELAIDE CAMERA CLUB
The subject for discussion on January 15th was "Mounting and Titling". A short paper on semi-dry mounting by the use of shellac, written by Mr. George Ziesing, in his usual humorous vein, was read by Mr. Ainslie Roberts, Mr. Ziesing being absent on holiday. This was followed by examples of titling by the President, showing how this can make or mar the appearance of the print.

On February 5th the monthly awards were:

A CLASS:			B CLASS:
FIRST Ainslie Roberts	SECOND J.B. Shearer	THIRD Albert A. Ash	FIRST G. Mitchell	SECOND B.L. Andrew	THIRD George Ziesing

Mr. J. B. Shearer presented a short criticism of the January entries, after which Mr. R. Packer gave a talk on “Effect; Its Place in Pictorial Photography”, illustrating with the aid of pictures the different atmospheres obtained by the use of sunlight, shadow, cloud, mist or fog, smoke or spray in composition.

ADDENDUM:
Beginning in March, the Society will commence a Photographic Course consisting of twelve two-hour demonstration lectures in the Physics Laboratory of the University, the course being designed to carry those interested through from the elementary stage to the production of salon prints. Mr. A.V. Clutterbuck has been entrusted with the organization of the series and he will be ably assisted by leading members of the club, as well as experts kindly lent by Kodak Ltd.



1st April 1945  Page 191 - Vol. 52 No. 4 The Australasian Photo-Review

ADELAIDE CAMERA CLUB
On February 19th an interesting talk on “The True and the False in Photography” was given by Mr. Colin Ballantyne. This was followed by questions and discussion by club members.

At the meeting held on March 5th awards for the monthly competitions were as follows:

A CLASS:			B CLASS:
FIRST J.B. Shearer	SECOND Albert A. Ash	THIRD E. Robertson	FIRST George Ziesing	SECOND A.R. Betteridge	THIRD J.M. Phelps

After the judging the usual print analysis and criticism was carried out by A. Roberts and R.L. Packer.

ADDENDUM:
ADELAIDE CAMERA CLUB
COURSE OF PHOTOGRAPHY
The course duly commenced on March 12th, with fifty students. The syllabus is as follows:

1. How a Camera Works: Holding, focusing, stops, exposure, film speeds, filters, tripods, cable releases, lens hoods.
2. Home Portraiture: Backgrounds, lighting, reflectors, focal length of lens and its effect, portrait attachments.
3. Developing the Film: Developers, temperature, developing, density and contrast, fixing, washing and drying.
4. Contact Printing: Paper developers, gaslight papers, bromide papers, masking, dodging, fixing, washing, drying.
5. Enlarging: Focusing, test strips, dodging, burning in, shading, black and white borders.
6. Enlarging.
7. After Treatment of Prints: Toning, local reduction, reinforcement, spotting, doping.
8. Finishing: Trimming, mounting, titling, lettering.
9. Answering Problems: Queries to be written and handed in at previous lecture.
10. Sensitive Materials: Their characteristics.
11. Pictorial Composition.
12. Analysis and Criticism of Students Work (Epidiascope).

All are two hour lectures, nearly all practical demonstrations.

We hope to publish further details at a later date with a view to assisting other clubs who may be contemplating similar activities.

MR. WALTER BURKE’S “CONTINENTAL CAMEO”
On 16th March, the Adelaide Camera Club held a social evening at which the chief item of attraction was Mr. Walter Burke’s “Continental Cameo”, a lantern slide lecture of this well-known worker’s trip abroad in 1938. The commentary was written by Mr. Burke himself, delivered by the President (Mr. Ainslie Roberts) and the superb technical quality of the 54 slides shown was a revelation to a great many club members and their friends. These slides exploited to the full the characteristic charm of the lantern slide, the luminosity (especially in the shadows) and the great range of tones, impossible to record on bromide paper. The scenes depicted, being mainly continental, had an especial value, inasmuch as the present conflict has been raging back and forth over a great deal of the ground covered by this lecture.

A vote of thanks was passed to Mr. Burke for his interest in making the slides available; to Kodak Ltd., for their ready co-operation and handling of the transportation; and to Mr. Albert Ash, who supplied and operated the lantern.

A successful evening was rounded off by a buffet supper, the general chatter accompanying it proving that the established formula of “one cup of coffee — one sandwich — one photographic argument” was being adhered to in true club spirit.



Friday 13th April 1945  Page 4 - Examiner (Launceston TAS)

SUCCESS OF AMATEUR PHOTOGRAPHERS
Two Launceston amateur photographers have achieved outstanding success, one in an international photographic exhibition in America and the other in an important mainland photographic display. Mr. J.W. Ikin received advice yesterday that one of his prints had been hung at an international photographic exhibition at Rochester USA. He had been informed, he said, that 80 prints had been submitted by Australian photographers, but only four had been selected for hanging, of which his was one. The picture is a landscape with children's figures taken in the Punch Bowl. A print from the same negative won a first prize at last year's Launceston show and another won an important competition in England last month. The other successful amateur is Mr. W.L. De Santo, one of whose pictures exhibited at the last annual Australian Landscape Exhibition, organized by the Adelaide Camera Club, won a bronze plaque. More than 460 entries from all over Australia were shown at the exhibition and Mr. De Santo was the only Tasmanian to receive such an award. His picture is to be included in an exhibition, of Australian photography which is being collected on behalf of the Royal Photographic Society of Great Britain for display in England after the war.



Saturday 14th April 1945  Page 8 - Advocate (Burnie, Tas. )

PHOTOGRAPHERS SUCCESSES
Two Launceston amateur photographers have achieved outstanding success, one in an international photographic exhibition in America and the other in an important mainland photographic display. Mr. J.W. Ikin received advice today that one of his prints had been hung at an international photographic exhibition at Rochester USA. He had been informed, he said that 80 prints had been submitted by Australian photographers, but only four had been selected for hanging, of which his was one. The picture is a landscape with children's figures taken in the Punchbowl. The other successful amateur is Mr. W.L. de Santo, one of whose pictures exhibited at the last annual Australian Landscape Exhibition organized by the Adelaide Camera Club won a bronze picture. More than 400 entries were shown at the exhibition from all over Australia and Mr. de Santo was the only Tasmanian to receive such an award.



1st May 1945  Page 202 - Vol. 52 No. 5 The Australasian Photo-Review

ADELAIDE CAMERA CLUB

FIRST INTERNATIONAL
Readers are reminded that the closing date for the Adelaide Camera Club’s Annual Salon of Pictorial Photography is 30th June, at the office of the Hon.Secretary, Mr. H.L. Austin. We understand that owing to the extensive demand, no further official entry forms are available, but facsimile entry forms will be acceptable containing a numbered list of 1 to 5, showing title of the prints, processes and sale prices. Prints must be mounted on light-toned mounts, either 20 x 16 inch or 16 x 12 inches, upright only in both cases and numbered and titled on the back to correspond with the entry form. The entry fee is five shillings, covering one to five prints.

The salon will be of an essentially pictorial character. Only work of high artistic value and faultless technique will be hung. Prints previously hung at any Adelaide Camera Club Annual Exhibition are ineligible.

The August A.P.-R., it is hoped, will contain a representative portfolio of both overseas and Australasian work.



1st July 1945  Page 334 - Vol. 52 No. 7 The Australasian Photo-Review

ADELAIDE CAMERA CLUB
At the June meeting the monthly competitions resulted:

A CLASS:			B CLASS:
FIRST Ainslie Roberts	SECOND E. Robertson ARPS	THIRD J.B. Shearer	FIRST A.R. Betteridge	SECOND Miss Parsons	THIRD Mr. Mehrtens

Mr. Betteridge’s effort was a superb table-top in landscape (he confessed that one tree alone took him four weeks to build). He now advances to A CLASS.

The following Saturday saw the Club’s first outing for some time. Despite inclement weather, thirty members attended and voted the afternoon a success. Candid photography was, of course, the order of the day. The results will be seen next month in a competition for the trophy offered for the best picture taken on the outing.

At the mid-monthly meeting Mr. E. Robertson demonstrated his lighting for figure studies, an art of which he is a well-known exponent in the Club.



Tuesday 31st July 1945  Page 2 - News (Adelaide SA)

Mr. Ray Macquarie Beggs, of Durban, South Africa, whose father came from Adelaide, has sent five excellent studies of Zulu life to Adelaide's first international photographic salon, which opens on August 20th. Mr. Ainslie Roberts, President of the Adelaide Camera Club, which is sponsoring the salon, tells me that Mr. Beggs father was very proud of having been born in Adelaide and praised Adelaide so much that the son hopes to visit here some day. The son has read everything he can find about the Zulus and spends all his spare time visiting them in their reserves, yarning with them and photographing them. Another five photographs have been sent to the salon from Mexico. They were taken by Mr. Gordon C. Abbott, who judged at the Chicago Camera Club's salon last year, a salon at which Mr. Roberts and other Australian amateur photographers were represented.



1st August 1945  Page 344 - Vol. 52 No. 8 The Australasian Photo-Review

ADELAIDE CAMERA CLUB
June meeting saw the election to the Club of twenty-eight new members. Their applications for membership were largely inspired by the Instructional Course in Photography recently conducted by the Club at the Adelaide University. The school was an unqualified success, due in the main to the efforts of A.V. Clutterbuck, who promoted and managed the scheme. The Club now stands as strong, both numerically and financially, as ever in its history; 138 members in all.

The monthly competition resulted.

BEST PICTURE TAKEN ON THE CLUB’S OUTING: AINSLIE ROBERTS	A CLASS:			B CLASS:
	FIRST E. Robertson ARPS (Character Study)	SECOND Ainslie Roberts (table top)	THIRD A.R. Betteridge (table top)	FIRST Miss C.V. Parsons	SECOND Mr. Pocock	THIRD C. Thompson

The lecture was by F. Cole ARPS, who gently chided the critics and stressed the fact that any criticism is merely the expression of the personal opinion of the critic — he might be right, but he was frequently wrong. Criticism must be honest, but should be tactful.

At the mid-monthly meeting, Mr. A.E. Tulla, a prominent professional, discussed the technique of pictorial photography by artificial light, the clubroom being fitted-up to reproduce the equipment of a professional studio, including a bank of lights across the room, modeling lamp, overhead and spot lights, auxiliary light for controlling background and back-stop. In turn, Mr. Tulla discussed the part played in the finished product by the background, the sitter, the lights, the camera and lens, the film and the filters and finally, of course, the photographer. He pointed out that the lines of the sitter are largely controlled by the background, the modeling or third dimensional effect by the lighting and the color rendering by the material in or on the camera. The lecturer demonstrated his points by means of his equipment in the room. His auxiliary and modeling lamps were home-made, each of two aluminium pudding-bowls superimposed. He emphasized the fact that two lighting units are quite sufficient for home portraiture. All his lamps were 500 watt, diffused with lunch-wrapping tissue paper; the lecturer pointed out that mere wattage is not a reliable measure of photographic effect — so much depends on the color of the light, vide, infra-red, for instance. The main purpose of the spotlight was to place a highlight in the eyes; of the auxiliary, to control the tone and shading of the background. The lecturer then compared the studio camera on stand with which he was demonstrating with the modern miniature, much to the disadvantage of the latter. He did not, however, tell how to manage with his outfit if called upon to follow the antics round the room of a frolicsome two-year old. Speaking of films and filters, Mr. Tulla compared the rendering of skin tone texture given by Super-XX, Filter XI, factor 4x, with Verichrome. The exposure he aimed at was l/50th at f/4.5; he was able to maintain this large stop by means of his three-point focusing, making use of a swing and tilt-back.



Tuesday 7th August 1945  Page 4 - The Advertiser (Adelaide SA)

ADELAIDE CAMERA CLUB
INTERNATIONAL SALON AWARDS ANNOUNCED
Awards in the first international salon sponsored by the Adelaide Camera Club were announced yesterday by the President of the club (Mr. Ainslie Roberts). The salon will be opened by the Governor (Sir Willoughby Norrie) in the Royal Society of Arts Gallery, Institute Building, North terrace, at 8pm on Monday 20th August 1945.

There were 726 entries, 489 from Australia and 237 from overseas. Of these, 211 were selected for hanging.

The judge, Mr. Hans Heysen, awarded the silver medal for the best Australian print to Harold Cazneaux (Sydney). P. Bentley (Canada) has secured the silver medal for the best overseas print and J.O. Fitzgerald (USA) won the bronze plaque with special mention.

SILVER MEDAL BEST AUSTRALIAN PRINT Harold Cazneaux (Sydney) "Steam and Sunshine"				SILVER MEDAL BEST OVERSEAS PRINT P. Bentley (Canada) "The Pearl Mosque"				BRONZE PLAQUE WITH SPECIAL MENTION J.O. Fitzgerald (USA) "For Lunch"
BRONZE PLAQUE: "On the Natal Coast" L. Bevis South Africa	BRONZE PLAQUE: "The Sculptor, George Lambert" Harold Cazneaux Australia	BRONZE PLAQUE: "Baron Hoyningen-Huene" Max Dupain Australia	BRONZE PLAQUE: "Mist on Molonglo" Keith McClure Australia	BRONZE PLAQUE: "Sunlight Alley" N.J. Nalawalla India	BRONZE PLAQUE: "BFB Station Officer" J.N. Unwalla India	CERTIFICATE: "Parthenope" B. Vincent Abbott U.S.A.	CERTIFICATE: "Fiesta" Gordon C. Abbott Mexico	CERTIFICATE: "Harold Cazneaux" Monte Luke Australia	CERTIFICATE: "Twilight" Carl Mansfield U.S.A.	CERTIFICATE: "Tonio" Athol Smith Australia	CERTIFICATE: "Dr. Julian Smith" C. Stuart Tompkins Australia

Mr. Roberts said that the number of prints submitted for the salon represented an all-time record for a South Australian effort. The last record was established last year when 430 prints were received for the Adelaide Camera Club ninth annual Australian exhibition of photography. For the first time, an Adelaide organization had now prepared an exhibition of photographs which included overseas works.

LIEUTENANT GENERAL CHARLES WILLOUGHBY MOKE NORRIE
1st Baron Norrie GCMG, GCVO, CB, DSO, MC and Bar

Born 26th September 1893
Died 25th May 1977 (aged 83)

23rd GOVERNOR of SOUTH AUSTRALIA
19th December 1944 to 19th June 1952

           

HANS HEYSEN

Saturday 18th August 1945  Page 10 - The Advertiser (Adelaide SA)

PHOTOGRAPHIC SALON OPENING
Although His Excellency the Governor (Sir Willoughby Norrie) will officially open the first international salon of the Adelaide Camera Club at 8pm on Monday, members of the public will not be able to see the pictures until noon on Tuesday. Admission to the official opening will be by invitation.

More than 200 prints will be hung, many of them from overseas. The number of prints submitted 726; is an all time record for a South Australian effort. There will be no charge for admission to the salon, which will remain open until Saturday 1st September.



Saturday 18th August 1945  Page 4 - The Advertiser (Adelaide SA)

THE MOST POPULAR HOBBY IN THE WORLD HAS TRAVELED FAR
IS PHOTOGRAPHY AN ART?
by AINSLIE ROBERTS
President of the
ADELAIDE CAMERA CLUB

When His Excellency the Governor (Sir Willoughby Norrie) opens the International Salon of the Adelaide Camera Club in the Society of Arts Gallery on Monday night, it will be a landmark in the history of pictorial photography in this State.

LIEUTENANT GENERAL CHARLES WILLOUGHBY MOKE NORRIE
1st Baron Norrie GCMG, GCVO, CB, DSO, MC and Bar

Born 26th September 1893
Died 25th May 1977 (aged 83)

23rd GOVERNOR of SOUTH AUSTRALIA
19th December 1944 to 19th June 1952

The club is nearly 50 years old and this will be the first international salon ever organized in South Australia. The response by photographers overseas, as well as locally, has been particularly keen and Adelaide will be able to see some pictures that have been hung in the foremost photographic salons of the world.

Photography has traveled far since its elementary processes were first applied by Daguerre and Fox Talbot in 1839. At first, it progressed slowly. In 1861 the first wet glass plate was used by Scott Archer. The plate had to be exposed and developed while still wet and this laborious method was employed until, in 1871, Dr. Maddox used the gelatine base from which modern photography takes its origin.

From this date progress became swifter and when, in 1888, Eastman introduced the transparent celluloid film, he brought photography within reach of all. Public interest increased rapidly until, in 1933, photography received one of its greatest fillips with the introduction of the miniature camera. Though larger size cameras are still preferred by many of today's pictorialists and professional photographers, the compact, precision-built miniature camera has done much to establish photography as the most popular hobby in the world. This however, has in no way diminished the claim of the pictorial photographer to be classified among exponents of the fine arts.

The coming International salon will doubtless revive in Adelaide the century-old controversy, "Is photography art?"

Art itself was greatly influenced by photography during the period of Ingres and his contemporaries, who strove to produce work of photographic exactitude. The reaction occurred in the latter part of the last century, when the Impressionists, Monet, Manet, Pissaro and others violently disputed that the tenets of painting should follow the camera.

At the same time, pictorial photographers were striving to emulate painters and etchers and for a period there was a certain interlacing of the work of photographers and artists.

Without exception, however, those who were instrumental in making photography practical were impelled by an artistic urge. Wedgwood was the son of the great potter. Niepce had been experimenting with lithography. Daguerre painted scenery and illusionistic panoramas. Fox Talbot had always wanted to draw. Just as photography has been fostered by those with artistic sensibilities, it also enabled countless followers who had little training to produce photographs. For a while, it seemed that the painter might fare ill in competition with the new picture-making process. But the painters of merit and the few of genius, did not suffer and it is unlikely that they ever will.

Today, art has successfully broken away from the influence of photography and pictorial photography itself shows distinct signs of bidding strongly for what its disciples consider its rightful place as an independent, though not exclusive, medium of expression among the fine arts.

The freakish type of photography, so popular earlier in the century, has given way to a more forceful and honest method which relies more on excellence of composition and technical quality for its success. Today, the pictorial photographer who is tempted to confuse his work with etching and painting is in danger of losing much of the vigor and interest which the camera, by its very bondage to actuality, can express so well.

Seemingly, the reaction from the uneasy flirtation between the camera and the brush still persists. For though many will avow that the question: "Is photography art?" was long ago settled in the affirmative, others feel safe in predicting that there will still be scope for disagreement a century hence.

It is interesting to hear the view of a noted contemporary Australian painter on photography as it stands today. Mr. Hans Heysen, who made the awards for the Adelaide Salon, declares:

"We are inclined to Judge photographs by standards derived from the study of great pictures - and I think rightly so. For there must be a standard of pictorial production and a precise badge of perfection. The camera can perhaps give a so-called character evaluation in more detail than an artist; but it is only when the mind of an artist is behind the instrument that his powers of selection, coupled with the full experience and knowledge of the mechanical potentialities of his instrument, can at times produce something very nearly approximating what we understand as art. The boundaries of the photographer are always limited and set by mechanical processes. But for the artist, with full technical powers at his command, there are no such restrictions imposed.

"It is an emotional impulse which sets the creative instinct in motion and consciously or unconsciously selects the essentials of any subject for re-creation into a united whole. Unessential details can be ignored and thus a really truer picture can be produced by the artist than by the photographer".

Mr. Heysen concedes that "a gulf separates the mere photographic recorder from the camera pictorialist with an artist's eye and mind and powers of more subtle perception".

While artists may agree with Mr. Heysen, pictorial photographers will not do so unreservedly. For it is sensitive selection and treatment of subject, coupled with technical skill, which they claim can raise their pictures to a place among works of art.

Photography like other arts, is a matter of creation as soon as it is applied to subjects beyond pure record. The photographer who has something to say and says it pictorially in a simple, sincere manner, using good technique to bear the physical burden, has qualified as a successful interpreter.

When artists paint, sculptors carve and creative photographers select, each is working under the impetus of an idea, an idea which each wishes to convey to others. That is the genesis of all true art. And since photography, like much painting and sculpture, is undoubtedly able to give its beholders a sense of uplift and release, it follows that the photographer may sometimes approach as near to the ideal of art as the painter himself, or the sculptor.

There is another angle to be considered. Martin Armstrong and Rose Macaulay once edited two delightful anthologies — "The Major Pleasures of Life" and "The Minor Pleasures of Life." Mr. Armstrong grouped his selections under such headings as "Love", "Music and Musicians", "Books and Writers". Miss Macaulay, on the other hand, found joy in such agreeable incidental subjects and diversions as "Bathing", "Curious Sights", "Deploring the Decadence of the Age", "Happy Deaths", "Female Pleasures" and "Flattery." The analogy is not inapt; for as there are major and minor pleasures in painting, so there are major and minor pleasures in photography.

Today, we are on the threshold of photography's greatest advance — representation in true color. From a somewhat shaky beginning a few years back, it has developed rapidly and a process has recently been perfected whereby color prints of any size can be produced as easily as black and white. While many feel that the beautiful rich blacks, whites and multiple grays which are found in a well-produced monochrome print will never be entirely displaced, the pictorialist must prepare for color if his work is to progress.

Color photography must not be judged wholly on the work seen so far. The great bulk of this has been false in color values, due not only to the fact that color films were in the experimental stage, but also because most photographers were not familiar with the interpretation of color. The tendency has been to gravitate naturally to the girl in the vivid red swim suit who inevitably hurled a bright yellow ball into a startlingly blue sky. The photograph recorded a blaze of color that would have rocked Mother Nature.

However, with the aid of new color processes, the authors of the best color prints of the future will learn restraint in the selection and handling of their subject matter. Color prints of real merit will one day appear on the salon walls. The possibilities of the medium are vast and, for the photographer, exhilarating.

AINSLIE ROBERTS

Tuesday 21st August 1945  Page 4 and 6 - The Advertiser (Adelaide SA)
Tuesday 21st August 1945  Page 5 - News (Adelaide SA)

PHOTOGRAPHY'S VITAL ROLE
GOVERNOR OPENS CAMERA SALON
The vital role played by photography in the war was stressed by His Excellency the Governor (Sir Willoughby Norrie), who opened the first international Adelaide salon of photography, presented by the Adelaide Camera Club in the Royal South Australian Society of Arts Gallery last night.

His Excellency, who was introduced by the President of the Camera Club (Mr. Ainslie Roberts), said that photography had been used predominantly by the Air Forces, but the infra-red methods had also been invaluable to the navies and armies.

"Cameramen have played a gallant part in the war and as a soldier, I would like to pay a sincere tribute to their services", Sir Willoughby Norrie said. "I am glad to see a picture of the late Mr. Damien Parer. His loss was a great one, as he stood out among the official war photographers, not only of Australia but of the Allied nations".

His Excellency said that the club was the only camera club in Adelaide and he was pleased to hear that it was affiliated with the Royal Photographic Society of Great Britain, perhaps the worlds premier photographic body. He added that many of the names listed in the catalog were world famous and he congratulated the club on its enterprise and initiative.

The salon consists of pictures from Australia, England, America, Canada, India, South Africa, New Zealand, Mexico, Portugal and Spain. It will be open free to the public at the gallery from noon until 9.30pm each day until September 1st.

OUTSTANDING DISPLAY
The Adelaide Camera Club deserves the heartiest congratulations on the excellent collection of photographic art. The exhibition is comprehensive, has been most tastefully arranged and the sectional grouping gives scope for critical and selective comparison. The amount of detailed work in getting together such a magnificent group of artistic photographs, will best be appreciated when it is realized that no fewer than 736 prints were received and of these only 211 have been hung, being the contribution of a dozen countries.

The oft-expressed opinion that photography is a more or less mechanical process, must be almost entirely brushed aside when one realizes the care in the choice of subject, the posing of a figure, or the patience necessary in striving after the desired effect of light and shade. An inspection of this exhibition is convincing proof that pictorial artists owe much to photographers, who lead the way in choice of subject, at any rate as far as landscapes and sea studies are concerned.

For simple quality of light and shade and an extraordinary perspective through a series of arches. "The Pearl Mosque" is absolutely outstanding. In "Entrance", too, the soft effects and lighting have been beautifully caught. In "Foam Pattern" the artist has secured a fine result in the soil ripple of ebbing waves and "Fiesta" shows a clever grouping of figures, clothed in white with deep shadows thrown by the Mexican sun. "The Rift" is a charming cloud study, with the rays of the sun just striking through. Graduated light shows artistically in "Morning Wash", a wet and sloshy road and an effect of movement has been cleverly secured in "Gaggarian".

Delicate shadows are a feature in "Sand and Shells" and a fine feeling of dignity pervades "Source of Life", the harmony of dark against dark. "Bardolf the Armourer" is a striking example of portraiture and detail is clearly shown in "Leaf Pattern", also in "Eggs and Infants" a group of newly hatched chickens "Parthenope", a lightly veiled nude and "Clematis" are dainty and delicate in execution and "Elegy" is poetic in pose and tone. "Double Trouble" is an interesting study of expression and a similar quality has been secured in "Looking Up", a capital picture of three kittens.

Portraiture is a strong section and some excellent work is shown in "Dr. Malcolm Sargent" and "Ed. Goll". Alertness and vim are shown in an animal study "Who's Calling" and exquisite work in "Tamara Tournamova".

Landscapes are numerous and the subjects are well chosen with due regard to composition and artistic beauty. "Sunlit Eucalyptus" deserves special mention and "Country Lane" shows good work in the soft effect. Other very pleasing studies are "The Sisters" and "Expectation".

LIEUTENANT GENERAL CHARLES WILLOUGHBY MOKE NORRIE
1st Baron Norrie GCMG, GCVO, CB, DSO, MC and Bar

Born 26th September 1893
Died 25th May 1977 (aged 83)

23rd GOVERNOR of SOUTH AUSTRALIA
19th December 1944 to 19th June 1952

Tuesday 21st August 1945  Page 5 - News (Adelaide SA)

CONTRIBUTORS FROM MANY LANDS IN PHOTO SHOW
The first international salon of the Adelaide Camera Club, which was opened last night at the institute building by the Governor (Sir Willoughby Norrie), will be open to the public for two weeks. Excellently arranged, these photographs represent the work of contributors from many lands and are striking in the way they echo, somehow, the characteristic qualities of their country of origin.

The spirit of England, for instance, is personified in the portrait of a little girl refugee, while there is no mistaking the dynamic American brand, especially its humor, as in "Read Instructions Carefully", where the difficulties of a novice putting in his first film are only too truly portrayed.

Very typical of American posing is "The Shining Hour", a portrait of a young woman, skillfully vignetted in real fashion-book style. One of the best pieces of composition comes also from America in "Intermezzo", a well-balanced study of two boys in which the strong upward movement is held perfectly in arms placed akimbo.

The Mexican group is full of life and movement, even in a landscape such as "Sunset", where clouds take on a powerful upward surge that is tremendously stimulating.

Australia is fairly strongly presented, "Pearl" is a delicate effect with its little staccato noses for emphasis almost like a pencil drawing and in "Arch and Pillars" a cold, classical spirit, quite Roman, is rigidly and faultlessly maintained with its rich suggestive shadows and pleasing texture. The exhibition shows some splendid portraits, one of Dr. Malcolm Sargent being particularly dramatic and outstanding. Gone are the days when photographers resorted to all kinds of tricks to achieve unusual results. In this salon is to be seen nothing but good, solid photography, handled by people with the ability and knowledge to get the best out of their medium.



Saturday 25th August 1945  Page 5 - The Mail (Adelaide SA)

CAMERA STUDIES FROM MANY LANDS
The possibilities of the camera as a pictorial medium in skillful hands are fully exploited at the first international Adelaide salon, arranged by the Adelaide Camera Club in the Royal Society of Arts gallery.

The standard generally is commendably high and the effect of the works is greatly enhanced by excellent presentation. The show will remain open from noon to 9.30pm daily until September 1st.

The judge, Mr. HANS HEYSEN, has made the following awards:

SILVER MEDAL BEST AUSTRALIAN PRINT Harold Cazneaux (Sydney) "Steam and Sunshine"				SILVER MEDAL BEST OVERSEAS PRINT P. Bentley (Canada) "The Pearl Mosque"				BRONZE PLAQUE WITH SPECIAL MENTION J.O. Fitzgerald (USA) "For Lunch"
BRONZE PLAQUE: "On the Natal Coast" L. Bevis South Africa	BRONZE PLAQUE: "The Sculptor, George Lambert" Harold Cazneaux Australia	BRONZE PLAQUE: "Baron Hoyningen-Huene" Max Dupain Australia	BRONZE PLAQUE: "Mist on Molonglo" Keith McClure Australia	BRONZE PLAQUE: "Sunlight Alley" N.J. Nalawalla India	BRONZE PLAQUE: "BFB Station Officer" J.N. Unwalla India	CERTIFICATE: "Parthenope" B. Vincent Abbott U.S.A.	CERTIFICATE: "Fiesta" Gordon C. Abbott Mexico	CERTIFICATE: "Harold Cazneaux" Monte Luke Australia	CERTIFICATE: "Twilight" Carl Mansfield U.S.A.	CERTIFICATE: "Tonio" Athol Smith Australia	CERTIFICATE: "Dr. Julian Smith" C. Stuart Tompkins Australia

LOCAL SUCCESSES
The work of Australian photographers includes some outstanding examples and easily holds its own with the selections sent from other countries.

Notable pictures include two by Harold Cazneaux, besides the two award pictures — "Veterans" a magnificent gum tree subject beautifully handled and "The Wheel of Youth" a circular swing load of happy children. There are also some very striking portraits, that of the lovely dancer Tamara Toumanova by Max Dupain and Dr Malcolm Sargent, famous conductor, by Athol Shmith, are both gracefully posed.

Two good character studies that compel attention are "The Foreman of the Gang" and "Bondage" a Papuan native. E.L. Norman's attractive still life "Crystal" is an effective arrangement of glasses against a brass tray, rendered with great skill.

Good landscapes and seascapes vie with each other for interest. River Mist by W.F. Moore, is conspicuously successful and "Harbor Moorings" is a pleasing shipping study. Animals, too, are not over looked. There are some particularly appealing sheep and lambs, including "Lost" by Reg Nilsson. George Ziesing has selected the picturesque curves of a furrowed field in "Farmer's Frolic".

U.S.A. ENTRIES
The United States is worthily represented by some distinctive and entertaining pictures. Jon D. Dodds has three charming works. "Looking Up" a popular kitten subject, "Crow" a striking close-up enlargement and "Leaf Pattern" also much enlarged and cleverly selected.

Dr William Small submits an exquisite still life "Clematis" and "Entrance" by Nils O. Temte shows an interior impeccably arranged.

Three Canadian artists make a creditable display, the best examples being three magnificent pictures of Oriental architecture "An Eastern Gateway", "The Pearl Mosque" and "The Temple Steps".

Of the nine English photographs, "The Inner Gate" by Alex Keighley stands out for quality and interest.

Other countries represented include India, Mexico, New Zealand, Portugal, Scotland, South Africa, Spain and Wales.


September 1945  Page 402 and 412 - The Australasian Photo-Review

CAMERA CLUB LIFE CLASS
GEORGE ZIESING

FARMER’S FROLIC
GEORGE ZIESING

Saturday 15th September 1945  Page 2 - Cobram Courier (Vic.)

C.P. MOUNTFORD
ANTHROPOLOGIST
Charles P. Mountford, who has just been awarded the Natural History Medallion for 1944, is another of those Australian with an outstanding record. He is world-famed as an anthropologist and here is an account of some of his exploits. With the Adelaide University Anthropological expeditions he was, in 1935, Ethnologist, Warburton Ranges, and officiated in the same capacity to the Granites, Central Australia, in 1936. In 1937, he was photographer in addition, Flinders Range, while the following year he was leader of the expedition to the Flinders Range. Again, twice in 1938, he led expeditions to the same range. In 1940, leader Man and Musgrave Ranges, and in 1942 leader, Western Macdonnell Ranges.

He went with the South Australian Government expedition in search of Leichhardt (1937) and in 1935 he was Hon.Secretary, Board of Enquiry into ill treatment of aborigines in Central Australia.

His latest triumph is his appointment by the National Geographic Society of Washington, USA, to lead an expedition to Arnhem in 1947.

He is a foundation member and past President, Anthropological Society of South Australia; foundation Hon.Secretary, Australian Anthropological Association; Fellow, Royal Anthropological Society of Great Britain and Ireland; and Member Board for Anthropological Research, Adelaide University. He is a Fellow of the Royal Society of South Australia; Acting Ethnologist, South Australian Museum, 1937-38; twice President of the Adelaide Camera Club, and an active member Explorers Club, New York, USA.

He is the author of "The Art of Albert Namatjira", and part author with C.Barrett and R.H. Croll, of "Australian Aboriginal Art". His scientific articles are too many to detail here.

During 1944-45 the Commonwealth Government sent him to the United States of America to lecture to various learned societies. He used two films, which won the 1941 and 1943 awards as respectively the best and of the year and the second best.

He is about to return to the States to continue his lectures on Australian aborigines and their customs. This is surely a proud record of service.



Saturday 27th October 1945  Page 8 - The Advertiser (Adelaide SA)

Australia's part in the war had received very favorable comment in America, said Mr. Knowlton V. Hicks, the new American Consul, who arrived yesterday. American people generally had been impressed by the work of the Australian soldiers in island campaigns north of Australia. Mr. Hicks was accompanied by his wife and 15-year-old daughter Natalie, who will continue her education in Adelaide. Starting as a clerk. Mr. Hicks has been in the American Consular Service since 1923. 14 years of this period having been spent in Europe. Before his appointment here, he was Consul in Naples where he spent 15 months. While in Hamburg, Mr. Hicks studied languages at the university, including French, German and Russian. An enthusiastic photographer Mr. Hicks intends to carry on his hobby while stationed here. He noted two Adelaide addresses in an American magazine while at Vancouver in 1937, including that of the Adelaide Camera Club. The retiring Consul (Mr. C.A Hutchinson) will leave for home towards the end of next month. Meanwhile, he will work with Mr. Hicks, who will begin making official calls in a few days.



November - December 1945  Page 480 - The Australasian Photo-Review

GADGET EVENING AT THE
ADELAIDE CAMERA CLUB
GEORGE ZIESING
The September mid-monthly meeting covered “Gadgets and Problems”.

Amongst many others, the following gadgets may be of general interest:

Enlarging — a glassless negative carrier of two plain pieces of brass, the tension being produced by a rubber band passed through two slits set at right angles from the rear side; enlarging dodgers, some of wire, others of glass “offcuts” with adhesive tape on the ends. A.R. showed a three-ply former for making a large dish out of paper, the paste of casein glue and also a foot-operated light switch on the principle of the dimmer on motor cars. L.F. demonstrated a home-made enlarger, the unique feature of which was that the two brackets top and bottom attaching the enlarger to the wall were freely hinged in the middle, allowing the image to be projected at any angle.

In the camera department were lens-hoods made of gummed paper wound round a suitable cylinder then dried, sun visors of radio parts and of resinated paper tubes now commercially procurable in all diameters, table-top “tripods”, one of three angle irons bolted together, another simply of two hinged boards, the angle of declination being controlled by a wedge (for resting on front rail of a dress circle in a theatre) another of two pieces of meccano parts fastened together at the end with a bolt 1/4 in. diameter, continental thread, opening out to form an angle inside which the camera rested. Methods of dead blacking the inside of a lens tube, the best result being obtained by corrugated blotting paper treated with Kodak liquid Dead Black — nature of surface was quite as important as medium. The old-fashioned method of using a lens cap for a time exposure was demonstrated, this time extempore with a felt hat or a piece of ordinary black wrapping paper — shield the lens with the paper holding it a little in front of but clear from the lens, open the shutter and allow time for the vibration to cease, commence the exposure by moving the paper out of the way and finish by bringing it back into position, close the lens. (See illustrations).

During the demonstration a loaded camera was used and that paradox was achieved — a true “candid”, yet with every subject gazing steadfastly at the lens. Result enclosed.

Other offerings were: A separate set of weights specifically marked for each formula; safe light for bromide made from cellophane; lamps for artificial light work from aluminium pudding bowls superimposed; large basic light made from paper pasted together and lined with crumpled silver foil paper stirring rod from glass towel rail; use of adhesive tape for labels, for calibrating measures, or for attaching films to spool; wetting agent instead of viscose sponge; photographic uses for radio “pee wee” clips; and generally the expediency of canvassing radio wrecking establishments for parts adaptable to photographic purposes.

All future meetings will be held in the new club rooms, 17 Waymouth Street, on the first and third Mondays of each month. Interstate visitors welcomed.

November - December 1945  Page 480 - The Australasian Photo-Review

SHORELINES
Ainslie Roberts

November - December 1945  Page 537 - Vol. 52 No. 11 and 12 The Australasian Photo-Review

ADELAIDE CAMERA CLUB
At the August meeting the results for the monthly competition were as under:

A CLASS:			B CLASS:
FIRST E. Robertson ARPS	SECOND E. Robertson ARPS	THIRD E. Robertson ARPS	FIRST C.C. Norton	SECOND K. Crane	THIRD D. Wolff

For the mid-monthly meeting, advantage was taken of the showing of our First International Salon to turn the occasion to the full benefit of the club. The final evening of the Salon was reserved for members only and metaphorically the show was taken to pieces and put together again, for the edification of members and the use of future salons. The President reported that the attendance of the public had broken all records for any kind of show held in the Society of Arts Gallery and was more than double the attendance at the club’s last exhibition.

The good old ordinary member played his part in the proceedings. Any good old ordinary member when called upon by number was required to state (with reasons) the print he liked best in the salon; sometimes, for variety, a print which he would have rejected. A panel of (print critics, to you) was appointed and in turn these commented upon any exhibit nominated by one of the good old ordinary member’s.

At the SEPTEMBER COMPETITION:
were keenly contested and resulted as follows:

ROBERTSON TROPHY CHARACTER STUDY OR PORTRAITURE: AINSLIE ROBERTS

SEPTEMBER COMPETITION: A CLASS:

SEPTEMBER COMPETITION: B CLASS:

OCTOBER COMPETITION: A CLASS:

OCTOBER COMPETITION: B CLASS:

FIRST J.B. Shearer

SECOND Ainslie Roberts

THIRD A.V. Clutterbuck

FIRST Doug. Wolff

SECOND M. Nieske

THIRD M. Nieske

FIRST E.R. Robertson

SECOND E.R. Robertson

THIRD E.R. Robertson

FIRST D.G. Malpas

SECOND D.G. Malpas

THIRD D. Underdown

At the annual general meeting A.V. Clutterbuck was appointed President; with that exception all the principal executive officers were re-elected.

The new United States Consul in South Australia (Mr. Knowlton V. Hicks), who is a keen amateur photographer, was welcomed at a meeting of the Adelaide Camera Club on November 5, the first in the Club’s new year. The President (Mr. A.V. Clutterbuck) said that Mr. Hicks was succeeding Mr. C.A. Hutchinson, who had co-operated with the Club in its previous exhibitions.

Thanking members for their welcome, Mr. Hicks said that he had discovered in Naples that Mr. H.L. Austin was secretary of the Club and had decided to get in touch with him when he reached Adelaide.

On the motion of Mr, George Ziesing it was decided that a certificate of honorary life membership should be presented to Mr. Ainslie Roberts (immediate past President). Tributes were paid to the work Mr. Roberts had done in forwarding the interests of the Club and Mr. Ziesing suggested that a social evening should be held in December, at which the certificate would be presented.

September competition resulted:

A CLASS:			B CLASS:
FIRST E. Robertson	SECOND E. Robertson	THIRD George Ziesing	FIRST D.G. Malpas	SECOND Keith Cook	THIRD H.R. Stow

Messrs. Ainslie Roberts and J.B. Shearer gave a criticism of the A GRADE prints and Messrs. George Ziesing and J.A. Tomlinson reviewed the B GRADE entries.

All communications for the Hon.Secretary, Adelaide Camera Club, should now be addressed to Box 602 E, G.P.0., Adelaide.

AINSLIE ROBERTS

Tuesday 4th December 1945  Page 4 - The Advertiser (Adelaide SA)
Friday 7th December 1945  Page 8 - The Advertiser (Adelaide SA)

DONATION BY
ADELAIDE CAMERA CLUB
At a meeting of the Adelaide Camera Club last night the President (Mr. A.V. Clutterbuck) announced that the committee had decided to give £5 to the Food for Britain appeal and members subscribed another £5.



Tuesday 4th December 1945  Page 4 - The Advertiser (Adelaide SA)

Mr. Knowlton V. Hicks, United States Consul in Adelaide, was elected a member of the Adelaide Camera Club last night.



Thursday 6th December 1945  Page 8 - The Advertiser (Adelaide SA)

CAMERA COMRADESHIP
Mr. Hal Austin (HON.SECRETARY of the Adelaide Camera Club) told me yesterday of the cameraderie which exists among amateur photographers the world over and quoted an example of this, adding that the war had strengthened rather than diminished this spirit of comradeship. Mr. Gordon H. Lord, a member of the new US aircraft carrier Lake Champlain, was a successful exhibitor in the International Salon conducted by the Adelaide Camera Club here last year and Mr. Austin has received this charming letter from his mother. Mrs Lillian B. Jordan, of Chenoa, Illinois, USA: "I am sorry that Gordon did not touch Australia during his sojourn in the Pacific. All of our boys and men bring back glowing reports of your country's kindness to them. We have gone through much together, your country and mine. It should and will, cement lasting friendship between us. I like to believe that it is a permanent and binding friendship. We shall still need each other in the years to come. And I have admired your very fine contribution to the winning of the war in each and every sector where you have taken part. My son was just ready to leave for the Pacific again when the surrender came. I feel very thankful and humble over the cessation of the fighting, but not too easy over the future of this war-torn world. It is a sobering picture that confronts us. May we always remain friends, your country and mine".



Friday 7th December 1945  Page 8 - The Advertiser (Adelaide SA)

APPEAL - LORD MAYOR'S FOOD FOR BRITAIN FUND
The Adelaide Camera Club donated £10.



Saturday 15th December 1945  Page 12 - The Advertiser (Adelaide SA)

The Adelaide Camera Club meeting will be held in the builders and contractors rooms, Waymouth street, Adelaide, at 8pm, on Monday. The committee has arranged temporary lighting.



1st January 1946  Page 6 - Vol. 53 No. 1 The Australasian Photo-Review

ADELAIDE CAMERA CLUB
The monthly competition conducted on December 3 resulted:

A CLASS:			B CLASS:
FIRST AINSLIE ROBERTS	SECOND E. Robertson	THIRD A.V. Clutterbuck	FIRST Keith Cook	SECOND A. Roberts	THIRD R.W. Tamlin

Messrs. A. Roberts and J.B. Shearer analyzed the A GRADE entries and Messrs. A. V. Clutterbuck and E. Robertson those in B GRADE.

To aid those members who do not regard their work as being up to competition standard, the committee has invited such members to bring along prints and/or negatives and more advanced workers will point out to them privately the good and bad points and indicate where improvement can be made. Enthusiasm is not lacking among members. The committee is a live-wire body, full of ideas to help members and the members themselves roll up in large numbers to each meeting and take a lively interest in club affairs.

There is still room for improvement in the number of entries submitted to the monthly competitions, but it is hoped that this improvement will be noted soon as materials become more readily available and when the many younger members gain confidence in themselves. To interest members in interstate and overseas exhibitions, a special forwarding committee has been appointed, the members of which see to the packing and despatch of prints intended for these competitions.

The monthly competition held on January 7 resulted:

A CLASS:			B CLASS:
FIRST E. Robertson	SECOND E. Robertson	THIRD A. Roberts	FIRST Miss C.V. Parsons	SECOND Keith Cook	THIRD D. Underdown

Messrs. A.V. Clutterbuck and E. Robertson reviewed the A GRADE entries and Messrs. I. Monfries and A.R. Betteridge the B GRADE.



1st March 1946  Page 143 - Vol. 53 No. 3 The Australasian Photo-Review

ADELAIDE CAMERA CLUB
February activities centered around a lecture on “Outdoor Portraiture” by Mr. lan Monfries and a full day outing to Brighton.

March 1946  Page 118 - The Australasian Photo-Review

THE DREAMING SHIPS
AINSLIE ROBERTS

1st April 1946  Page 201 - Vol. 53 No. 4 The Australasian Photo-Review

ADELAIDE CAMERA CLUB
Mr. R.G. Meatheringham, a regular contributor to the A.P.-R., was a guest at a meeting of the Adelaide Camera Club on 1st April, and was welcomed by the President (Mr. A.V. Clutterbuck).

The monthly competition resulted:

A CLASS:			B CLASS:			C CLASS:
FIRST E. Robertson	SECOND Ainslie Roberts	THIRD E. Robertson	FIRST K. Neighbor	SECOND M.A. Roberts	THIRD J.G. Sprod	FIRST R. Horwood	SECOND D. Malzard	THIRD T. Usher

A grade entries were reviewed by Messrs. Ian Monfries and A.R. Bettridge and B and C grades by Messrs. Ainslie Roberts and A.V. Clutterbuck.

Following on his lecture on portraiture out of doors at a previous meeting, Mr. Ian Monfries spoke on the use of artificial lighting in portraiture work at a gathering of the Adelaide Camera Club on 18th March.

He pointed out that it was most important to have one main source of light and one only. With two lights of equal brilliance pointing at the model, he said, a form of cross lighting was obtained with shadows on both sides of the nose. It was also desirable to have a background as simple as possible, but it must not be contrasty to the point where it took away from the main center of interest. A white background could be made to give any tone from white to almost black by controlling the amount of light which fell on it.

Selecting two models from the audience, Mr. Monfries then demonstrated the three main lighting systems used in pictorial portraiture.

He explained that the basic light system, in which only two lights were used, could be made to give quite a number of effects. The main light was placed as near the camera as possible and on a level with the sitter’s face. This gave highlights on all the prominent parts of the face. The second light could now be used to illuminate the background.

By looking at the background through a piece of blue glass, the photographer could regulate the light on the background until the latter was the same tone as the highlights on the face. In this way there was sure to be tone in the background, because if the negative was correctly exposed and developed, there should be tone in the highlights. Minimum exposure and maximum development should be the objective. Such a lighting system as that described was admirable for children and for softening wrinkles in an elderly person.

Mr. Monfries said that the second system was used where it was necessary to show character in the face. In this, the main light was placed at an angle of 45 degrees from the camera and to form an angle of about 30 degrees with the top of the model’s head. This was the only system to use when photographing people wearing glasses, as the light could be regulated to eliminate all traces of reflection. The second light should be placed on the other side of the camera and so adjusted as to make shadow detail apparent. The best check was again to look through the piece of blue glass and move the light until the detail was discernible.

The third system was the use of the rim light to accentuate profile. The main lamp was set up just in front of the camera, about three feet or three feet six inches from the model and the camera should then be moved back. It would be noted that a thin dark line surrounded the profile of the sitter. As in the second system, the subsidiary light was adjusted to give shadow detail.

Mr. Monfries advised his listeners to confine their attention to the three systems outlined — particularly the first two mentioned — as the use of more complex lighting systems created all kinds of unexpected difficulties.

Incidentally, the lecturer used home-made reflectors manufactured from wash-up dishes to impress upon the audience that portraiture with artificial lighting did not call for expensive equipment. His background was a household sheet.



1st May 1946  Page 250 - Vol. 53 No. 5 The Australasian Photo-Review

ADELAIDE CAMERA CLUB
With the rapid growth of the Adelaide Camera Club, it has been apparent for some time that the Club requires its own permanent rooms, and an announcement by the President (Mr. A.V. Clutterbuck) that such had been obtained was enthusiastically received by members at the meeting on May 6th. Mr. Clutterbuck said that a city firm had made available, at a most reasonable rental, a room in their premises at Gawler Place, Adelaide, and when possession was taken this would remain open through out the week for the use of members. It would be used as a club room, and for the meetings and monthly competitions a theatrette next door would be available.

It was proposed to furnish the room, where the library would also be housed, and it was hoped to install a spotlight and floodlights for use as a studio.

A new club constitution was adopted and Mrs. F. Day (well-known to A.P.-R. readers as Miss Ida Capper) was welcomed back to the club by the President. Mrs. Day, who met with an accident, had been unable to attend club meetings for nine months.

A new method of awarding points in the monthly competitions operated for the first time at the meeting. As the result of a report drawn up by Mr. R.H. Nilsson, the members were divided into A and B grades for voting. A grade members papers having three times the voting power of B grade, as it was found that there were three times as many B grade members as A grade.

The results of the May competitions were:

G.L. FISHER TROPHY LANDSCAPE: Ainslie Roberts “Soft Prelude”	A CLASS:			B CLASS:			C CLASS:
	FIRST E. Robertson	SECOND Miss C.V. Parsons	THIRD J.B. Shearer	FIRST J.G. Sprod	SECOND J.G. Sprod	THIRD K. Neighbor	FIRST K.V. Hicks	SECOND T. Usher	THIRD A.R. Pratt

With Messrs. Knowlton, V. Hicks and George Ziesing analyzing the A-grade entries, and Messrs. Roberts and Shearer the B-grade, members found a most enjoyable conclusion to the meeting.

The Club’s Second International Salon in August, entries for which close on June 29th, shows every prospect of surpassing the first held last year. Up to the present, approximately 200 overseas entries have been received, compared with about 60 at this time last year.

Led by its energetic program-organizer (Mr. George Ziesing), the club recently conducted another two outings. Members went to East Marden, a few miles east of Adelaide last month, and on May 5th to the Zoological Gardens, where they were taken on a conducted tour and given every facility for photography. Members passed a vote of thanks to Mr. Ziesing for the time he had spent in surveying the ground for, and arranging, outings.


1st May 1946  Page 251 - Vol. 53 No. 5 The Australasian Photo-Review

ADELAIDE CAMERA CLUB

Monday 13th May 1946  Page 6 - News (Adelaide SA)
Monday 13th May 1946  Page 14 - The Advertiser (Adelaide SA)

Tonight's Radio - 5CL, 9pm interview with A.V. Clutterbuck about the Adelaide Camera Club.



1st June - 1st July 1946  Page 264 - Vol. 53 No. 6 and 7 Australasian Photo-Review

ADELAIDE CAMERA CLUB
The catalog of the "Amateur Photographer" Overseas show, which was exhibited at the “Royal” during April 1946, shows that out of 87 prints hung, 29 were contributed by members of the Adelaide Camera Club. Four silver plaques were gained by members.



Thursday 25th July 1946  Page 8 - The Advertiser (Adelaide SA)

ADELAIDE CAMERA CLUB
SECOND INTERNATIONAL SALON AWARDS ANNOUNCED
The Premier Mr. Playford will open the second International salon presented by the Adelaide Camera Club in the Royal SA Society of Arts Gallery, North terrace, on 5th August. The exhibition, which consists of 203 photographs chosen from 780 submitted by 17 countries, will be open free to the public from August 6th to 19th. More than twice as many pictures were received from countries overseas as were received for the club's first international exhibition in 1945. Australian exhibitors submitted 374 pictures and of 15 awards made for outstanding work, five were made to South Australians.

AWARDS  made by Mr. Harold Cazneaux are as follows:

SILVER MEDAL: Miss Verne Parsons South Australia	SILVER MEDAL: Miss Eleanor Parke U.S.A.	BRONZE PLAQUE: Mr. E.C. Crossett U.S.A.	BRONZE PLAQUE: Mr. A.R. Eade Australia	BRONZE PLAQUE: Mr. J.L. Wray Australia	BRONZE PLAQUE: Mr. R. Winquist Sweden	BRONZE PLAQUE: Mr. F.W. Knight England	BRONZE PLAQUE: Miss Verne Parsons South Australia
CERTIFICATE: Mr. F. Cole South Australia	CERTIFICATE: Mr. F. Robertson South Australia	CERTIFICATE: Mr. H. Keil South Australia	CERTIFICATE: Mr. H.D. Dircks Australia	CERTIFICATE: Mr. R. Winquist Sweden	CERTIFICATE: Mr. J.N. Unwalla India	CERTIFICATE: Mr. K.V. Arntzen U.S.A.

           

SIR THOMAS PLAYFORD GCMG

Born 5th July 1896 - Norton Summit, South Australia
Died 16th June 1981 (aged 84) Adelaide, South Australia

33rd PREMIER of SOUTH AUSTRALIA
5th November 1938 – 10th March 1965

1st August 1946  Page 381 - Vol. 53 No. 8 The Australasian Photo-Review

ADELAIDE CAMERA CLUB
Members of the Adelaide Camera Club turned up in record numbers on 24th June, to hear a talk on color photography by Mr. Eric Merton, one of Kodak’s technical experts from Melbourne.

Mr. Merton told them of the latest developments and what would be provided for the amateur, but although he was questioned expectantly, he could not state specifically when the color processes now in use in America would be available in Australia.

However, he gave members a fairly detailed description of the type of work they would be able to do. Being an accomplished lecturer he was warmly applauded for a most interesting and informative talk.

Mr. Merton brought with him a selection of outstanding color prints and showed members transparencies and separation negatives. He also showed color films which drew spontaneous applause.

Mr. George Zeising expressed the feelings of the members in his vote of thanks when he described it as a red-letter-day in the history of the Club.

In a recent lecture to members of the Adelaide Camera Club, Mr. John B. Shearer, senior vice President of the club, said that it was essential that everybody should have a knowledge of the principles of print criticism and print analysis if they wished to produce pictorial photographs. Every criticism should endeavor to be instructive, as destructive criticism did not do much good. In print criticism the two important factors to bear in mind were composition and print quality. The critic should consider whether a picture was attractive, whether it was well balanced as to tone masses and whether it had mood.

In judging print quality it was necessary to consider whether the full range of tones possible had been produced and whether the paper base matched the subject. However, any print should be inspected from the viewing distance suitable for its size; for instance, a 12 x 10 inch print should be looked at from a distance of three feet.

Practically every print required after work and to peer at closely and from all angles to try to detect spotting, was hardly fair. If there was no sign of after work on a 12 x 10 print at three feet, it should pass muster.

Mounting and titling must also be taken into account by any critic. Titling should be neat as possible. Flamboyant titles detracted from the print.

CLUB COMPETITION JUNE 3rd: A CLASS:			CLUB COMPETITION JUNE 3rd: B CLASS:			CLUB COMPETITION JUNE 3rd: C CLASS:
FIRST Miss C. V. Parsons	SECOND E. Robertson	THIRD E. Robertson	FIRST D. Wolff	SECOND J.G. Sprod	THIRD R. Douglas	FIRST K.V. Hicks	SECOND D.W. Malzard	THIRD K.V. Hicks
CLUB COMPETITION JULY 1st: A CLASS:			CLUB COMPETITION JULY 1st: B CLASS:			CLUB COMPETITION JULY 1st: C CLASS:
FIRST E. Robertson	SECOND F. Cole	THIRD G. Zeising	FIRST D. Wolff	SECOND J.G. Sprod	THIRD J.G. Sprod	FIRST D.W. Malzard	SECOND H. Verco	THIRD N. Chaplin

SALON FOOTNOTE:
The Adelaide Camera Club, through The Australasian Photo-Review, extends its sincere thanks to all those who gave the Second International Adelaide Salon their support by submitting prints and reiterates a thought recorded last year — that their only regret is that the Salon cannot be seen by every pictorialist and would be pictorialist in Australia. In an effort to widen the scope of the Salon, it is worth mentioning that at the time of writing this report, it is the intention of the Adelaide Camera Club to record the whole Salon on 35mm film — each picture to make one frame — positive films in one continuous roll to be subsequently printed off and made available for sale to clubs and organizations in Australia and Overseas. The films will be suitable for projection and the whole Salon could be viewed and commented upon by a club in one evening. The matter has not been finalized at this date, but the Adelaide Camera Club hopes to have some more news on the subject for the next issue of the A.P.-R.

1946 - 1947
G.L. FISHER MEMORIAL TROPHY
LANDSCAPE

"A BREAK IN THE STORM"
Mr. J.B. Shearer

Thursday 1st August 1946  Page 7 - The Mercury (Hobart, Tasmania)

Mr. P.C. Tapping presided at a meeting of the Southern Tasmanian Photographic Society at Hobart on Tuesday, when Mr. F.G. Robinson lectured on chemical actions in toning. It was announced that Mr. J.B. Stevens had had a picture accepted for exhibition by the Adelaide Camera Club. Dr C.P. Hodgkinson, Mr. J.R. Cooper and the chairman spoke on pictorial photography and Mr. K. Johnston exhibited portrait studies.



Monday 5th August 1946  Page 3 - News (Adelaide SA)

SOUTH AUSTRALIAN GIRL'S PICTURES IN EXHIBITION
Miss Verne Parsons, Adelaide girl who won the silver medal for the best Australian print submitted to the second International Adelaide Salon, which opens tonight, has three photographs in the exhibition.

The Premier (Mr. Playford) will open the salon in the Royal South Australia Society of Arts Gallery, North terrace. It will open to the public from tomorrow and is arranged by the Adelaide Camera Club. Entries were received from 17 countries and South Australians won five of the 15 awards.



Tuesday 6th August 1946  Page 7 - The Advertiser (Adelaide SA)

EXHIBITION OF PHOTOGRAPHY
OFFICIAL OPENING BY PREMIER
The Royal Society of Arts Gallery, North North terrace, was filled last night for the opening of the Second International Adelaide Salon of Photography and the 11th annual exhibition of the Adelaide Camera Club, by the Premier (Mr. Playford). The exhibition will be open free to the public until 18th August.

Of the 780 prints submitted by 209 contributors from Australia, America, Brazil, British West Indies, Canada, China, Denmark, England, Holland, India, Ireland, Mexico, New Zealand, Norway, Scotland, South Africa and Switzerland, the Jury of Selection chose 203 prints from 116 contributors for the present salon. The 15 awards, of which eight went to Australian exhibitors, were made by Mr. Harold Cazneaux.

Mr. Playford congratulated the Adelaide Camera Club on the excellence of the present salon and said that it undoubtedly was one of the best possible methods of adequately publicizing South Australia. The Adelaide Camera Club was the largest in Australia on a population basis and the excellence of the exhibits proved its universal popularity.

The Third International Adelaide Salon is to be held in October next year.



Tuesday 6th August 1946  Page 7 - The Advertiser (Adelaide SA)

CAMERA CLUB'S INTERNATIONAL SALON OPENED
Visitors inspecting award-winning photographs hung at the Adelaide Camera Club's second international salon, which was opened by the Premier (Mr. Playford) at the Society of Arts Gallery yesterday.

Tuesday 6th August 1946  Page 2 - News (Adelaide SA)

GRANDMA'S DRESS
Miss Verne Parsons, 26, the only Australian photographer to win a silver medal in the Adelaide Camera Club International salon, which opened last night, has been a dark-room technician for nine years. But she began actual photographic work only 18 months ago. Her winning print, "Pleasant Tidings", shows two girls in mid Victorian clothing reading a letter. She borrowed her grandmother's wedding dress for one model and reshaped a black evening cloak to make the other gown. At the opening she had to walk with a stick. Last week she tripped on a flight of steps and sprained an ankle.



Tuesday 6th August 1946  Page 4 - News (Adelaide SA)

National characteristics are subtly conveyed in entries - from almost every country in the world - at the eleventh annual exhibition of the Adelaide Camera Club, which was opened at the Institute Building last night by the Premier (Mr. Playford).

All the work is of exceptionally high standard, only 203 prints having been selected from 780 pictures submitted. It is not strange, therefore, that artistic and technical faults are practically non-existent. The fine portrait of "H.R.H. Prince Wilhelm" by R. Winquist, could not possibly have come from anywhere but Sweden, while Verne Parsons beautifully posed and lighted "Pleasant Tidings" is unmistakably Australian or English in spite of its bare setting and period costuming.

Just as our painters of recent years have tended to emphasize the beauty of "grain" in their canvas and "texture" in their paint, so we find Eleanor Parke Curtis in "Flemish Monday" getting the very best quality of grain and texture that photography makes possible. Least pleasing studies are landscapes, portraits and still life's made superficial by over-pretentious arrangement and treatment. The finest effects are those which appear less consciously handled.

"The Farm On the Hill" by Harold Cazneaux, captures the exhilarating airiness of a lovely natural landscape composition while in "Autumn Sunshine" gliding shadows and trailing cloud wisps adequately symbolize the great out-of-doors. Ainslie Roberts "Soft Prelude" with its low tonal quality is also simple in its effect. Among many fine pieces of portraiture, Dr. Julian Smith's "Portrait of a Lady" displays superb natural posing of a spirited model. Altogether this is an excellent show and the profusely and beautifully illustrated catalog should keep it long in memory.



Wednesday 7th August 1946  Page 7 - The Advertiser (Adelaide SA)

Photography nowadays is such a popular hobby and its intricacies have been so considerably eased in recent years, that one can safely predict that all lovers of this particular type of pictorial art will, during the next fortnight or so, find their way to the Adelaide Camera Club Second International Salon, at the Royal SA Society of Arts Gallery, institute Building, North terrace. The club is to be congratulated upon the general excellence of the exhibits and the collection on the whole may be classed as probably the best ever seen in this State.

In a review of the work, it is difficult to compare one class of work with another, for preference. Portraits and studies of faces and figures, certainly attract notice immediately. "Brother and Sister", by Holst Nyberg, is a delightful study and there is a lot or humor and expression in "The Fish Story" by Hugh Frith. Clever, too. is "A Little More Salt" by E. Robertson, in which contrasts are well brought out. There is strong and striking work in "Portrait", by Jan Kennedy and in "Manek" bearing the mark of her caste, by Professor Desai.

The four studies contributed by Dr. Julian Smith are naturally up to his usual standard and "Oscar Hammerstein" is particularly striking in this group. "HRH Prince William" by R. Winquist, shows his strong features and characteristics. "On Service" by F. Cole, "Max Meldrum" by Andre Evinson and "Adolescent" by Stuart Gore, are also noticeable among the portraits.

Roderick Holliday contributes a clever sketch of "Pelargonium Seeds" caught at the psychological moment of their bursting and a particularly charming study is "Spring Fantasia" by Chin-san Long. Also caught just at the right moment is "Big Splash" by Carl Mansfield drops of light scintillating in the light.

Some clever work is shown by Dr. J.O. Fitzgerald in his "Lines and Circles" a group of glassware in different shapes and "Little Sisters" a couple of dogs, by Jack Wright, is also attractive.

Interest in the salon is increased by the addition of several snow scenes, especially "Winterset" by N.E. Kloppenborg and "Allegro" by Lee Ellis. In "Fotheringhay Church" and "The Crucifixion", Frank Knight has secured high lights most effectively. "Winter Night" by Edward Alenius, is a fine impression of a brilliantly lit skyscraper.

An unusual study is "The King Steps Out" portraying marionettes in motion. Landscapes and seascapes naturally make a strong appeal to those fond of the open air and Australian contributors are strong in this section. "Morning Mist" by Colin McDonald, is effective with its light and misty contrasts and "Thoughts of Youth" is a cleverly caught effect in cloud on water. In "Hillside Haven" by A.R. Eade, one is pleased with his grouping of sheep against clouds and the strong shadows are pleasing in "Autumn Leaves" by John Wray. An excellent seascape is "Frolic" by Nat Cowan and Donald Brown contributes a delightful scene, "Country Lane".

A special word of commendation must be said about the excellent souvenir catalog, which has been so artistically set up and printed: this will form a very valuable memento of the exhibition.



Saturday 10th August 1946  Page 6 - The Mail (Adelaide SA)

LITTLE ORIGINALITY IN PHOTOGRAPHY SHOW
Good craftsmanship, but little originality, is shown by most of the exhibitors in the Second International Adelaide Salon arranged by the Adelaide Camera Club in the Society of Arts Gallery.

Although the collection represents some of the best work done in many countries, the subjects and treatments are those to be seen at most photographic exhibitions and the titles might, well be kept, shuffled and redistributed year by year. It is a pleasant, exhibition of technical skill showing the possibilities and limitations of this craft and the Australian work is quite equal in merit to any from America, Brazil, British West Indies, Canada, China, Denmark, England, Holland, India, Ireland, Mexico, New Zealand, Norway, Scotland, South Africa, or Switzerland.

LIST OF AWARDS - made by Mr. Harold Cazneaux are as follows:

SILVER MEDAL: "Pleasant Tidings" Miss Verne Parsons South Australia	SILVER MEDAL: "Flemish Monday" Miss Eleanor Parke U.S.A.	BRONZE PLAQUE: "Old Spice" Mr. E.C. Crossett U.S.A.	BRONZE PLAQUE: "Hillside Haven" Mr. A.R. Eade Australia	BRONZE PLAQUE: "The Lone Track" Mr. J.L. Wray Australia	BRONZE PLAQUE: "H.R.H. Prince Wilhelm" Mr. R. Winquist Sweden	BRONZE PLAQUE: "Fotheringhay Church" Mr. Frank W. Knight England	BRONZE PLAQUE: "Back Stage" Miss Verne Parsons South Australia
CERTIFICATE: "The Moored Dinghy" Mr. F. Cole South Australia	CERTIFICATE: "Checkmate" Mr. E. Robertson South Australia	CERTIFICATE: "Glen Helen Gorge" Mr. H. Keil South Australia	CERTIFICATE: "A. Kendal Yard" Mr. H.D. Dircks Australia	CERTIFICATE: "Tiptoe" Mr. R. Winquist Sweden	CERTIFICATE: "Type of the North" Mr. J.N. Unwalla India	CERTIFICATE: "Bowls Three" Mr. K.V. Arntzen U.S.A.

COMPEL INTEREST
Of the 203 good prints that comprise the show, some works compel interest either by reason of original selection or novelty of subject. "St. Stephen's Gate, Jerusalem" (John Bilney, Victoria), is an unusually interesting architectural example seen from the most effective angle in strong light and the solitary figure of an Arab woman is appropriately placed. "Goldfish" (James Crosbie, Victoria), is a pleasing arrangement of a not so hackneyed subject while Stuart Gore, Western Australia, shows an aeroplane view of a foreshore in a fading light, entitled "The Fretted Edges Of The Ocean". Good shots from U.S.A. include "Waiting Their Return" (Bob Jennings) and "Blue Moonlight" (Thomas B. Reed). The eternal charm of England is caught by William T. Owen, Melbourne, in "In A London Square" and by Miss Winifred Cooper in a captivating rural glimpse through "The Side Door".



Saturday 10th August 1946  Page 5 - The Advertiser (Adelaide SA)

THE CAMERAS WERE DIFFERENT, BUT THE SPIRIT WAS THE SAME NEARLY FIFTY YEARS AGO
PROGRESS OF AMATEUR PHOTOGRAPHY IN SOUTH AUSTRALIA
by A.V. CLUTTERBUCK
PRESIDENT of the
ADELAIDE CAMERA CLUB
The Adelaide Camera Club Second International Salon, which opened in the Royal Society of Arts Gallery, Institute Building, North terrace, last Monday evening, brings to this State the work of leading photographers from practically every part of the civilized world and is another milestone in the progress of amateur photography in South Australia. The present-day photographer with his miniature camera in his pocket. Is a far cry from the days when a few enthusiasts cheerfully carried around cumbersome stand cameras in horse-drawn buggies. Fifty years ago, the serious amateurs idea of the ideal camera was a huge affair using plates 23 inches by 17; and such a camera, together with the always necessary tripod a number of dark-slides loaded with plates and the usual accessories, stowed in carrying cases, made up no mean burden to carry over the countryside in search of pictures. There were men who preferred whole-plate (8 1/2 in. x 6 1/2 in.) cameras, but they were apt to be sneered at by serious workers. It was about this time that the Adelaide Camera Club was formed. The actual facts of its inauguration have been obscured with the passing of the years, but an old text-book in the club "archives" bears the club's stamp and the date 1899.

The club recently acquired the original minute book of the Malvern Photo Club, which later became the Adelaide Camera Club and some of the minutes in this old book make interesting reading The first page, for example: "On Tuesday 19th September 1902, about eight gentlemen met together in the classroom at the back of the Malvern Wesleyan Church, with the intention of forming a photographic society. The meeting had just begun when an interruption occurred in the form of an earthquake: but after the excitement had subsided they then got to business. The following officers were appointed: President, Mr. A. Moyle; Hon.Treasurer. E. Pengelly; Librarian, R. Charlick and Mr. H. Marston and all office bearers on the committee". In reading this old minute book, one cannot but be intrigued by the off-hand manner with which such a startling occurrence as an earthquake is dealt, particularly as the records show that the earthquake was of considerable severity and of outstanding importance. In those days photographers were a sturdy race and not to be deterred from attaining their objective by events which caused considerable agitation to normal human beings. In a report of a committee meeting held on 18th March 1903, the Hon.Secretary naively records: "A suggestion was made that a roll call be taken at each meeting and a further suggestion that someone be appointed to look up absentees, an office which Mr. Pengelly kindly consented to fill". Since no further reference is made to absentees one wonders whether Mr. Pengelly solved an apparently vexatious problem or gave up in despair. As a result of a decision in 1904 to meet in the city, the club decided on 16th February of that year, to change its name to the Adelaide Camera Club. From then on the club continued on a placid course, providing lectures for members and arranging outings. These latter were interesting and good use was made of the five-horse drags which were such a feature of the life of the State in those days.

One such notable outing occurred on 1st September 1905, when members undertook a considerable journey, to Noarlunga. This is how the then Hon.Secretary described the event: "At 8.30am on Friday 1st September, 1905 (holiday), 31 members and friends of the club left King William street (opposite Citizens Buildings) in drags (2) and drove to Noarlunga, arriving at about 11.15am near the church, when everyone took their cameras, baskets and walked down the hill at the back of the church to a nice flat piece of ground, with the hills on one side to shelter from a rather strong wind and the river on the other side, which was running very full after the recent rains. Rugs were spread out on the green grass; the ladies prepared the lunch table while some of the members gathered wood and set the billy boiling. "After lunch cameras were to be seen in every direction. Some of the party spent part of the time in games of different kinds and parties of two, three, four and upwards moved off in different directions to secure pictures of the scenery along the river, which is very beautiful. "The party met at the Noarlunga Hotel and partook of tea, after which they left for Adelaide, arriving about 9pm, having spent a most enjoyable day".

From those days, over the intervening years, the club has continued on in the even tenor of its way. Membership has fluctuated, at times having been as low as about a dozen people and today, with a membership of more than 130, it is one of the strongest photographic clubs in Australia. The progressive policy pursued by the club in recent years is evidenced by the outstanding success of its two International Salons, the very successful course of instruction in photography which it ran last year (and which is to be repeated in the near future) and by the progressive step it has taken in acquiring its own club room. The club is to move into its new premises in Laubman & Pank's Building, Gawler place, next month and the annual general meeting in October is to take the form of a house-warming. The club room will be available to members at all times. Comfortably furnished and with copies of current photographic periodicals on its tables, it will be an asset as a lounge and popular among members as a rendezvous. One end is to be equipped with a background and spot and flood lights for members who wish to do portrait or character study work. The contention that Adelaide people are very "photography minded" is borne out by the large membership of the club, a membership so large that there are undoubtedly more Camera Club members per centum of the population than in any other Australian city. This is not surprising when one considers all that the club has to offer to devotees or this fascinating hobby. The monthly competitions, at which the more advanced workers constructively criticize the pictures submitted, are steadily educating members to an appreciation of pictorial photography and the production of pictures of Salon standard. The mid-monthly meetings are devoted to matters more technical, ranging from the mechanical jobs of developing, enlarging, to handwork on the finished print. Add to this an undertaking to answer any photographic problem any member may have, a steadily growing library of modern photographic books and the good fellowship induced by one interest common to all and you have part of the secret of the club's success. The social side of the club mostly takes the form of outings, not in the picturesque five-horse drags of 40 years ago, but in modern when petrol-is-available cars. No 23 inches by 17 cameras are seen, the sizes range from 35 mm. to quarter plate (4 1/4 in. x 3 1/4 in.) but the spirit of the enthusiastic amateurs is surely just as keen as it was when the earthquake disturbed the meeting in the Wesleyan Church at Malvern 44 years ago.



Wednesday 21st August 1946  Page 2 - News (Adelaide SA)

UNWANTED PUP
Some time ago, near the Whyalla pipeline, Mr. Harry Warner, who operates a pole-erecting truck for the Adelaide Electric Supply Co, came across an unwanted pup about to be shot. He asked for the pup. When he took it home, his wife suggested they call it. "P.L." for pipeline. So "Peel" it was. Now inseparable, the master and dog have sat as models for members of the Adelaide Camera Club, as "Swagger and His Dog" and in a number of Cockney studies. Two pictures, "Bow Bells" and "Checkmate" were entered for the international photographic salon last week.



Friday 23rd August 1946  Page 12 - The Advertiser (Adelaide SA)

The Adelaide Camera Club would shortly conduct a three months course of instruction in photography similar to last year, the President (Mr. A.V. Clutterbuck) said yesterday. The syllabus of 10 lessons would include home portraiture, all phases of developing, enlarging and contact printing, after-treatment of prints, sensitive materials and pictorial composition. Application forms were now available. The first lecture would be given at the University of Adelaide on 18th September.



Friday 23rd August 1946  Page 5 - News (Adelaide SA)

THREE - MONTH COURSE HERE IN PHOTOGRAPHY
The Adelaide Camera Club will conduct a three months course in photography, to open at the Adelaide University on 18th September. Members, including well-known professional photographers, will give their services free. Only nominal charges will be made to cover expenses. Many inquiries for instruction have been received, particularly from ex-servicemen, who want to prepare for a photographic career.

The club President (Mr. A.V. Clutterbuck) said today there were permanent photographic schools in many parts of the world. They gave men and women a chance to learn photography as a hobby or profession.

Application forms for the course were available from city photographers and the number of pupils would be limited. A similar course was held last year.



Wednesday 28th August 1946  Page 3 - News (Adelaide SA)

£6 MIGHT BUY ORCHID AT CITY DISPLAY
If you have about £6 to spare and apply early, you might be able to buy a spike of orchids when the Orchid Club's display in the Liberal Club Hall closes at 5pm this afternoon.

Many people have already applied to buy cut orchids. They are not likely to get one under £6. More than 1,500 people saw the show yesterday. This morning there was such a crowd waiting at 9am that the doors were opened an hour early.

The Hon.Secretary (Mr. R.L. Smith) said many people had asked him to extend the exhibition, but the hall was not available.

Last night the Adelaide Camera Club worked until 11.30pm, taking colored movies of the exhibition.



Wednesday 18th September 1946  Page 5 - News (Adelaide SA)

CAMERA COURSE BEGINS
Fifty-two students, including three women, will attend the first lecture of a series, conducted by the Adelaide Camera Club, at the University tonight. Comprising a course, further lectures will be given every Wednesday night for the next 10 weeks.



October 1946  Page 503 - The Australasian Photo-Review

ADELAIDE CAMERA CLUB
Owing to the opening of our International Salon clashing with our monthly meeting, the latter function was canceled. All members gathered at the Society of Arts Gallery to hear the Premier of the State (Hon. T. Playford, M.P.) declare the Salon open. Despite boisterous weather, a record number of citizens were present, both to see each other and to view the exhibits. It was quite a social occasion.

The mid-monthly meeting took the same form as last year. Again members gathered at the Salon on the last evening of its showing and an enjoyable and instructional evening was spent discussing the exhibits. In the absence of the President, the Vice-President (Mr. J.B. Shearer) took the chair.

The Chairman of the Salon Committee presented his report, in which he stated that over 5,600 people had seen the Salon in ten days. This was in excess of the attendances of last year and was a very good indication of the keen public interest in photography. Such a keen interest, he said, augurs well for the future of photography and the Club felt that the Salon was doing good work in gaining increased public appreciation of photography.

D.W., with a knowledge of the art of window dressing, commented on the set-up and layout of the pictures; he discussed the advantages of the exhibiting of prints under battens; the pros and cons of displaying the prints under glass; the arrangement of dark toned pictures at the ends, gradually shading to the high-key pictures in the center. A.A. presented the layman’s point of view in the Salon, expressing not his own opinions but those of a knowledgeable friend of his, infected with “photomania” through contact. He touched on the placing of the furniture in the gallery, the desirability of grouping the prize winners in a separate panel (now shown separately with their respective countries), his surprise at the admission of certain “record” shots and generally giving many valuable tips from an outsider’s point of view.

Three of our standard critics were in action — Messrs. E. Robertson ARPS, J.B. Shearer and J.N. Tomlinson. In addition (a pleasing feature) some new speakers were induced to contribute their quota — Miss Verne Parsons (winner of the Silver Medal), Messrs. Sprod and Horwood. G.Z. produced a number of reproductions of prints exhibited, holding them up for comparison with the originals. In the majority of cases it was obvious that the originals had suffered, but not in all. The art of the engraver was at its best in dealing with a picture where the main interest lay in the middle tones; the high-key picture lost its subtleties; the heavy picture making a good print but not a genuine reproduction of the original. A.R., producing an American magazine giving details of a much-publicized exhibit, pointed out that it was taken on a Club outing and he boosted this part of the Club’s activities. R.P. called attention to and commented upon the bromoils (19) in the show.

J.B. found in one of the magazines details of the making of one of the American prints and was able to take the members step by step through every process of paper positive and paper negative by which the print was manufactured.

Generally the evening was a pronounced success and certainly is likely to be repeated at future Salons.

Mr. J.B. Shearer explains the processes used in the making of one of the salon exhibits.

Adelaide Camera Club
first meeting in the new clubrooms, Gawler Place.

Members felt very proud of their new club rooms on Monday 2nd September, when, for the first time, a monthly meeting was held therein. For finish and furnishings the rooms could not be bettered — soft wall to wall carpets and leather upholstered steel tube chairs gave an atmosphere which impressed every member.

Besides the usual monthly competition for A, B and C grades, prints were submitted for the Robertson Trophy, a handsome silver cup awarded annually for the best portrait of character study, the winning print coming from the Club stalwart, Mr. Ainslie Roberts, and so for another twelve months he retains the much-prized trophy. The monthly competition winners were:

ROBERTSON TROPHY HANDSOME SILVER CUP AWARDED ANNUALLY BEST PORTRAIT OF CHARACTER STUDY: “South Sea Trader” Ainslie Roberts	A CLASS:			B CLASS:			C CLASS:
	FIRST “Tableau” Ainslie Roberts	SECOND “Romany Lass” George Ziesing	THIRD “Light Keeper” R. Malpas	FIRST “My Prayer” J.G. Sprod	SECOND “Shadow Play” J.W. Tamblin	THIRD “Parachilna” J.G. Sprod	FIRST “Swift Heralds of Dawn” A.R. Pratt	SECOND “Defiance” A.R. Pratt

Another pleasing feature of the evening was the re-opening of the library under reconstructed rules. Three new faces (well known to A.P.-R. enthusiasts) made their appearance at the meeting — Mr. R.J. Nasmyth, of Sydney, Mr. M.R. Pocock, of Mount Gambier; and Mr. A.R. Pratt, of Pompoota. Thanks were given by the country members to those of the committee who had given much help by their criticism and analysis of prints forwarded to the Club during the year.

SOUTH SEA TRADER
Ainslie Roberts

Thursday 7th November 1946  Page 3 - Portland Guardian (Vic.)

Members were privileged to meet the President of the Adelaide Camera Club (Mr. Clutterbuck) at a special gathering during the weekend. Mr. Clutterbuck said he appreciated the opportunity of meeting the members and was delighted with what he had seen of our coastal scenery. Unfortunately, the stay was a very brief one but he hoped to return again and get some views of the outlying districts. He expressed delight at our botanical gardens, its trees, creeks and bird life. Members fired questions at Mr. Clutterbuck about photography and he imparted to members a lot of knowledge. The Adelaide Camera Club is over forty years old.

Many enquiries from other States for entry in our forthcoming salon in December clearly indicates that another success is assured. This time we hope to have some New Zealand entries.



January 1947  Page 52 - The Australasian Photo-Review

ADELAIDE CAMERA CLUB
The first meeting in November took the form of a House Warming and gave members the opportunity to show off their new club rooms to the ladies. Talented members supplied a musical and vocal program and a most enjoyable evening concluded with a 16mm film screening and a buffet supper.

The following motion was tabled at the last meeting in November: "That the name of the Adelaide Camera Club be changed to Photographic Society of South Australia", the ensuing debate proved very enlightening, with the final issue being decided by secret ballot, the majority vote being for the status-quo.

At the December meeting members conveyed congratulations to fellow worker, Mr. Ainslie Roberts, on his election to Associate (APSA) of Photographic Society of America.

The President outlined a scheme whereby junior and less-advanced members would be able to attend night classes and receive practical help and advice from advanced workers. The idea met with spontaneous approval.

Results of the December print competitions were:

A CLASS:			B CLASS:
FIRST Keith Cook	SECOND J. Shearer	THIRD E.G. Dickson	FIRST D. Robertson	SECOND T. Usher	THIRD R.W. Tamlin

Saturday 4th January 1947  Page 8 - The Advertiser (Adelaide, SA)

Mr. Ainslie Roberts, past President of the Adelaide Camera Club, has been made an associate of the Royal Photographic Society of Great Britain and the Photographic Society of America. Mr. Roberts is one of Australia's leading amateur photographers.



1st February 1947  Page 62 - Vol. 54 No. 2 Australasian Photo-Review

ADELAIDE CAMERA CLUB
The competition for January produced a normal number of entries, in spite of many members being on holidays. Prizewinners were:

A GRADE:			B GRADE:
FIRST "Fashion" Keith Cook	SECOND "Farewell" A.R. Bettridge	THIRD "Bush Gums" J.B. Shearer	FIRST "What's That?" R.E.A. Douglas	SECOND "Skipper and Mate" R.W. Tamlin	THIRD "Day Dreams" R.J. Brougham

Speaking of holidays, the Adelaide Camera Club extends a hearty welcome to all "photomanes" who may visit our fair city to come along and spend an evening with its members. Meetings are held on the first and third Mondays of each month. Full details are available from Messrs. Kodak Ltd.

Our second meeting this month took the form of an auction sale, wherein some considerable amount of photographic goods and materials was sold "under the hammer".



February 1947  Page 107 - Australian Photographic Journal

Mr. Keith Phillips ARPS, member of the Adelaide Camera Club has been awarded his Associateship of the Royal Photographic Society of Great Britain.



Thursday 13th February 1947  Page 16 - The Mercury (Hobart, Tasmania)

ILLUSTRATED LECTURE TO PHOTOGRAPHIC SOCIETY
Mr. G. Chatterton presided at a meeting of the Southern Tasmanian Photographic Society at Hobart on Tuesday and welcomed Mr. L. Fisher, of the Adelaide Camera Club, who gave an illustrated lecture on Central Australia. Messrs F.G. Robinson and M.W. Murray spoke on the composition of the prints shown and modern art in photography.



1st March 1947  Page 164 - Vol. 54 No. 3 Australasian Photo-Review

ADELAIDE CAMERA CLUB
The highlight of the Club's activities during February was a reappearance of all the prints of the Adelaide Camera Club second International Salon of 1946. This showing was made possible by Mr. Ainslie Roberts ARPS, APSA and Mr. George Zeising. Using a 35mm and Kodak Panatomic-X film, two 250 watt Photoflood lamps, considerable ingenuity and a wealth of photographic experience, these two enthusiasts copied every print of the salon and had a positive film strip made from the 35mm negatives.

This positive strip was projected and members thoroughly enjoyed the screening, as the prints were reproduced in practically every instance without any loss of beauty, tone or brilliance.

During the interval Mr. Roberts and Mr. Zeising demonstrated a re-enactment of the "kitchen set-up" used in copying the 202 prints.

After calculating correct exposures to range between 4 and 9 seconds at f/9 with the two 250-watt lamps at 4ft., their next difficulty was to overcome flare reflected from the white mounts. Two large L-shaped masks were cut from black paper and used to cover the mounting board entirely.

Camera shake was avoided by capping the lens by hand with a sheet of black paper, as well as refraining from making exposures whilst traffic passed nearby. To avoid reflections from the highly-glazed American prints, the lamps were moved further back and exposures increased.

So that other clubs may also have the pleasure of such an enjoyable evening, the Adelaide Camera Club has circularized all clubs and societies to the effect that this strip film may be procured on loan by application to the Hon.Secretary, Mr. K. Crammond, at a nominal fee of £1/1/- per week, plus air-mail postage.

Prizewinners in the monthly competition were:

A CLASS:			B CLASS:
FIRST Keith Cook	SECOND J. Shearer	THIRD G.H. Mitchell	FIRST R.W. Tamlin	SECOND J.K. Custance	THIRD R.W. Tamlin

Tuesday 1st April 1947  Page 3 - News (Adelaide, SA )
Wednesday 2nd April 1947  Page 6 - The Advertiser (Adelaide, SA )

ROYAL ADELAIDE EXHIBITION
Inter-club Competition — Certificate of merit, Adelaide Camera Club.

The judges were Mr. G.I. Meller, Miss M. Bowden-Thomas, Mr. D. Darian-Smith and Mr. W.J. McNeill.



Saturday 19th April 1947  Page 3 - The Mail (Adelaide, SA )

THE CAMERA WELL HARDLY EVER LIES
Written By MAX FATCHEN Illustrated By IAN McBAIN

This week the chief sent us down to the ADELAIDE CAMERA CLUB. "See what develops", said he. A film comes over our eyes every time we think of that visit.

McBain and I had always longed to be photographed. We had postured and beamed at street photographers and never collected a solitary card. We had been thrown out of family groups for years. In desperation we had even offered our heads for X-ray photographs. The medical people said they were not interested in still life. So it was with beating hearts and high hopes that we approached the inner sanctum.

Soon wild-eyed knights of the shutter surrounded us on all sides. Everyone seemed a little trigger happy. Several times we caught the glint of a camera peeping from under a coat. We drew one man aside — "Tell us, when does the shooting start?" we whispered. "It all depends whether the meeting is held in camera", he explained. We hastily withdrew.

Then a young man with negative-colored hair approached and flourished a camera before us. "Leica", he said. "Very much", we declared, looking at a blonde over his shoulder. The young man ran a critical eye over us. "How are your filters", he snapped suddenly, "Don't be personal", we retorted.

But the young man was producing a photograph from his coat. "I took this at 2/100th of a second at F16", he said proudly. We reeled back toward an exit, but the young man pressed his attack. "Had I taken it at F64, it would have been even sharper", he cried. Sharp as we were, we could not see the point. Now this young man fairly had us in his power.

"Tell me", he demanded, edging us away from the door. "What is your opinion of the fine grain developer". "It goes against the grain", we chorused. The young man retreated a step, but quickly recovered and produced another portrait. He seemed fairly festooned with portraits. "What do you think of the technique of this particular subject", he demanded. "We've never met her to find out", we declared, scanning the subject with huge enthusiasm. The young man's optics flared like a flashlight at this. We were really for it now. He herded us into an annexe where prints of various members were displayed. The diabolical expression on that young man's face would have cracked an aerial camera at 5,000 ft.

"How does this light and shade effect impress you", he demanded indicating a print McBain struck a match. "Too much shade", we said. Then a hand descended on our shoulder and another camera fiend was propelling us into a hall where members were criticizing each other's handiwork.

One critic became particularly irate with a tree in one print. This tree spoilt the balance of the picture, declared the critic. It looked a very decent tree to us, but it is easy, apparently, to bark up the wrong tree in photography.

CAMERA WIDOW

Later we met the head camera fiend and the lesser fiends, who explained to us the mysterious rites of "developer" and "hypo". We now present them as an awful warning for all budding photographers. The rites of developer and hypo must be performed in complete darkness or with the aid of a red, green, or yellow light. No good amateur ever crossed against the red light. The temple is usually the bathroom heavily draped in blankets, towels, curtains, with a rug rolled under the door. Now the ceremony begins with the unrolling of the film and the administering of water. Then the film is placed in the developer. There are also other developments. A chink of light, hitherto unnoticed, gleams like a lighthouse in the darkness.

Hardly has this been rectified with the face washer than some body is pounding at the door with an utterly preposterous story about wanting a bath. No wonder art is lagging in Australia. After this person has been despatched in suitable terms, the film is whisked from the developer to water and thence to hypo. Hypo is a liquid which fixes the image of the film. Hypo also fixes the linoleum, furniture and clothing. This has the unfortunate effect of making wives "hypo-sensitive" causing some unexpected developments.

Now the final rites and at last the great moment comes to gaze upon your handiwork.

You may find:
1. That you have not been developing the film at all, but merely its paper backing.
2. You have the black outline of a giant thumb, but little else.
3. The subject has no head or has mislaid its legs.
4. Everybody seems to be standing on the side of a steep hill.
5. Your wife has unaccountably sprouted a telegraph pole from the back of her neck.

Of course, you may have nothing on your negative at all. This fills you with blank dismay! Maybe the negative is just a darkened mass. Then you cry out in black despair! If you suffer developing your film, you endure agonies taking the photos.

Here is what might happen to you as told to us on that fateful night last week:

Perhaps you wish to take your baby daughter — a healthy, gurgling infant of 15 months. You want to take the photo in one way. Your wife wants a serious study. The greengrocer volunteers his ideas and is supported by the iceman. Add Aunt Agatha, who has just dropped in and the woman from next door and within half an hour you are a screaming maniac. You crawl up on that child from all directions. The iceman stands on his head, Aunt Agatha wields a rattle until she collapses in a coma. But no smile breaks the countenance of that small thundercloud on the rug. Sometimes you seem on the point of getting a good shot. Then that fool of a greengrocer screams, "Watch the dicky bird", or offers the child a banana. Finally you take the picture in desperation. When you hand round the print people remark, "Oh, those poor little war orphans in Europe!"

If you are a Nature lover you will scale mountain peaks or meander round rivers, laden with cameras. If you find your gear becomes irksome it is always, wise to marry. Wives make excellent camera carriers. Of course, you can pretend to take an occasional snap of them. But you needn't have a film in your camera, need you? A wise precaution on such expeditions is the inclusion of a ladder and an axe in your gear. You can then arrange the scenery to your liking.

We could tell many more stories that were retailed to us. Here is one:

The camera clicked and the women beamed at her small daughter. "Darling", she said, "the man has just taken your photo", The child wept bitterly, "I want it back", he sobbed.

But we will enlarge no more. And if camera fiends arise in their anger and try to expose us for this article, we have but one last request . . . make it double exposure.

DARK ROOM SCENE

1st May 1947  Page 238 - Vol. 54 No. 5 The Australasian Photo-Review

ADELAIDE CAMERA CLUB
It was with mixed feeling that members heard during March that their Club President, Mr. A.V. Clutterbuck was reigning the chair and leaving Adelaide (and likewise his amateur status), with a view to entering the professional field. The Club feel they are losing the services of a most capable and energetic President, during whose term of office the Club’s membership, bank balance and all-round efficiency have increased several fold.

In recognition of Mr. Clutterbuck’s fine record of service, he has been accorded an Honorary Life Membership. In reply, Mr. Clutterbuck paid tribute to staunch support given him by a hard-working committee and thanked Club members for the many good wishes for success in his new venture. He mentioned that Hamilton, Victoria, will be one town with a studio where an amateur will always find a welcome.

As a result of much research and statistics, the committee put a suggestion before members regarding the contentious matter of awards for prints. The suggestion was adopted for a three-month trial period, and means, when members view the monthly competition prints, instead of voting 1st, 2nd and 3rd position in each grade, A and B, they are now asked to vote for prints they consider should be awarded merit certificates.

This is an attempt to eliminate the anomaly of a print securing a first prize award one month, when perhaps its main feature of success is lack of competition! The following month, with a large batch of entries, the same print would be an “also ran”. Under the new system no award at all may be made, or every print may receive a merit certificate.

The standard suggested to members on which to base their voting is: In “A” grade a print should be somewhere near salon standard; in “B” grade a print should represent good all round workmanship. Prints receiving over thirty per cent, of possible votes will receive merit certificates.

Award winners in March competition:

A CLASS:			B CLASS:
FIRST Keith Cook	SECOND J.G. Sprod	THIRD A.V. Clutterbuck	FIRST J.K. Custance	SECOND A.J. Vercoe

1st June 1947  Page 340 - Vol. 54 No. 6 Australasian Photo-Review

ADELAIDE CAMERA CLUB
At the first April meeting, the Presidential election was the preeminent item on the agenda. Three members were nominated and of these Mr. Geo. Zeising was voted to the chair as successor to Mr. A.V. Clutterbuck, whose fine record with the club we mentioned in previous issue.

The monthly print competition was held the same evening and members were again asked to cast votes for prints they decided should receive merit award certificates in each grade, instead of selecting 1st, 2nd and 3rd in each case. Only two prints in "A" GRADE and one in "B" received sufficient percentage of possible votes to receive a merit award and although this was only the second occasion this new voting system has been used, it is evident already that prints have to be of a higher standard than was required previously to achieve recognition.

The "Practical Night" for the month was in the hands of Mr. E. Robertson ARPS, who had programmed "Members Bring Cameras", members did and on arrival found "Robbie" had turned the meeting room into a well-lit studio, complete with models and costumes. Mr. Robertson posed each model and arranged the lighting and then invited members to shoot. There was such a battery of cameras, ranging from 35mm to Half-Plates and from 5 x 4 Premos to Rolleiflexes, that ration tickets had to be issued, allowing five operators to each pose. Members enjoyed the evening immensely and next competition night should produce several prints, "the same, only different".

A hearty vote of thanks was accorded to Mr. Robertson and the three models, visitor Miss Marcia Purnell (ballerina); and Club members D.G. Malpas and G. Simms.

Monthly competition resulted merit award certificates as follows:

A CLASS:		B CLASS:
MERIT CERTIFICATE J. Sprod	MERIT CERTIFICATE Keith Cook	MERIT CERTIFICATE J.K. Custance

1st July 1947  Page 398 - Volume 54 No. 7 - Australasian photo-review

ADELAIDE CAMERA CLUB
Practical Night for May was a demonstration of "Panchromatic Portrait Make-up", by professional photographer, Mr. Geo. S. Hutton, of Semaphore. Mr. Hutton showed how the model (in this instance, his very co-operative wife) should be made up to ensure a picture showing unblemished facial skin texture, elongated eyebrows and glamorized eyelashes. The outstanding visual differences were that the model was given a very even and healthy looking sun-tan and that the lipstick used was much too dark. However, modern sensitive panchromatic film would lighten this lipstick to give a correct rendering in the final print. Members accorded both Mr. and Mrs Hutton a very appreciative vote of thanks for their most informative demonstration.

A Saturday afternoon outing during May saw six car loads of members congregating at "Golden Grove". Mr. J. Custance received a merit award for his very fine print of "Cloud Mountain" secured during the afternoon and thereby proving himself the proud possessor of a pictorialist's best friend, a seeing eye. When one is surrounded by the clicking shutters of fellow camera fiends, it takes some thought and ability to steal the thunder by obtaining an outstanding and individual negative.

The May print competition merit certificates were awarded as follows:

G.L. FISHER TROPHY LANDSCAPE: J.B. Shearer	A CLASS:			B CLASS:
	MERIT CERTIFICATE A.R. Bettridge	MERIT CERTIFICATE Keith Cook	MERIT CERTIFICATE Keith Cook	MERIT CERTIFICATE R.W. Tamlin	MERIT CERTIFICATE R.W. Tamlin	MERIT CERTIFICATE F.K. Payne

The June print competition was an above average success because new interest was aroused in the criticism of prints. One of our most experienced and capable workers, Mr. E. Robertson, volunteered to act as "print critic mentor" for the evening and his apprentice critics were four volunteer less experienced members. It was refreshing to hear the ideas of men who had not aired their views from the rostrum before and as the evening progressed members in the audience interjected, to support or condemn the opinions expressed and the whole evening became less formal than usual and as a result, more enjoyable to all.

This idea of having prints criticized by younger members under the guidance of one acknowledged expert has been adopted for all forthcoming monthly competitions. As one member remarked, "The 'mob' have a chance to have their say now!" and by results proven, an excellent procedure, too.

Merit Winners for June:

A CLASS:		B CLASS:
MERIT CERTIFICATE Keith Cook	MERIT CERTIFICATE Keith Cook	MERIT CERTIFICATE R.W. Tamlin	MERIT CERTIFICATE R.W. Tamlin	MERIT CERTIFICATE J. Custance

1st August 1947  Page 463 - Vol. 54 No. 8 Australasian Photo-Review

ADELAIDE CAMERA CLUB
Lecture Night for June was a great success thanks to the efforts of one member, Mr. Keith Cooke, who lectured on "Portrait Lighting". Mr. Cooke is an operator in a leading studio, a background which would naturally enable him to speak "ex tempore" without difficulty before any amateur society. However, the lecturer was by no means satisfied to let the matter go at that; on the contrary, he had a full set-up of lights, camera and model, copious notes and many sample portraits. As a result of such thorough preparation, members were treated to a complete coverage of all the basic principles and details of every phase of lighting as used in a modern studio.

As a result, we deduce the following: No matter to what extent a lecturer may know his subject, it is essential that he prepare his subject matter in detail.

A new "spot" was introduced into the July meeting under the heading of "Question Time", when members had the opportunity to throw their individual problems "onto the floor of the house" and have them answered by fellow members, e.g.: Question: How to glaze prints on Plate Glass? Answer: Clean glass thoroughly with alcohol and soak prints in alcohol for five minutes till back of print is mottled and appears ruined. Then squeegee on to glass and "hey presto" an amazing gloss and with no prints stuck to the glass. Answer (Same Question): Or else clean glass thoroughly, dust on Johnson's Baby Powder and only remove as much as can be blown off, then squeegee prints on as usual.

Merit Certificates awarded for July (by ballot of members): A GRADE - Nil.

B GRADE:
MERIT CERTIFICATE R.W. Tamlin	MERIT CERTIFICATE J. Custance	MERIT CERTIFICATE D.E. Robertson	MERIT CERTIFICATE D.E. Robertson	MERIT CERTIFICATE D. Malzard

1st September 1947  Page 528 - Vol. 54 No. 9 Australasian Photo-Review

ADELAIDE CAMERA CLUB
The lecture delivered at the July meeting was in the very capable hands of Mr. Ainslie Roberts ARPS, APSA, who gave club members a complete insight into the problem of mounting prints for exhibitions.

The August print competition again brought to light several good prints made from negatives taken by members on recent club outings. These Saturday afternoon trips have proved a great success, both socially and photographically and we are certainly well catered for in Adelaide with hills, plains and beaches all within easy reach. For example, at the time of writing (August 7th) the almond blossom is in full bloom and those members who join in this week's outing will feel that any photographer would consider himself most fortunate to see Adelaide during blossom time.

Merit certificates for August were won as follows:

A GRADE:		B GRADE:
MERIT CERTIFICATE F.A. White ARPS	MERIT CERTIFICATE J.G. Sprod	MERIT CERTIFICATE Miss B. Simons	MERIT CERTIFICATE J. Custance	MERIT CERTIFICATE D. Malzard	MERIT CERTIFICATE A.J. Vercoe

1st October 1947  Page 544 - Vol. 54 No. 10 The Australasian Photographic Review

ADELAIDE CAMERA CLUB
The highlight of the August meetings was the visit by Mr. Eric Merton, of Kodak Ltd. and his excellent lecture and demonstration of the latest development in color printing. As doubtless Mr. Merton will visit most Camera Clubs, it is unnecessary to detail at length his fine demonstration and the appreciative enthusiasm of all members for a most entertaining and educational evening.

The "Robertson Trophy" for character study and portraiture, presented by club member Mr. E. Robertson ARPS, was also competed for last meeting.

September Merit Certificates were awarded by ballot as follows:

1947 "ROBERTSON TROPHY" CHARACTER STUDY AND PORTRAITURE PRESENTED BY CLUB MEMBER MR. E. ROBERTSON ARPS J.G. SPROD "GOOD MORNING, SIR"	A GRADE:		B GRADE:
	MERIT CERTIFICATE F.A. White ARPS	MERIT CERTIFICATE J.G. Sprod	MERIT CERTIFICATE Miss B. Simons	MERIT CERTIFICATE R.W. Tamlin	MERIT CERTIFICATE A.J. Vercoe

Tuesday 28th October 1947  Page 4 - The Advertiser (Adelaide SA)

FINE EXHIBITION OF PHOTOGRAPHS
MOST NOTABLE YET HELD IN ADELAIDE
The third international Adelaide Salon, presented by the Adelaide Camera Club, was officially opened by the Speaker of the House of Assembly (Sir Robert Nicholls) at the Society of Arts Gallery, North Terrace; last night and will remain open until 8th November. Adelaide is the only city in Australia where international salons have been held.

Sir Robert Nicholls said that the club had demonstrated that photography was within the reach of all who wished to participate in the vast variety of its delights.

He congratulated the club on not having a single grotesque or sadistic subject in the the exhibition and said that the experts declared that this salon was the most notable of the three held.

The President of the Adelaide Camera Club (Mr. George Ziesing, SM) said that the third international salon was being held despite dollar difficulties, obstructions in the Customs and the rising costs of printing.

There were 265 Australian and 237 overseas entries, of which 79 and 85 respectively were chosen for the exhibition. Among the photographs which received honor plaques was a study entitled "Back Entrance" by Mr. J.G. Sprod of Adelaide. Mr. J.K. Custance of Adelaide gained an honor certificate.

A special invitation panel of 15 characterizations by Dr Julian Smith is included. Entries were received from eight countries, including Britain and America.



Tuesday 28th October 1947  Page 11 - The Advertiser (Adelaide SA)

CAMERA CLUB SALON OPENED
The consistently high standard which has been in recent years the leading feature of exhibitions arranged by the Adelaide Camera Club, is maintained fully in The Salon opened by Sir Robert Nicholls at the Royal SA Society of Arts Gallery, yesterday evening.

The club is exhibiting 15 characterizations by Dr. Julian Smith, of Melbourne, each being in the very first rank.

About 50 studies have been contributed by American artists.

"Storm and Stooks" by Milly Lyons, shows some wonderful clouds and a fine impression has been caught in "Air on a G String" by Albert Chambers.

"Birth of a storm" by Roy MacDonell, is fine in its effect of light and shade and in "Mousetrap" by Charles Collin, the brightness of a cat's eyes has been cleverly caught.

There is an entrancing study of light and shade, in "Back Entrance" by John Sprod, an Adelaide artist.

All photographers will thoroughly enjoy a visit to this exhibition, which will remain open until November 8th.



Wednesday 29th October 1947  Page 5 - News (Adelaide SA)
WON CAMERA SHOW HONOR PLAQUE

This striking study by K.V. Arntzen, entitled "The Buccaneer",
was awarded an honor plaque in the Adelaide Camera Club Salon exhibition at the
Society of Arts Gallery. The portrait was entered in the American section.

Wednesday 5th November 1947  Page 2 - The Advertiser (Adelaide SA)

His Excellency the Governor (Lieutenant General Charles Willoughby Moke Norrie), attended by Captain M. Trasenster, ADC, visited the Adelaide Camera Club Exhibition in the Institute rooms yesterday afternoon.



December 1947  Page 701 - The Australasian Photo-Review

THE LATE
Dr. JULIAN AUGUSTUS ROMAINE SMITH
The Photographic World will long mourn the loss of Dr. Julian Smith Hon.FRPS, who died on 13th November 1947.

He was a remarkable man, an individual of striking personality, possessed of great and driving energy; to whatever he put his heart and mind, that was always successful. To many, he seemed to wear a mantle of severity, but his piercing eyes and intense concentration were but part of his remarkable character, at heart he was a lovable and kindly man.

As is generally known, Dr Julian's hobby, pictorial portraiture, was adopted as a means of relaxation from his professional work and strange as this may seem, this hobby in turn became a driving force, demanding great concentration of energy and mental strain. He would come home after a long, tiring day and in the evening turn to his camera and lights, gathering his friends or models around him and working well on into the "wee small hours".

It was typical of the man that he should keep faith with the Adelaide Camera Club in respect of a promise made for a Salon Invitation Panel of his new work. Fifteen pictures were sent across; all were new, successful and dominant in their technique and interpretations.

Dr Julian Smith has left us a great memory, several published stories of his photographic credo and his hundreds of amazing portraits, the whole forming an incentive and an inspiration to all to carry the banner of pictorial photography along the path he has so ably pioneered.

HAROLD CAZNEAUX

JULIAN AUGUSTUS ROMAINE SMITH

1st December 1947  Page 655 - Vol. 54 No. 12 Australasian Photo-Review

ADELAIDE CAMERA CLUB
The October meeting saw the conclusion of the year's monthly competitions.

A GRADE:			B GRADE:
PRIZE FOR THE YEAR'S WORK Keith Cook 11 points	MERIT CERTIFICATE J.G. Sprod	MERIT CERTIFICATE J.G. Sprod	PRIZE FOR THE YEAR'S WORK R.W. Tamlin 12 points	MERIT CERTIFICATE Miss B.J. Simons

The mid-monthly meeting was occupied by the Annual General meeting, the agenda being partly business and partly social, including supper. The President and Treasurer were both able to report a successful and satisfactory year's work. New executive officers elected were: Vice-President, Mr. G.N. Mitchell; Committeemen, Messrs. A.A. Russell, J.G. Sprod and J.K. Custance. With these additions, the retiring committee was re-elected. Business over, members and their visitors were entertained with music, song and vaudeville items, all talent being found within the Club. A very enjoyable evening.

On the 27th October, the club's Third International Salon of Photography was opened. This important occasion was previewed in the October issue of the A.P.-R. The Salon has been well reviewed by the Press and well patronized by the public.



1st January 1948  Page 4 - Vol. 55 No. 1 Australasian Photo-Review

ADELAIDE CAMERA CLUB
The November General Meeting was held whilst the Salon was still showing. The monthly competition resulted: B GRADE, no award was made.

A GRADE:
MERIT CERTIFICATE J.G. Sprod	MERIT CERTIFICATE J.G. Sprod

On Friday night, 7th November, the last evening of the Salon, members met at the Gallery. The Guest of Honor was Mr. Keast Burke, Editor of the A.P.-R. and members were treated by him to an interesting review of many of the prints on show. The meeting over, members and visitors were entertained at supper by the Kodak organization.

However, the glories of the Salon have been preserved, as last year, on strip film and on application to the Hon.Secretary of the Adelaide Camera Club, copies will be available for hire to fellow societies.

At the mid-monthly meeting the Club conducted "Exercises in Print Criticism". When called upon by number, each member in turn was expected to comment on each print, the first to criticize the picture and the second to comment on the criticism. The evening was acclaimed a success. At this meeting the President announced that in December members would have to decide whether or not an International Salon would be held in 1946. Mounting costs and obstructions in the Customs combine to constitute a formidable barrier.



Thursday 29th January 1948  Page 2 - The Advertiser (Adelaide SA)

The President of the Adelaide Camera Club (Mr. George Ziesing, SM) will open an exhibition of the pictorial photography of Mr. E. Robertson in the Royal SA Society of Arts Gallery, North terrace, at 8pm on February 17th.



1st February 1948  Page 104 - Vol. 55 No. 2 Australasian Photo-Review

ADELAIDE CAMERA CLUB
At our first meeting this month the important decision was made that in 1948 the Club would not undertake any International Salon; instead, the usual public exhibition of members work would be held. The motion was carried unanimously.

The monthly competition results were:

A GRADE:				B GRADE:
MERIT CERTIFICATE E.R. Robertson ARPS (character study)	MERIT CERTIFICATE E.R. Robertson ARPS (character study)	MERIT CERTIFICATE E.R. Robertson ARPS (character study)	MERIT CERTIFICATE Douglas Wolff (architectural with figure, taken on one of the club's outings)	MERIT CERTIFICATE Mr. Payne

The President announced that during February the Club would be sponsoring a one-man show of Mr. Robertson's work in the Society of Arts Gallery.

The mid-monthly meeting was devoted to color. The competition for color slides was won by Mr. J. Tomlinson (1st and 2nd place, 35mm Kodachrome); 3rd place was filled by Mr. J. Sprod (2 1/4 x 2 1/4 Dufay­color). Mr. Robertson displayed and discussed some Ektachrome transparencies which he had processed at home, together with one or two color prints. Mr. Albert Ash then entertained the meeting with a talk on Dufaycolor, supporting his remarks with many slides. He concluded with an illustrated talk on a return trip to Sydney by car. During the evening a "trailer" of positives from the salon strip film was projected and the results were excellent. The Committee hopes to have the complete film ready for first viewing at the February mid-monthly meeting.



Saturday 7th February 1948  Page 12 - The Advertiser (Adelaide SA)

PHOTOGRAPHY for beginners, 3rd course of instruction by Adelaide Camera Club at Adelaide university. 10 lessons £ 1/10/6, commencing 25th February. Apply Hon.Secretary. Adelaide Camera Club.



Saturday 14th February 1948  Page 23 - The Mail (Adelaide SA)

Exhibition of 159 photographic studies by Mr. E. Robertson in the Society of Arts Gallery, North terrace. An amateur photographer with an international reputation, Mr. Robertson will be the first South Australian to present a one-man photographic show of this size. He has won several overseas awards. The exhibition will be opened by Adelaide Camera Club President (Mr. George Ziesing) at 8pm on Tuesday, will continue until February 27th.

"ONE FOR THE ROAD"

one of 159 photographic studies to be exhibited by Mr. E. Robertson in the Society of Arts Gallery, North terrace. An amateur photographer with an international reputation, Mr. Robertson will be the first South Australian to present a one-man photographic show of this size. He has won several overseas awards. The exhibition will be opened by Adelaide Camera Club President (Mr. George Ziesing) at 8pm on Tuesday, will continue until 27th February.



Saturday 21st February 1948  Page 23 - The Mail (Adelaide SA)

SKILFUL CAMERA STUDIES
A strongly developed dramatic sense enlivens the exhibition of photography by E. Robertson, sponsored by the Adelaide Camera Club, at the Society of Arts Gallery. Confronted by the vast number of character studies, ranging from Captain Kettle and "Grief" to the Twelve Apostles, the critic is inevitably reminded of a collection of cinema stills. Mr. Robertson, wherever possible, sets his models to work shouting "Ship Ahoy!" if they are sailors, weeping glistening tears if they are grief stricken and drinking down tankards of property beer whenever they are supposed to represent the underworld or hearty conviviality, or perhaps both.

INSTANT EFFECT
All this is skilfully done and Mr. Robertson's intentions are conveyed very forcibly; each character is unmistakable and makes all its effects instantly. Although this treatment will give pleasure to a great number besides camera enthusiasts, it misses some of the possible excellence of the medium. The humble fidelity of the camera portrays character most subtly when it depicts the facial lines and attitudes of human beings off their guard. The exhibition will remain open until Friday.



1st March 1948  Page 160 - Vol. 55 No. 3 Australasian Photo-Review

ADELAIDE CAMERA CLUB
At the January meeting Mr. Philpott, one of our professional members, demonstrated his high-speed flash technique. Members brought cameras and some extraordinary results were obtained with quite humble outfits.

In the monthly competition merit awards:

A GRADE:		B GRADE:
MERIT AWARD E.R. Robertson ARPS (characteristic head study)	MERIT AWARD E.R. Robertson ARPS (reflections on the Port River)	MERIT AWARD Miss B.J. Simons	MERIT AWARD H. Hunter

The title of the mid-monthly meeting was "My Favorite Negative". Members were asked to bring along their negatives, together with the best print they could obtain from them. General discussion followed. Quite a diversity in taste was disclosed in the density and contrast of favorite negatives. The evening was instructive, but lost a deal of its value because of the non-participation of so many of the more prominent members of the club. If their work could have been seen, the junior members would, I have no doubt, been intrigued and considerably enlightened.

At the February mid-monthly meeting the film strip of the 1947 International Salon was shown, under the title "The 1947 Salon Re-visited". The work was patchy, some being very good, others poor. An improvement on last year's work was shown in the editing and in the fact that the pictures were projected in the same order as they appear in the catalog. The film (plus copy catalog} is available for hire to Photographic Clubs at £1/1/-. Application should be made to the Hon.Secretary, Adelaide Camera Club.

The February club competition awards were:

A GRADE:		B GRADE:
MERIT AWARD J. Sprod	MERIT AWARD J. Custance	MERIT AWARD G. Smith

Tuesday, 17th February, saw the opening of the One-Man Show of Pictorial Photography by club member Mr. E. Robertson ARPS, sponsored by the club. The prints completely filled the walls, 159 in number, together with a sacred panel of thirteen prints depicting Christ and the Twelve Apostles. The opening was a great success. The exhibition is, without doubt, a splendid and unique achievement on the part of the author. The pictures range from the sacred to the profane, from the sombre to the macabre, from the solemn to the subtly humorous, landscapes, seascapes, charming child studies, captivating nudes and still life. Most of the pictures shown are characterizations, somewhat low in key and require to be viewed in daylight for one justly to appreciate their true beauty and subtlety.



1st May 1948  Page 284 - Vol. 55 No. 5 Australasian Photo-Review

ADELAIDE CAMERA CLUB
In the monthly competition for March:

A GRADE:	B GRADE:
MERIT AWARD J. Sprod "Playmates"	MERIT AWARD C. West "Woodland Meeting"	MERIT AWARD G. Smith "Morning Light"

An interesting feature of recent competitions is the large number of entries from shots taken on Club outings.

At the mid-monthly meeting, Mr. D. Schultz, Lecturer in Optics at the University, spoke to members on photographic optics. His talk was extremely enjoyable and instructive.

The second of a series of "Club Evenings" which the Committee is instituting, took the form of "Table Tops". At these meetings members gather informally in the Clubroom (as distinct from general meetings in the adjoining theatre) and one of the more experienced members speaks on any specialty in which he may be proficient. This time the evening was in the hands of Mr. A.R. Betteridge. Mr. Betteridge took members completely into his confidence; they did not know which to admire the more, his patience or his ingenuity, trees from wire, foliage from iron castings, models from bread, grass from paper. Members brought their cameras and many exposures were made.



1st June 1948  Page 347 - Vol. 55 No. 6 Australasian Photo-Review

ADELAIDE CAMERA CLUB
In the April competitions merit awards went to:

A GRADE:			B GRADE:
MERIT AWARD E. Robertson ARPS "Still Life"	MERIT AWARD E. Robertson ARPS "Thomas the Doubter"	MERIT AWARD J.G. Sprod "Fog"	MERIT AWARD D. Robertson "Silver Sails"

To the mid-monthly meeting, members were invited to "bring cameras" for "Exercises in Lighting for Character". In turn, each member so desiring, was called to the front, presented to the model and given charge of the club's lighting equipment. He was then at liberty to place the lights as he pleased and make his exposure. His effort was commented upon by Mr. E. Robertson, our outstanding worker in this direction. Each member entered into the scheme enthusiastically and the evening was an undoubted success. A deal of the credit was due to the foresight displayed by the Program Organizer (Mr. J. Custance) and the supervision of the Club's honorary electrician (Mr. George Dickson). Mr. Robertson was most helpful and those club members who had eyes to see and ears to listen, must have derived a lot of benefit from his demonstrations and criticisms.



1st July 1948  Page 408 - Vol. 55 No. 7 Australasian Photo-Review

ADELAIDE CAMERA CLUB
The Robertson Trophy for "Best Study Character or Portraiture" was won by Mr. Keith Cook. In its technique and presentation the picture was well nigh perfect. The monthly competition results were:

ROBERTSON TROPHY "BEST STUDY CHARACTER OR PORTRAITURE" KEITH COOK "DREAM WORLD"	A GRADE:			B GRADE:
	MERIT AWARD J.A. Custance (still life, "Decorative Jug")	MERIT AWARD J. Sprod (cloud effect, "Rescuer")	MERIT AWARD E. Robertson ARPS (character study, "Outbacker")	MERIT AWARD F.J. Evans ("Living and Dead")	MERIT AWARD F.K. Payne ("3.30 a.m.")	MERIT AWARD G. Smith ("Derelict")

A departure was made in the usual routine of the evening, the prints in the monthly competition were criticized before being submitted to popular vote. It undoubtedly resulted in a more rational appreciation of the prints and is likely to be continued in future.

The mid-monthly meeting was devoted to "Color". The color slide competition resulted as follows:

MID-MONTHLY MEETING WAS DEVOTED TO "COLOR"
C.G. West (standard slide, Dufaycolor, autumn scene)	Mr. Underdown (standard slide, Dufay­color, country scene with cattle)	Garth Mitchell (35mm AnscoColor, cat)

All entries were home processed. Mr. George Dickson then gave his lecture on color photography, illustrated with slides and demonstrated with multi-colored lamps, a remarkably fine and instructive effort.

One informal "Club Evening" was held. Mr. J.A. Custance officiated as well as giving a talk on "Still Life". He demonstrated his points with two set-ups, one featuring line and the other texture.



1st August 1948  Page 487 - Vol. 55 No. 8 Australasian Photo-Review

ADELAIDE CAMERA CLUB
The Vice-President (Mr. Garth Mitchell) presided at the June meeting. The print competition results were:

A GRADE:				B GRADE:
MERIT AWARD E. Robertson ARPS "Kokoda Trail"	MERIT AWARD J. Custance "Departing Day"	MERIT AWARD J. Sprod "The 13th Step"	MERIT AWARD Garth Mitchell "Through the Portico"	MERIT AWARD Mr. Nicholson "The Monarch"

The innovation introduced last meeting of criticizing the entries before the prints were voted upon was continued; it proved very satisfactory and is likely to remain permanently.

A "Club Room Evening" took the form of street photography. Unexpectedly the evening was dry and the hoped for reflections did not materialize.

The mid-monthly meeting was devoted to "After Treatment of Prints". Mr. Ainslie Roberts demonstrated local reduction by chemical methods and the working-up by means of graphite; Mr. Robertson gave his attention to spotting with watercolor and to oil reinforcement.

The July mid-monthly meeting was sponsored by Kodak Ltd. The "Brains Trust" for the evening comprised a qualified industrial chemist, a prominent pictorial worker and a general utility man. Questions asked and answered ranged over the care and use of compur rapid shutters, the value and composition of the iodine-iodide bath in the after-treatment of prints, the keeping properties of chrome alum hardening baths, streaky development of films in tanks, static electricity in films, hyper sensitizing with mercury, the effect of poor quality sodium sulphite on the speed of the film, printing in clouds, cleaning dishes, the variability of high-speed films at present on the market, the benefit of lens blooming after manufacture.

Monthly competition awards were:

A GRADE:		B GRADE:
MERIT AWARD E. Robertson ARPS "Old Salt"	MERIT AWARD J.K. Custance "Pillar by Lamplight"	MERIT AWARD C. West "Winter Sunshine"	MERIT AWARD G. Smith "After Dinner"

1st September 1948  Page 545 - Vol. 55 No. 9 Australasian Photo-Review

ADELAIDE CAMERA CLUB
The G.L. Fisher Memorial trophy for Landscape was awarded at the August General Meeting. Number of competitors, 17.

G.L. FISHER MEMORIAL TROPHY LANDSCAPE A.R. BETTERIDGE ADELAIDE PAPER NEGATIVE, SEPIA TONED	A GRADE:		B GRADE:
	MERIT AWARD E. Robertson ARPS ("Seeker of the Truth")	MERIT AWARD A.R Betteridge ("Dockyard at Dawn")	MERIT AWARD C. West ("Winter Morning")	MERIT AWARD C. West ("Boats at Evening")

At the mid-monthly meeting, Mr. Keith Cook, an operator at one of our leading city photographic studios, lectured on "Lighting for Portraiture". He demonstrated his points with club equipment and used a female model as his subject.

1948 G.L. FISHER MEMORIAL TROPHY
LANDSCAPE
"ADELAIDE"
Mr. A.R. BETTERRIDGE

1st October 1948  Page 621 - Vol. 55 No. 10 Australasian Photo-Review

ADELAIDE CAMERA CLUB
At the September general meeting the following awards were made in the monthly competition:

A GRADE:				B GRADE:
MERIT AWARD J. Sprod (“Winter Surf”)	MERIT AWARD J. Sprod (“Reveille”)	MERIT AWARD E.W.B. Robertson ARPS (“Dick Swiveller”)	MERIT AWARD D. Robertson (“Golden Days”)	MERIT AWARD L. Ween (“Sunset”)	MERIT AWARD F.J. Evans (“Calm Before the Storm”)

At the mid-monthly meeting, final arrangements were made for the Club’s Annual Exhibition, opening on the 9th November. The lecturer for the evening was our Program Organizer, Mr. J.K. Custance, Subject “The Art of Print Criticism”. The paper was controversial and considerable discussion ensued.



Tuesday 5th October 1948  Page 6 - The Advertiser (Adelaide SA)

CAMERA CLUB AWARD TO J.K. CUSTANCE
The silver plaque for the "print of the year" in the Adelaide Camera Club exhibition has been awarded by the judge (Mr. Ainslie Roberts).

Other awards announced yesterday were:

PRINT OF THE YEAR SILVER PLAQUE J.K. CUSTANCE		BRONZE PLAQUE K.T. Cook	BRONZE PLAQUE F.A. Knapp	BRONZE PLAQUE J.G. Sprod	BRONZE PLAQUE George Ziesing	CERTIFICATES OF MERIT A.R. Butteridge	CERTIFICATES OF MERIT K.T. Cook
CERTIFICATES OF MERIT K.T. Cook	CERTIFICATES OF MERIT M.H. Hunter	CERTIFICATES OF MERIT M.H. Hunter	CERTIFICATES OF MERIT F.A. Knapp	CERTIFICATES OF MERIT J.B. Shearer	CERTIFICATES OF MERIT J.B. Shearer	CERTIFICATES OF MERIT G. Smith	CERTIFICATES OF MERIT J.N. Tomlinson

The exhibition will be opened by the Lord Mayor (Mr. McLeay) in the Society of Arts gallery on November 9.



Thursday 21st October 1948  Page 2 - The Advertiser (Adelaide SA)

The Lord Mayor (Mr. McLeay) will open the 13th annual exhibition of pictorial photography by members of the Adelaide Camera Club at the Society of Arts Gallery, North terrace, at 8pm on 9th November.

SIR JOHN MCLEAY

Born 19th November 1893 - Port Clinton, South Australia
Died 22nd June 1982 (aged 88) Adelaide, South Australia

THE RIGHT HONOURABLE LORD MAYOR OF ADELAIDE
1946 - 1950

Saturday 30th October 1948  Page 24 - The Mail (Adelaide SA)

BIG PHOTO AWARD TO SOUTH AUSTRALIAN MAN
HELPED BY TWO GIRL DANCERS
Two dancers from a stage show passing through Adelaide helped Mr. Ainslie Roberts, of Blackwood, win the highest award of the 1948 Vancouver International Salon of Pictorial Photography.

This week he received his award, the Pacific National Exhibition silver medal, for his "Tableau", a study of two semi-nude Spanish dancers. Today Mr. Roberts said two Australian girls from a stage show, using their own stage costumes, had posed for the picture. Official advice of his success did not arrive until this week, but Mr. Roberts knew about it a week earlier. A former Adelaide man in Vancouver had read the report in a newspaper, air-mailed the cutting to him. The cutting said judges had deliberated for six hours before classing his print ahead of 550 entries from China, New Zealand, South Africa, Spain, the United States, England and Canada.

Mr. Roberts, who is a director of Webb-Roberts, McClelland Pty, Ltd., said he took up photography eight years ago. He was President of Adelaide Camera Club for two years, is an associate of the Royal Photographic Society of Great Britain and associate of the Photographic Society of America.

The award-winning print would be shown at the Adelaide Camera Club thirteenth annual exhibition in the Society of Arts Gallery, North terrace, from 9th to 19th November. As sole Judge, he had been asked to exhibit an invitation panel of nine prints. The panel would include "Flight", a nude study and "South Sea Trader", a local characterization, which were also accepted and hung by the Vancouver Salon. For the technically minded, Mr. Roberts produced the picture by the paper negative process. He used a Graflex quarter-plate camera.

Mr. AINSLIE ROBERTS ARPS, APSA

Tuesday 9th November 1948  Page 4 - The Advertiser (Adelaide SA)

CAMERA CLUB SHOW
By H.E. FULLER
The high standard which has been set by the Adelaide Camera Club for its exhibitions in recent years has been maintained in the display which will be opened tonight by the Lord Mayor (Mr. McLeay) at the Royal SA Society of Arts Gallery. The general quality is all the more creditable as, with one exception, all exhibits this year are local work. The exhibition is throughout a first class collection of photographs.

However, among so many striking examples may be noted especially "Distant Spires", the Cathedral seen through an archway; "Nazareth Today", a fine effect of high lights and shade; "Adelaide", a clear and well defined composition; "Autumn Shades" and "Night Nurse". "This Fury" is a fine study of clouds; and "Simpson's Gap", a subject generally seen in strong color, "Dream World" is a delightful piece of poetry and "Squizzy" an interesting piece of inquisitive childhood. Very delicate work has been attempted with success in "Decorative Jug." One misses the clever figure work which was previously submitted by the late Dr Julian Smith, a portrait of whom, however, is included in a group of 15 submitted by Harold Cazneaux. Another panel of varied subjects is the splendid work of Mr. Ainslie Roberts.



Wednesday 10th November 1948  Page 5 - The Advertiser (Adelaide SA)

CAMERA CLUB EXHIBITION
A suggestion that the 50th anniversary of the Adelaide Camera Club next year should be marked by an exhibition during the Royal visit was made by the Lord Mayor (Mr. McLeay) when he opened the club's 13th annual exhibition in the Royal Society of Arts gallery last night.



Thursday 11th November 1948  Page 10 - Chronicle (Adelaide SA)

PREPARING FOR CAMERA CLUB'S EXHIBITION

Making final preparations for the opening of the Adelaide Camera Club
annual exhibition at the Society of Arts Gallery on Tuesday,
are G. Mitchell (left), vice-President and L. Packer, treasurer of the club.

SIR JOHN MCLEAY

Born 19th November 1893 - Port Clinton, South Australia
Died 22nd June 1982 (aged 88) Adelaide, South Australia

THE RIGHT HONOURABLE LORD MAYOR OF ADELAIDE
1946 - 1950

Saturday 13th November 1948  Page 6 - The Mail (Adelaide SA)

STANDARDS HELD IN CAMERA SHOW
Well up to the excellent standard of previous Adelaide Camera Club exhibitions is the present display of 215 pictures at the Society of Arts gallery. "Decorative Jug", by J.K. Custance, is a magnificent example of fine craftsmanship and "Side Gallery", a glimpse in Bonython Hall, by George Ziesing, is a distinctive study. Other splendid features are the invitation panels by those two artists of the camera, Harold Cazneaux and Ainslie Roberts. Among the club entries should be mentioned Keith Cook's fine portrait of Mr. E. Robertson, J.K. Custance's beautiful architectural study "Pillars by Lamplight", Ida M. Day's "White Ship", D.G. Malpas's character study "Addict", K.P. Phillips's "Nazareth Today" and J.G. Sprod's "St. Mary's".



Thursday 18th November 1948  Page 2 - The Advertiser (Adelaide SA)

His Excellency the Governor and Lady Norrie, attended by Captain the Viscount Althorp ADC visited the 13th annual exhibition of pictorial photography of the Adelaide Camera Club at the Society of Arts Gallery yesterday.



Monday 22nd November 1948  Page 9 - The Advertiser (Adelaide SA)

The Adelaide Camera Club. Popular voting, best print recent exhibition. First 48 "Decorative Jug", J.K. Custance: second 40 "Dream World", Keith T. Cook.



1st December 1948  Page 754 - Vol. 55 No. 12 Australasian Photo-Review

ADELAIDE CAMERA CLUB
At the October general meeting of the Club the Hon. Exhibition Hon.Secretary (Mr. J.K. Custance) announced the awards made for the Club's forth coming annual exhibition: Print of the Year: J.K. CUSTANCE for Still life study, "Decorative Jug".

PRINT OF THE YEAR SILVER PLAQUE J.K. CUSTANCE		BRONZE PLAQUE K.T. Cook	BRONZE PLAQUE F.A. Knapp	BRONZE PLAQUE J.G. Sprod	BRONZE PLAQUE George Ziesing	CERTIFICATES OF MERIT A.R. Butteridge	CERTIFICATES OF MERIT K.T. Cook
CERTIFICATES OF MERIT K.T. Cook	CERTIFICATES OF MERIT M.H. Hunter	CERTIFICATES OF MERIT M.H. Hunter	CERTIFICATES OF MERIT F.A. Knapp	CERTIFICATES OF MERIT J.B. Shearer	CERTIFICATES OF MERIT J.B. Shearer	CERTIFICATES OF MERIT G. Smith	CERTIFICATES OF MERIT J.N. Tomlinson

The judging was done in daylight by Mr. Ainslie Roberts ARPS, APSA, who acted as sole judge. The exhibition was opened on 9th November by the "The Right Honorable Lord Mayor of Adelaide" Sir John McLeay.

SIR JOHN MCLEAY

Born 19th November 1893 - Port Clinton, South Australia
Died 22nd June 1982 (aged 88) Adelaide, South Australia

THE RIGHT HONOURABLE LORD MAYOR OF ADELAIDE
1946 - 1950

In the monthly competitions Merit Awards were made as follows:

A GRADE:		B GRADE:
MERIT AWARD E. Robertson ARPS	MERIT AWARD J. Sprod	MERIT AWARD Colin West	MERIT AWARD G. Smith

The mid-monthly meeting should have been the annual meeting, but that has been postponed until after the exhibition. In lieu the Committee arranged a Gadget Evening. Many, varied and amusing were the members home-made contrivances, some being elaborate engineering dreams, others engineer's nightmares. All, however, contained within them the germ of an idea which members could apply to the remedy of some of their own personal troubles.

The remainder of the evening was occupied with a viewing and an appreciation of a folio of 32 prints from the Photographic Guild of Detroit. This collection was made available to the Club by the courtesy of the Editor of the A.P.-R., in his capacity as Hon. P.S.A. Representative. The general opinion of the meeting was that the prints all showed very high technical excellence, but that for the most part they lacked inspiration. One or two still life's were outstanding.

Monday 17th January 1949  Page 4 - News (Adelaide SA)

Adelaide Camera Club  members who usually work with elaborate equipment were
restricted to the use of box cameras when they held a weekend outing at Elder Park.
Miss Betty Symonds, of Blackwood, posed for Mr. Alan Russell and Miss D. Underwood.

1st January 1949  Page 56 - Vol. 56 No. 1 The Australasian Photo-Review

ADELAIDE CAMERA CLUB
The results of the November competition were:

A GRADE:	B GRADE:	A GRADE:			B GRADE:
HIGHEST AGGREGATE OF AWARDS FOR THE YEAR E. Robertson ARPS (18 points)	HIGHEST AGGREGATE OF AWARDS FOR THE YEAR Colin West (7 points)	MERIT AWARD E. Robertson ARPS	MERIT AWARD E. Robertson ARPS	MERIT AWARD George Ziesing	MERIT AWARD Colin West	MERIT AWARD Colin West

Each will receive the Club's silver plaque.

The Club's Thirteenth Annual Exhibition of Photography was opened by the Lord Mayor on Tuesday 9th November. His Worship was in great form and the attendance was a record in the Club's history; the gallery was packed. Attendances were splendid throughout and the sale of catalogs should just cover expenses. The general quality of exhibits was high and generally it was remarked how much the Club has profited by the three International Salons. The public was invited to express its opinion by ballot which was the best print in the exhibition. The result supported the verdict of the Exhibition Judge (Mr. Ainslie Roberts): First, Mr. J.K. Custance, still life, "Decorative Jug"; Second, Mr. Keith T. Cook, child study, "Dream World" (winner of the Club's "Robertson Trophy for Character Study or Portraiture").

At the mid-monthly meeting the Program Organizer (Mr. J.K. Custance) compared "Exercises in Print Criticism". It was an audience participation show and conducted in informal fashion, proved generally acceptable.

On the last evening of the Exhibition the gallery was closed to the public and Club members fore gathered there to listen to criticisms of their efforts from several quarters. Mr. Tulla, operator in one of the leading professional studios in the city, gave us the benefit of his views on many of the prints in the exhibition; Mr. Albert Ash presented the views on the exhibition of two friends of his, non-photographic but knowledgeable in the ways of the world, these opinions were very sound and have been filed away for use and guidance on future occasions and our Mr. F.A. White ARPS, spoke with reference to the excellent invitation panel of prints provided by Mr. Harold Cazneaux Hon.FRPS.



1st April 1949  Page 254 - Vol. 56 No. 4 The Australasian Photo-Review

ADELAIDE CAMERA CLUB
The high success of club activities for the first quarter of 1949 augurs well for the ensuing year. Our meetings have been conducted with less formality than previously and the accent has been on audience participation, which has added greatly to the social atmosphere of the club.

During February, a special competition for "Pictures Taken with a Box Camera" brought a ready response and a surprisingly high technical standard. In fact, the 15 x 12 enlargements entered for this competition more than held their own against the open competition prints which had been produced from negatives made in more versatile and expensive cameras. Again proving the old adage: "It's not the camera, it's the man behind it".

The winners of Merit Certificates in the March competition were:

A GRADE:			B GRADE:
MERIT AWARD Keith Cook	MERIT AWARD G. Mitchell	MERIT AWARD A. Betteridge	MERIT AWARD F. Evans	MERIT AWARD R. Nicholson

Prize Winning Print
BOX CAMERA COMPETITION
ADELAIDE CAMERA CLUB

BONYTHON TOWER
T. USHER
Negative enlarged to 8" x 10" print oil re-enforced and then copied.
Final print was enlarged to 15" deep.

1st June 1949  Page 388 - Vol. 56 No. 6 The Australasian Photo-Review

ADELAIDE CAMERA CLUB
The Club outing for May was something new as far as Adelaide is concerned and may be of interest to other clubs, especially in capital cities.

Members spent the Saturday afternoon with members of the Adelaide Archery Club at their “shoot” and many fine prints should result. The sunshine was glorious and there were plenty of cumulus clouds, which, coupled with many co-operative and photogenic models, left no excuse for the camera fans getting “off target”.

The April competitions resulted:

A GRADE:		B GRADE:		SPECIAL COMPETITION: BEACH AND MARINE: A. Betteridge “WHEN THE TIDE IS LOW”
MERIT AWARD C. West, “Protecting Arms”	MERIT AWARD Keith Cook, “That Tongue”	MERIT AWARD D. Dugan, “Laura”	MERIT AWARD F. Evans, “Aged Dignity”

May competition results:

A GRADE:			B GRADE:
MERIT AWARD A. Betteridge, “Storm Weary”	MERIT AWARD K, Cook, “Not a Thing to Wear”	MERIT AWARD G. Mitchell, “Reeds”	MERIT AWARD B. McClelland, “Conclusions”	MERIT AWARD A.J. Vercoe, “Adventurers”

June 1949  Page 390 - Vol. 56 No. 6 The Australasian Photo-Review

ADELAIDE CAMERA CLUB
The Adelaide Camera Club now has available a microfilm of 60 prints selected from the 1948 Royal Photographic Society Exhibition; the microfilm can be hired from the Hon.Secretary, Adelaide Camera Club, Box 602 E, G.P.0., Adelaide, at a cost of 3/-, to cover booking, packing and postage. Unfortunately, no catalog had been received at the time of writing.

The same letter conveyed the news that this is the Club’s fiftieth anniversary and that there would be a 1949 Members Exhibition, opening 29th August.



1st August 1949  Page 525 - Vol. 56 No. 8 Australasian Photo-Review

ADELAIDE CAMERA CLUB
On a recent lecture night members heard Mr. A.E. Nelson, chief technician at a large city printing house, give a most comprehensive description of the processes of photo-lithography, photo-gravure and offset color printing.

An invitation film night in June proved most successful and enjoyable to an audience of eighty, made up of members and friends.

The main event of the year is the 14th Annual Club Exhibition, which will be open in the Royal Society of Arts Gallery on August 29th. The committee is determined that it will go on restrictions notwithstanding.

Prizewinners in Club Competitions: June:

A GRADE:		B GRADE:
MERIT AWARD Keith Cook	MERIT AWARD D. Wolff	MERIT AWARD R. Nicholson	MERIT AWARD R.H. Ween

Prizewinners in Club Competitions: July:

A GRADE:								B GRADE:
MERIT AWARD J. Custance	MERIT AWARD G. Mitchell	MERIT AWARD Keith Cook	MERIT AWARD Keith Cook	MERIT AWARD C. West	MERIT AWARD C. West	MERIT AWARD D. Wolff	MERIT AWARD A. Betteridge	MERIT AWARD B. McClelland	MERIT AWARD M. Hunter	MERIT AWARD M. Hunter	MERIT AWARD K. Evans

Footnote: In June, four Merits were awarded, while in July this total increased to twelve as a result in change of voting time. Prior to July, all prints were hung and voted on before analysis. Now members vote while the prints are being shown individually and commented on by critics. Thus, quite apparently, the finer points of the prints now receive greater appreciation.



Saturday 20th August 1949  Page 6 - The Advertiser (Adelaide SA)

THE INTERNATIONAL APPEAL OF AMATEUR PHOTOGRAPHY SHOWS THAT THE LANGUAGE OF THE CAMERA IS A UNIVERSAL ONE
This year marks the fiftieth anniversary of the Adelaide Camera Club and the progress of amateur photography in South Australia is reflected in the club's annual exhibition to be opened at the Royal Society of Arts Gallery, Institute Building, North terrace, Monday, August 29th. Today, photography is rated one of the world's most popular hobbies and pictorial photographers everywhere have a common goal, to make pictures of Salon standard.

The holding of International Salons enables keen amateurs to match their artistic and technical ability against the world's best and to show the general public what is being achieved currently in their own and other countries. Few Salons make awards, as it is the honor of acceptance rather than reward which the pictorial artist is striving for.

Many members of the Adelaide Camera Club have had their prints accepted overseas, a fine record when one realizes that Salon entries average 800 to 1,400 prints, with perhaps only 200 being accepted. Their successes honor the club and are an inspiration to others. The club has 70 members, who constitute one of the strongest photographic societies in Australia at the present time. A progressive policy has been adopted and accent is on members active participation in programs rather than on formal meetings.

These activities come broadly into three main divisions: lectures, outings and print competitions. Lectures and demonstrations given by guest speakers and club members, each a specialist in his own field. Darkroom technique, enlarging, portraiture and character studies, lighting, color photography, latest developments in photographic optics, are a selection from the topics discussed and indicate the technical assistance given.

One club leader for discussion on character studies and lighting is Mr. E. Robertson, ARPS, an outstanding worker in this field, whose one-man exhibition, the first of its kind held in South Australia, was sponsored by the club last year. He turns the meeting room into a studio, complete with models and costumes and members in turn are given charge of the lighting effects. They light models to their own ideas and Mr. Robertson analyses their efforts and offers valuable advice.

Here is a literal translation from the Dutch magazine "Focus" concerning Mr. Robertsons print, "A Little More Salt!" accepted at Amsterdam: The funny portrait of the cook answered all the modern requirements of a "living photo". Don't think, however, Mr. Guileless Beginner, that this is a photograph taken with a quick, little camera from a corner of the kitchen. Not a bit of it. This is a studied survey, set fine under the correct lighting with a Hulplichtbron (helping spring of light) from the left, which lights up clearly the otherwise too dark cheek of the worker. One sees the shadow of his cook's cap cast over the ear fall over the temple. But this "previous studiedness" does not detract in the least from the value of this photo.

The photographer specializing in character studies has, perhaps, a wider choice of models than the artist. Artists models require the physique to endure hours of strenuous posing, while the photographic model may be required to hold a pose, say, for 30 seconds.

Although facilities for color photography are not readily available in Adelaide, club discussions on this subject are always popular. Technicians explain what color processes are being used overseas and the scope that may be expected for amateurs here. Another new development demonstrated at the clubrooms recently was multi-flash technique and this time the model was a conjurer doing card tricks and juggling. When the high-speed flash gun was held at a distance of six feet from the model, members used their own cameras and with a flash of 1/30,000 th of a second, "stopped" the pack of cards in a waterfall shuffle.

A useful evening is frequently devoted to the "Brains Trust", the team comprising a chemist, a pictorialist and a utility man, who are bombarded with questions in the keenest quiz session style. And the team knows all the answers.

On "Gadget Evenings" members display their home made patents, some of them elaborate engineering dreams, others engineers nightmares. One man converted a concertina into an enlarger. Another enthusiast actually built a camera from bits and pieces, with a shutter made from a piece of weighted material on a knitting needle, which went up and down like a blind. There is no limit to these gadgets and all contain the germ of an idea which others may apply in solving their difficulties.

Many fine pictures that will be hanging in the forthcoming exhibition have been taken on organized club outings. One successful morning was spent at the Zoological Gardens, where attendants gave members every assistance to get realistic animal shots. The lioness basked under a battery of clicking cameras and she curled up contentedly close to the cage bars, an easy target for "close-ups". The jaguar made a handsome subject, too, but nobody stayed long by the orangutan: he objected to the photographers on sight, stamped up and down the cage and hurled bunches of old vegetables through the bars at anyone within reach. The weather plays an important part on these excursions. One June evening when rain was forecast, members met to photograph street scenes around the city. But it didn't rain and the planned pictures of Adelaide by night reflected in pools of water, did not eventuate.

On one beach outing the weather was all bright sunshine and no clouds — ideal for sun-bathers, but not for the cameraman, who likes cloud effects in his pictures. He may however, check through his album of cloud photographs and print the clouds in later.

Recently club members visited a "shoot" of the Archery Club in the parklands. The photogenic archers were most co-operative models and obligingly fired their arrows in the opposite direction to the target because the light was better that way.

Photographers need plenty of patience too just like fishermen who sit on the jetty all day waiting for a bite. Keen amateurs spend hours finding the best viewpoint, checking on, light and waiting for a special shot. One enthusiast stayed two hours on top of the Savings Bank Building to take a silhouette picture of the C.M.L. Building and skyline of Adelaide. He got the picture — then found himself locked in!

The print competitions are conducted at the clubrooms each month, when all prints submitted are exhibited and constructively criticized. Advance workers advise beginners on the principles of print analysis and the points of technique, subject matter, composition, mood and presentation which make or mar a Salon print.

The Adelaide Camera Club has the distinction of pioneering International Salons in Australia by having conducted the First International Adelaide Salon in 1945. Even though the war had seriously affected photographic supplies in many countries, the response from overseas was excellent and many world-famous names were listed in the catalog.

Personal letters came with many prints and Adelaide Consuls of the respective countries helped with translations. But there was one letter, from Mexico, which stumped everyone. It is still waiting to be deciphered.

The Salon was repeated in 1946 and in 1947 and prints were received from, besides Australia, America, Brazil, British West Indies, Canada, China, Denmark, England, Holland, India, Ireland, Mexico, New Zealand, Norway, Portugal, Scotland, South Africa, Spain, Switzerland and Uruguay. This is indeed a wonderful record.

The language of the camera is universal, even though the entry form that goes with a picture is written in English, French, German and Chinese.

"House of Cards" by Keith T. Cook
An exhibit by another Adelaide photographer,
in the Adelaide Camera Club forthcoming exhibition.

Saturday 27th August 1949  Page 6 - The Mail (Adelaide SA)

At the annual show of the Adelaide Camera Club next week 224 photographs will be exhibited.

The exhibition will be opened by the Speaker of the House of Assembly (Sir Robert Nicholls) at 8.15pm on Monday, at the Institute Building, North terrace.

The exhibits will be open to the public from Tuesday 30th August to 9th September between 12.30pm and 9.30pm.

A feature is an invitation panel of 15 prints from leading Australian photographer Max Dupain.

Hon. SIR ROBERT DOVE NICHOLLS

Born 27th June 1889
Died 18th January 1970

Tuesday 30th August 1949  Page 10 - The Advertiser (Adelaide SA)

ADELAIDE CAMERA CLUB EXHIBITION
The 14th annual exhibition of the Adelaide Camera Club at the Society of Arts rooms, North terrace, last night, marked the club's 50th birthday.

Sir Robert Nicholls opened the display which included 174 photographs by members and about 150 other pictures. More than 400 people attended.

PRINT OF THE YEAR SILVER PLAQUE A.R. BETTERIDGE

BRONZE PLAQUE J.G. Sprod

BRONZE PLAQUE A.R. Betteridge

BRONZE PLAQUE K.T. Cook

BRONZE PLAQUE G. Robertson

Thirteen other exhibitors were awarded merit certificates.

The judges were Messrs. Rupert Packer and F.A. White.



Saturday 3rd September 1949  Page 45 - The Mail (Adelaide SA)

BEST SHOTS AT CAMERA CLUB SHOW
The annual exhibition of pictorial photographs at the Society of Arts Gallery worthily marks the 50th ANNIVERSARY of the Adelaide Camera Club. It will be on view until next Friday. Judges Rupert L. Packer and F.A. White ARPS, made the following awards:

PRINT OF THE YEAR SILVER PLAQUE A.R. BETTERIDGE "THE DROWNING TREE" a well-selected shot, forming a radial composition, printed with skill and good taste	BRONZE PLAQUE J.G. Sprod "Garfield Mitchell"	BRONZE PLAQUE J.G. Sprod "Corridor"	BRONZE PLAQUE A.R. Betteridge "Hills Pathway"	BRONZE PLAQUE K.T. Cook "Stitch in Time"	BRONZE PLAQUE G. Robertson "Etching of Gum Tree"	MERIT CERTIFICATE A.R. Betteridge "Storm Weary"	MERIT CERTIFICATE A.R. Betteridge "Australian Vista"	MERIT CERTIFICATE L. Ween "Diamond Pattern"	MERIT CERTIFICATE Keith T. Cook "Wow"
	MERIT CERTIFICATE Keith T. Cook "House of Cards"	MERIT CERTIFICATE George Ziesing "Depression, 1931"	MERIT CERTIFICATE John G Sprod "Good-morning, Sir"	MERIT CERTIFICATE J.G. Custance "Tasmanian Coastline"	MERIT CERTIFICATE M. Hunter "At the Tomb of Nefertiti"	MERIT CERTIFICATE Douglas Wolff "Sunflowers"	MERIT CERTIFICATE John G. Sprod "Portrait"	MERIT CERTIFICATE Garfield West "Pattern"	MERIT CERTIFICATE Garfield Mitchell "Danny Boy"

Invitation panels by Max Dupain and by the judges are notable collections of craftsmanship.



1st October 1949  Page 655 - Vol. 56 No. 10 Australasian Photo-Review

ADELAIDE CAMERA CLUB
The mid-monthly meeting for August was a demonstration of high-speed flash by Mr. R. Philpot. The model, a dancer from a local ballet school, was probably the most photogenic and most photographed model that we have had for a long time. A.R. and G.Z. brought along Model E Brownies and a flash holder, with which they entered into competition with R.P., Mr. Philpot then showed us some historic and interesting stroboscope slides.

At a previous meeting the club enjoyed a showing of the Photographic Society of America color slide collection. The showing was greatly appreciated and the club is grateful for the opportunity to view some of the latest color work from America.

Regular competition results:

SPECIAL COMPETITION "PICTURES ON LOCATION IN ARTIFICIAL LIGHT": J.G. SPROD "TRAM STOP"	A GRADE:		B GRADE:
	MERIT AWARD Keith Cook "House of Cards"	MERIT AWARD Keith Cook "Stitch in Time"	MERIT AWARD F. Evans "Grey Day"	MERIT AWARD F. Evans "Day's Ending"	MERIT AWARD L. Ween "Craftmanship"

DANCER from a local BALLET SCHOOL

Thursday 27th October 1949  Page 7 - Northern Argus (Clare, SA)

SUPERB ARRAY OF PHOTOGRAPHY
High praise was bestowed by all who saw the Photography. These classes are rapidly expanding. As a hobby or as a business it is indeed a fascinating pastime and the range of subjects unlimitable. A large collection of Photographs submitted not for competition by the Adelaide Camera Club attracted much notice.

Doctor J.F. Drew, of Clare, in the 25 mile radius, scored four firsts and two seconds for Portrait study, landscape study, character study and child study. His entries were of exceptional merit. Collection of 12 was ably won by W.J. Ferguson and Mr. H. Alm had two seconds in landscape and child studies. The judge was Mr. J.G. Sands of Beulah Park. Open Section events prize-takers included Des Dugan, K. Harrington, D. Wolff, B.L. Andrew, Mrs. C. Rucioch and W.J. Ferguson.



1st November 1949  Page 723 - Vol. 56 No. 11 Australasian Photo-Review

ADELAIDE CAMERA CLUB
On September 9th a meeting was held at the conclusion of the Club Exhibition. Mr. K. Phillip criticized the exhibition from the point of view of the photographer and Mr. Bone replied by giving the layman's viewpoint.

At our mid-monthly meeting we had something of a debate, with the subject "Can Photographs be Works of Art". Mr. Davies (Mr. Pim of the Adelaide News) gave the artist's point of view in a most entertaining style, proving {?) that photographs can never be works of art. Sad to say, some of the members agreed with him. He was answered by Mr. Tomlinson, who proved to all the photographers (except the traitors) that photography is indeed an art and some photographs are works of art.

On September 26th the Club changed its rooms to a large hall on the premises of the Technical Correspondence School, North Terrace. The new hall was handed over by Mr. McDonald, who is Supervisor of Technical Education in South Australia. A most entertaining evening followed.

Competition results were and Merit Certificates awarded to the following:

A GRADE:		B GRADE:
MERIT AWARD Keith Cook "They Lived Happily Ever After"	MERIT AWARD G. Mitchell "Sunlit Trees"	MERIT AWARD L. Ween "August Morning"	MERIT AWARD L. Ween "Winter's Pattern"

November 1949  Page 723 - The Australasian Photo-Review

Adelaide Camera Club  Members Exhibition 1949

1st December 1949  Page 786 - Vol. 56 No. 12 Australasian Photo-Review

ADELAIDE CAMERA CLUB
This month the club was fortunate in having Mr. F.A. White ARPS, of Kodak, as its lecturer. His subject was "Pictorial Photography"; the lecture being illustrated by several dozen lantern slides of Mr. White's exhibition prints and those of several famous pictorialists - these being shown with a view to giving practical illustrations of points raised. There is no doubt that this kind of lecture is most engaging and more than usual enthusiasm was aroused by an evening that must have taken a great deal of planning.

Another beach outing was held. The club set out in fine weather but, unfortunately, almost as soon as we arrived, clouds covered the sun and a fierce wind blew spray all over our cameras and equipment. Strangely enough, as always seems to happen at camera club gatherings, a good time was had by all.

Two special competitions were held this month. The results were:

ROBERTSON TROPHY PORTRAITURE: KEITH COOK	ROBERTSON TROPHY B GRADE OUTING PRINT: B. McCLELLAND	CLUB COMPETITION: A GRADE:	CLUB COMPETITION: B GRADE:
		MERIT AWARD G. Zeising	MERIT AWARD F. Evans	MERIT AWARD L. Ween	MERIT AWARD A.J. Vercoe

1st January 1950  Page 5 - Vol. 57 No. 1 The Australasian Photo-Review

ADELAIDE CAMERA CLUB
The mid-monthly meeting was the eagerly - awaited color slide competition. The large entry was made up mainly of popular 35mm slides, which were of a high standard, many showing keen appreciation of color values. Mr. D. Wolff gained 1st and 3rd places and Mr. J.M. Tomlinson 2nd.

The screening was followed by a short talk by Mr. Tomlinson, who traced the history of color photography and gave various hints on color temperature and other technical matters, including the effect of lens coating on color prints. Demonstrating with color prints specially sent over by Mr. Merton, of Kodak, Abbotsford, Mr. Tomlinson painted a glowing picture of what could be achieved when dollars are again available for such luxuries.

The outing this month was held at the Botanical Gardens. Two graceful models from a local ballet school assisted and many worthwhile exposures were made.

The monthly print competition results were as follows: Merit Certificates to:

A GRADE:				B GRADE:
MERIT AWARD Keith Cook "Who Said Carrots?"	MERIT AWARD G. Zeising "The Capture"	MERIT AWARD G. Zeising "The Pearl Necklace"	MERIT AWARD J. Sprod "Clouds and Gums"	MERIT AWARD L. Ween "Decorative Study"	MERIT AWARD M. Hunter "Study in Line"	MERIT AWARD B. McClelland "6.05"	MERIT AWARD M. Hunter "Decoration Piece"	MERIT AWARD F. Evans "This Posing Business"	MERIT AWARD M. Hunter "Poise"

1st February 1950  Page 116 - Vol. 57 No. 2 Australasian Photo-Review

ADELAIDE CAMERA CLUB
The first meeting for December was the eagerly awaited annual dinner. After formal business, the new President (Mr. A. Russell) was sworn in, followed by the Hon.Secretary (Mr. B. McClelland) and the new committee.

After the presentation of awards and trophies won in the year’s competitions, Mr. G. Hutton screened some color home movies of his travels.

This month’s lecture was given by Mr. M.L. Grosser, the subject being “Toning”. He described the methods of making prints in every possible tone and he then exhibited samples to demonstrate each respective process. Mr. Grosser’s knowledge on matters technical is unsurpassed in the club and his advice is always worthy of note. He concluded by saying that the main requirements for successful toning are an original black-and-white print of perfect technique and the careful following of the instructions, as every fault in the original print is accentuated in the toned version.

The month’s outing was our first all-day outing for a very long time and was held at a beach some 30 miles from Adelaide. The attendance was very good and some prints and lively discussions are anticipated at our next meeting. It is to be hoped that the new committee plans more of this type of outing.

ADELAIDE CAMERA CLUB
December 1949
Mr. G. Dixon presenting Mr. K.T. Cook
with the
ROBERTSON TROPHY for Portraiture.
(Flashlight by J. Winter)

Friday 3rd February 1950  Page 4 - The Advertiser (Adelaide, SA)
Thursday 9th February 1950  Page 43 - Chronicle (Adelaide, SA)

HIS COLORED SLIDES
This week I saw a letter Mr. Percy Moody, of Lenroc Ltd has just received from his friend Harold Hirthe in Los Angeles, California, in connection with the International Camera Salon of Photography held there last month. He asks: "Do you know Jack Tomlinson, of Highgate, South Australia? If so, do tell him I saw a couple of his colored slides which were selected by the jury for the showing here". Mr. Moody knows him well and at his suggestion Mr. Tomlinson showed me the card he received from the Salon while he was on holiday at Victor Harbor. He sent four colored slides, had two accepted. I saw fascinating glimpses of his work, the color film certainly was one of the greatest scientific inspirations of the age. Mr. Tomlinson is vice-President of the Adelaide Camera Club, is in charge of Watson Victor Ltd's scientific instruments section.



1st March 1950  Page 186 - Vol. 57 No. 3 Australasian Photo-Review

ADELAIDE CAMERA CLUB
The meeting opened with a discussion on the possibility of an International Color Slide competition to be held at the end of the year. Such a step would be unique in the club and would keep us abreast of the times.

The main substance of the meeting consisted of lectures.

Mr. Ian Monfries told us of the varieties of film emulsions, listing their characteristics and practical uses.

Mr. E.G. Dixon followed with his popular lecture on color filters and emphasized his points with colored lights and slides.

Mr. G. Mitchell’s lecture was more technical. He discussed the relationship of emulsions and developers, outlining the qualities of many popular developer - emulsion combinations.

Merit Certificates were awarded as follows:

A GRADE:				B GRADE:
MERIT AWARD C.G. West "Winter Evening"	MERIT AWARD M. Hunter "Veiled Beauty"	MERIT AWARD F.J. Evans "Mountain Sprite"	MERIT AWARD F.J. Evans "The Camera and Art"	MERIT AWARD J.F. Frost "Just a Minute, Chooky"	MERIT AWARD J. Beare "Little Cascade"	MERIT AWARD J. Beare "Lakeside"

1st April 1950  Page 258 - Vol. 57 No. 4 Australasian Photo-Review

ADELAIDE CAMERA CLUB
The first color evening of the year was held on the 20th February. Mr. J. Byne delivered a lecture entitled “Introduction and Appreciation of Color”. The lecture was not specially related to photography, but dealt with the basic principles of color, as related to art.

Particular emphasis was placed on the ability of colors to create various moods. For example, red conveys a feeling of warmth and fire, blue indicates peace, yellow gaiety and sunlight and green coolness, because of its association with grass. This knowledge is most useful for posed figures and still-life.

A color slide competition was also held, Mr. H.J. Brophy gained first place with a dramatic back lighted scene in Sydney Harbour. All the slides were on Kodachrome film.

A GRADE:					B GRADE:		COLOR SLIDE COMPETITION:
MERIT AWARD F.J. Evans "Out of the Past"	MERIT AWARD F.J. Evans "No Title"	MERIT AWARD G. Mitchell "Vestibule"	MERIT AWARD D. Wolff "Defiance"	MERIT AWARD D. Wolff "Anthea"	MERIT AWARD J. Beare "Idle"	MERIT AWARD J. Beare "Nature's Avenue"	FIRST Mr. H.J. Brophy	SECOND Mr. J. Tomlinson	THIRD Mr. J. Tomlinson

1st May 1950  Page 325 - Vol. 57 No. 5 The Australasian Photo-Review

ADELAIDE CAMERA CLUB
This month we were very fortunate in having Mr. E. Robertson ARPS (of Kodak) to be the lecturer. His subject was the oil reinforcement process.

Mr. Robertson commenced by showing how a badly marked print could be spotted with water-colors to eliminate all Surface defects. He particularly stressed that all after-work should be done by natural daylight as artificial light tends to make matching difficult.

The print was then covered with a layer of oil medium and the lamp-black oil color applied with a soft cloth to those parts which needed darkening. The improvement to the print was remarkable yet the oil was quite invisible. The working-up seemed to require so little effort and still be so effective that we should be seeing a great many improvements in the competition prints. Mr. Robertson concluded the demonstration by showing his method of mounting prints.

The beach outing held during March was not as successful as our previous one, as strong winds tended to make photography difficult.

The special competition for the Fisher Memorial trophy for Landscape was won by Mr. E. Robertson ARPS, with "Pastorale”.

Merit Certificates were awarded to:

A GRADE:		B GRADE:
MERIT AWARD E.G. Dixon "Ballet Pastoral”	MERIT AWARD F.J. Evans "Windy Ridge"	MERIT AWARD Miss Craven "What's Beyond"	MERIT AWARD J. Wood "Nonchalance"

Wednesday 10th May 1950  Page 4 - News (Adelaide, SA)

APPOINTED TO PHOTO JOB
Miss Jean Thompson, 19, of Toorak Gardens, has taken over photographic work for the Adelaide University, from Miss Helen Gibson, who has gone to England. Miss Thomson, who left Presbyterian Girls College last year, said she has always been interested in photography. Since the beginning of this year, she has been training with Miss Gibson. She makes lantern slides, micro-films, which are sent to universities in other States, stencils for diagrams and takes photos. She attends a retouching and coloring class at the School of Arts and Crafts one night a week. She is also a member of Adelaide Camera Club. Miss Thomson hopes to continue her photographic career overseas.

MISS THOMSON, who has an interesting photographic post at Adelaide University.

1st June 1950  Page 394 - Vol. 57 No. 6 Australasian Photo-Review

ADELAIDE CAMERA CLUB
“Lighting for Glamor” was the title of the lecture given by Mr. K.T. Cook on the 17th April. The lecturer used two charming models to demonstrate the various lightings. At the conclusion of each step, the members were invited to photograph the result. The importance of correct make-up, pose and balanced lighting was emphasized by Mr. Cook. The lighting, he said, was particularly important, especially if one wanted to bring out all the “glamor” inherent in a model.

This month’s outing to the foot-hills was yet another all-day event. Orchardists, in the district visited, threw open their gardens to us and a few pictures were taken between eating apples and figs. The day was enjoyed by all.

Merit Certificates were awarded as follows:

SPECIAL COMPETITION FOR PICTURES TAKEN WITH A BOX CAMERA: Mrs. M.P. KORTE "HORSESHOE BAY”	A GRADE:		B GRADE:
	MERIT AWARD G. Zeising "Mist in the Parklands”	MERIT AWARD L. Ween "7 p.m. Onslow Avenue"	MERIT AWARD J. Bennett "Beach Ballet"	MERIT AWARD J. Beare "Beside Still Waters"	MERIT AWARD G. Wood "Homewood"

1950 G.L. FISHER MEMORIAL TROPHY
Award for Landscape
"PASTORALE"
Mr. E. ROBERTSON ARPS

Monday 5th June 1950  Page 8 - The Advertiser (Adelaide, SA)

HONEYMOON COUPLE'S ESCAPE
An Adelaide couple had remarkable escapes from injury on Thursday night while motoring to Sydney on their honeymoon when their new car crashed over an embankment at Milton, NSW. The car was destroyed. The couple, Alan Alexander Russell, chemist, of King William road, Hyde Park and his wife, formerly Miss Margaret Maxine Flint, of Toorak Gardens, received minor abrasions. The couple, who were married at Clayton Memorial Church, Norwood, last week, are continuing their honeymoon in Sydney. Mr. Russell is President of the Adelaide Camera Club.



1st July 1950  Page 461 - Vol. 57 No. 7 Australasian Photo-Review

ADELAIDE CAMERA CLUB
The meeting held on 1st May, consisted of a lecture and demonstration on Enlarging Control by Mr. K.P. Phillips, well-known Adelaide photographer. Mr. Phillips dealt with the finer points of enlarging, such as dodging areas and printing-in clouds. He demonstrated his points by practical demonstration with a quarter-plate enlarger. Both beginners and advanced members gained useful information on the finer points of enlarging control.

Another all-day outing was held on Sunday the 7th, when we again visited the hills. The outing was a social success, but photographic possibilities seemed to elude us.

Merit Certificates were awarded as follows:

A GRADE:				B GRADE:
MERIT AWARD C.G. West “Australian Autumn”	MERIT AWARD A.J. Vercoe “New Australian”	MERIT AWARD M.H. Hunter “Night Scene”	MERIT AWARD G. Mitchell “Western Approach”	MERIT AWARD J. Trost “Troubled Waters”	MERIT AWARD J. Wood “Young Columbus”	MERIT AWARD J. Bennett “The Eyes Have It”	MERIT AWARD R. Burton “Restless”	MERIT AWARD Dr. Drew “For Who Would Bear ..."

1st August 1950
Page 476 - Vol. 57 No. 8 The Australasian Photographic Review

ADELAIDE CAMERA CLUB
The highlight of our half-yearly meeting was a showing of color movies made by Mr. Shergis whilst on an extensive overseas tour. He traveled from Australia, via England to Switzerland, which he made his base for tours of Italy and France. Some very fine films of the Winter Olympic Games in Switzerland impressed the members particularly.

The K.P. Phillips Trophy for Landscape was presented by Mr. Phillips to Mr. J. Windle.

The outing for the month was held in the Norwood Town Hall, where pupils from Miss Eileen Hogarth’s dancing school presented some scenes from “Cinderella”.

Merit Certificates were awarded as follows:

K.P. PHILLIPS TROPHY FOR LANDSCAPE: Mr. J. Windle “Furrowed with Care”	A GRADE:	B GRADE:
	MERIT AWARD M.H. Hunter “Scrub Fire”	MERIT AWARD J. Windle “Single Primus”	MERIT AWARD J. Beare “Sunlit Waterhole”	MERIT AWARD J. Bennett “Arabesque”	MERIT AWARD Dr. Drew “Ghost Gums”

1st September 1950  Page 585 - Vol. 57 No. 9 Australasian Photo-Review

ADELAIDE CAMERA CLUB
During the lecture delivered by Mr. Nelson on “The Technique of Color Reproduction”, the speaker pointed out that the ultimate of color photography is the paper print and that the modern and popular color transparencies are really only a half measure”.

He outlined modern methods, such as color masking, which greatly increases fidelity and incorporates the various advantages of photo-gravure and photo-lithography.

He concluded by suggesting the various points that members should bear in mind when making slides for reproduction. The most important hint of these was to strive for a brightness range of 1:20, as this was the greatest range that could be reproduced at present. A Color competition, held in conjunction with Mr. Nelson’s lecture, with all the prizewinning entries made on Kodachrome.

The first half of this month’s outing was held at the clubrooms, where the members photographed Mr. David Von Vertouch, who was dressed in a centuries old court costume. To conclude the outing, members journeyed to the ballet studios of Mr. Walter Desborough, where eager dancers provided excellent subject matter.

Merit Certificates were awarded as follows:

A GRADE:				B GRADE:			COLOR COMPETITION:
MERIT AWARD C.G. West “Imp”	MERIT AWARD D. Wolff “Old Friends”	MERIT AWARD A.J. Vercoe No title	MERIT AWARD D.E. Robertson “Nibbling Flocks Do Stray”	MERIT AWARD B. McClelland “Caterpillar”	MERIT AWARD R. Barnes “St. Paul’s”	MERIT AWARD R. Barnes “Jonquils”	MERIT AWARD D. Wolff	MERIT AWARD Mr. Stevens	MERIT AWARD J. Tomlinson	MERIT AWARD D. Wolff

Friday 15th September 1950  Page 14 - News (Adelaide, SA)

Barbara Robertson, one of Adelaide's younger painters, has often done self-portraits for practice when a model was not available. (It's not always easy to book models.) In one which she did recently from the mirror, she painted what her friends have told her is "an older-looking face, full of tragedy". Miss Robertson entered the picture in the spring exhibition of the Royal Society of Arts, along with a portrait of a model. She didn't expect to win a prize with the self portrait; but the judge, Miss Bessie Davidson, gave it the £50 award for the best painting in the portrait section. Miss Robertson's father, Mr. E.W.B. Robertson, of Millswood, is a keen amateur photographer and member of Adelaide Camera Club. He has exhibited in many photographic exhibitions. Her brother Doug, is editor of "Aircraft", published in Melbourne.



Wednesday 4th October 1950  Page 2 - The Advertiser (Adelaide, SA)

Mr. J.N. Tomlinson, Vice President of the Adelaide Camera Club, will speak on "Latest Developments in Photography" at the weekly luncheon of the Y's Men's Club at the YMCA tomorrow.



Friday 20th October 1950  Page 3 - Bunyip (Gawler, SA)

About 30 members of the Adelaide Camera Club last Sunday visited the Gawler district. At Smithfield they inspected Star Stud Farm and lunched on the banks of the South Para river. After seeing Mr. E.T. Marchant's garden, the party proceeded to Barossa reservoir. Club members took many camera records of features of the outing, having as models Miss Joan Kennewell and Miss Betty Pratt. The Club hopes to pay another visit at some future date.



1st November 1950  Page 720 - Vol. 57 No. 11 The Australasian Photo-Review

ADELAIDE CAMERA CLUB
The mid-monthly meeting consisted of a series of three lectures, rather different to those usually delivered. Mr. Barnes lectured on high-speed movie photography, Mr. Stace on spectrochemical photography and Mr. Tomlinson on x-ray photography.

Mr. Barnes told us that high-speed cameras ranging in speeds from 300 frames per sec. to an experimental 10,000,000 frames per second, have been developed. To us, the vision of 10,000,000 frames, however small, passing a given point in one second seems inconceivable. Normal high-speed line cameras can only be run up to about 300 f.p.s., and any higher speeds must be obtained using mirrors, prisms and multiple lenses. Illumination is a difficult problem at such high speeds and this is usually overcome with a battery of repeating strobe-lamps.

Mr. Stace explained the function of photography in the spectrographic analysis of complex substances.

Mr. Tomlinson sketched the history of X-ray photography and showed us the tubes used to generate the rays.

Another popular all-day outing was held in the hills. Settings, featuring typical Australian characters such as a sundowner, were arranged and despite cloudy weather some exhibition prints should be forthcoming.

The “Miss Photography 1950” contest attracted very few entries, the best being “Ruth” by F. Morey.

Merit Certificates were as follows:

A GRADE:			B GRADE:
MERIT AWARD G. Zeising “Exuberance”	MERIT AWARD D. Wolff “The Farmer’s Daughter”	MERIT AWARD D. Wolff “Since 1860”	MERIT AWARD J. Beare “Book Lover”	MERIT AWARD J. Windle “Almond Blossom”	MERIT AWARD J. Bennett “The Young and Old”

Saturday 4th November 1950  Page 2 and 7 - The Advertiser (Adelaide SA)
Saturday 4th November 1950  Page 29 - The Mail (Adelaide SA)

On Monday evening the Lord Mayor (Mr. Arthur Rymill) will open the fifteenth annual exhibition of the Adelaide Camera Club. A special feature will be the first colored slide competition in Australia. Nearly 50 entries have been received and these will be shown on a screen on Thursday evening and again on Tuesday 14th November.

Tuesday 7th November 1950  Page 14 - News (Adelaide SA)

Looking at photographs at the Adelaide Camera Club fifteenth annual exhibition at
the Society of Arts rooms last night are (from left) Miss Diana Wohling, of Frewville
and Mesdames Phoebe Hamilton, of North Adelaide and Mrs Keith Cook, of Hyde Park.

Tuesday 7th November 1950  Page 11 - The Advertiser (Adelaide SA)

HIGH STANDARD IN CAMERA STUDIES
The high standard set in recent years by the Adelaide Camera Club at its photographic exhibitions has been maintained in all sections at the 15th annual display, which was opened last night by the Lord Mayor (Mr. Arthur Rymill) at the Royal SA Society of Arts Gallery.

The selection — about 120 exhibits — comprises a large number of subjects, but it is possible that most people will appreciate figure work and portraiture, which is outstandingly attractive. Excellent quality and general treatment are particularly noticeable in colored and tinted work.

"Spring" by Keith Cooke, is a very dainty and finished study and "The Farmer's Wife" by D. Wolff, has been cleverly limned; "Anthea" by the same artist is also good work. "Book Lover" by Jack Beare, is striking and "Miss Norrie" by Cooke, is a finished work. "Spirit of the Wind" by Dickson, is attractive. Others worthy of detailed inspection are "Can Can" by Bennett: "Ballet Pastoral", full of vivacity and "Australian Autumn". "St. Paul's" by Barnes, is clear and well defined.



Wednesday 8th November 1950  Page 5 - The Advertiser (Adelaide SA)

Natural color photos, including those which won prizes at the Adelaide Camera Club current annual exhibition, will be screened in a free public display at the Royal Society of Arts Gallery, Institute Building, North terrace, tomorrow and next Tuesday nights.



Wednesday 8th November 1950  Page 3 - News (Adelaide SA)

PICTORIAL DISPLAY BY SOUTH AUSTRALIAN CLUB
The Adelaide Camera Club is holding its fifteenth annual exhibition of pictorial photography in the Institute Building gallery, North terrace.

An interesting feature is the amount of color work. A group in both watercolor and oils by one of the judges (Mr. K.P. Phillips) is particularly attractive. The other judges, Messrs. W. Robertson and Ainslie Roberts, also show invitation panels of first-rate work. Throughout the show the emphasis appears to be on composition, which is pleasantly even and bears evidence of careful selection. There is not so much hankering after effects. Although these are interesting technically, they are not as important as direct, artistic photography.

Hard to beat are such straightforward studies as "Decorative Satsuma" and "Ecstasy", both honor awards and "Hot Dog", "Single Prunus", "Australian Autumn" and "Furrowed With Ease". To my mind, this is one of the most pleasing shows the club has put on so far. - Ivor Francis.



Saturday 11th November 1950  Page 5 - The Mail (Adelaide SA)

Adelaide Camera Club will show slides in the color section of its 1950 exhibition in the Royal Society Gallery, Institute Building, North terrace, on Tuesday night at 8pm. The public is invited.



Saturday 11th November 1950  Page 31 - The Mail (Adelaide SA)

REACTION TO ART SHOWS
It is interesting to compare the differences in the emotional reaction to the three art exhibitions at present on view in Adelaide.

The Adelaide Camera Club exhibition in the Society of Arts gallery shows good taste in selection of subject to the mechanics of the camera. The art is largely a matter of selection. In the lecture hall opposite is the fifth annual exhibition of the Australian Commercial and Industrial Artists Association (entirely the work of Melbourne and Sydney artists), in which all freedom of expression is forced by convention to an imitation of photography with a few exceptions. In John Martin's gallery, full rein is given to feeling and expression in the sketches and drawings by members of the Contemporary Art Society and a few interstate guest artists.

COLOR CATCHES THE EYE
The Adelaide Camera Club has, it must be admitted, within its limited range a highly creditable display, covering a wide variety of subjects, chosen for the most part with excellent judgment and printed with the highest degree of technical skill. It is splendidly arranged and displayed in sections which make comparisons easy. One can imagine, however, the judges (Messrs. Ainslie Roberts, E. Robertson and K.P. Phillips) had the greatest difficulty in deciding the awards. Very appealing is the study "Nocturne", by Sydney O. Hoad, among the honors in the landscape and seascape awards. Of the merit awards in the same class, I like especially C.G. West's "Australian Autumn" for its rhythmic composition and "The Sun Was Shining on the Sea", by George Ziesing. This photographer also secured an honor in the portrait and character studies group with his study entitled "Slight Adjustment".

C.G. West's "Imp", among the merit awards, is a fine portrait of a freckled lad, full of mischief. Len Ween was awarded a double honor in the miscellaneous group for "Decorative Satsuma" and "7 p.m., Onslow Avenue". Each of the judges exhibits a fine panel by invitation and each work was of consistently high standard. Ainslie Roberts "Shoreline" is most effective and "South Sea Trader" (in color) would delight the heart of any romantic youth. E. Robertson's "Le Petit Papillon" and K.P. Phillips "Nymphaea" are excellent pictures. The coloring of some of the works adds much to their charm.



Tuesday 14th November 1950  Page 12 - News (Adelaide SA)

CAMERA ART YIELDS VARIETY IN PHOTOGRARAPHIC EXHIBITION
The Adelaide Camera Club exhibition of photographs at the Royal Society of Arts Gallery include a wide variety of subjects.

"BEACH BALLET"
Rhythm and contrast are expressed in this study by John Bennett

Cloud formation in "BLOSSOM TIME" by J. Windle has a dramatic effect on the picture.

"THE FARMER'S DAUGHTER"
by D. Wolff has an unmistakable rustic atmosphere.

A resting dog with its tongue lolling from the side of its mouth is the homely subject of Arthur Verco's  "HOT DOG"

1st December 1950  Page 782 - Vol. 57 No. 12 Australasian Photo-Review

ADELAIDE CAMERA CLUB
A very informative lecture was delivered on the monthly evening by Mrs. N.W. Hambour, cosmetic expert from the Myer Emporium. Mrs. Hambour demonstrated on beautiful Miss P. Watt, how the skillful application of the correct make-up can hide blemishes and provide a smooth complexion. At the same time she showed how various features can be accentuated. The secret appears to be to commence with a perfectly clean skin and apply the make-up lightly using several applications. (The members of the club were amazed to learn what takes place while they are waiting for the “little woman”). The members present photographed the model before and after the “operation”.

The special Robertson Trophies were contested for this month. Merit certificates were awarded as follows:

ROBERTSON TROPHY PORTRAITURE: Keith Cook really beautiful child study “Ecstasy”	A GRADE:			ROBERTSON TROPHY PICTURE TAKEN ON AN OUTING B-GRADE MEMBER: Mr. J. Beare “Swagman’s Reverie”	B GRADE:
	MERIT AWARD A. Verco “Fighting Mates”	MERIT AWARD J. Bennett “Logs”	MERIT AWARD G. Zeising “It Happens Every Spring”		MERIT AWARD J. Wood “Morning Fog”	MERIT AWARD R. Leunig “Portrait of a Fiddler”	MERIT AWARD R. Leunig “Gone Forever”

Another all-day outing was held at Gawler on Sunday 14th. These outings are becoming a regular feature of the club and are highly popular. The members leave about 10am in members cars and usually arrive back in town again about 5.30pm.

ADELAIDE CAMERA CLUB

FIFTEENTH ANNUAL EXHIBITION

was opened by the Hon. The Lord Mayor of Adelaide,
Mr. A.C. Rymill, at the Society of Arts rooms, North
Terrace, Adelaide, on the 6th November 1950.

Picture shows (from left) Mr. and Mrs. A.C. Rymill
viewing the prize winning pictures with the
President of the Club, Mr. Alan A. Russell and Mrs. Russell.

(Photograph Keith T. Cook).

© PHOTOGRAPHIC EXHIBITIONS OF AUSTRALIA