1st June 1926  Page 22 - ART IN AUSTRALIA




Anna Pavlova
Photographic study by Harold Cazneaux
Posed for Art in Australia




1st June 1926  Page 23 - ART IN AUSTRALIA




Anna Pavlova
Photographic study by Harold Cazneaux
Posed for Art in Australia




1st June 1926  Page 24 - ART IN AUSTRALIA




Anna Pavlova
Photographic study by Monte Luke
Posed for Art in Australia




Every costume in The Fairy Doll was beautiful in line and color. The lovely Tyrolese Doll (Mile Stuart) with her bunchy red silk skirt and tight black velvet bodice over its chemisette of white, a white apron with green border and high black velvet hat with tall plumes of green cock feathers; the poet (M. Pianowski) with his bright purple long tailed coat, lined with blue and white check, buff trousers with red stripe at their side and turned up with pink, and deep white collar and large blue and white spotted tie. These were a wonderful pair when dancing together. The Dresden Dolls with their short, hooped, flounced and festooned skirts of white edged with blue, over long pantalettes with blue edged frills, the Spanish Doll in her dress which was so Spanish, and yet unlike any other Spanish costume one had ever seen, were all exquisite. How amusing too were the costumes of the English family, and those of the Russian country people, which suggested the late sixties but had just the right amount of exaggeration to make them effective on the stage. That is the secret of effective designing for the stage and for fancy dress: to keep strictly to the characteristic lines of a period but to exaggerate them sufficiently to make them more emphatic, though it is true that at one or two periods in history costume has been so extravagant that exaggeration would be unnecessary — instance the powdered head-dress of the women in the seventies and eighties of the eighteenth century.

To mention the eighteenth century at once recalls the ballet Amarilla with the exquisite costumes and scenery by Georges Barbier. One wonders why anybody who has decided to wear an eighteenth century costume at a ball is content to hire a tousled white wig of no form from a hairdresser who has never taken the trouble to study the head-dresses of the eighteenth century. It was a joy to see the neat little close white wigs that the Countesses and Marquises wore in Amarilla, and the little white wig worn by Miss Rogers in the Tschaikowski Scene Dans ante. The effect of the small neat head with the close little rolled curls is delightful with a large hooped skirt. Let us hope that hairdressers will take a lesson from it.

It is to be regretted that the ballet Flora’s Awakening with costumes and scenery by Albert Rutherston and Old Russian Folk Lore with costumes and scenery by Bilibine were not performed here — but it is to be hoped the ballets we have had the good fortune to see will have an effect on the costumes at the next fancy dress ball—that there will be fewer jazz costumes — that women who wish to wear an eighteenth century dress or crinoline will note the line of the hair and the line of the dress; for line is as important as color.



1st September 1926  Page 57 - ART IN AUSTRALIA




An Australian Valley
by S.W. Eutrope




1st September 1926  Page 58 - ART IN AUSTRALIA




Shadow Play
by Harold Cazneaux




1st September 1926  Page 59 - ART IN AUSTRALIA




Stormlight
by James E. Paton




1st September 1926  Page 60 - ART IN AUSTRALIA




January Landscape
by Harold Cazneaux







1st June 1927  Page 60 - ART IN AUSTRALIA

A SERIES OF PHOTOGRAPHIC STUDIES BY HAROLD CAZNEAUX





Fort Denison, Sydney Harbour

by Harold Cazneaux




1st June 1927  Page 61 - ART IN AUSTRALIA




Ferries

by Harold Cazneaux




1st June 1927  Page 62 - ART IN AUSTRALIA




Ferries

by Harold Cazneaux




1st June 1927  Page 63 - ART IN AUSTRALIA




Pyrmont Bridge, Darling Harbour

by Harold Cazneaux




1st June 1927  Page 64 - ART IN AUSTRALIA




The Porch of St. James Church, King Street

by Harold Cazneaux




1st June 1927  Page 65 - ART IN AUSTRALIA




Conservatorium of Music, Off Macquarie Street

by Harold Cazneaux




1st June 1927  Page 66 - ART IN AUSTRALIA




A By-way to Pitt Street

by Harold Cazneaux




1st June 1927  Page 67 - ART IN AUSTRALIA




Darling Harbour

by Harold Cazneaux




1st June 1927  Page 68 - ART IN AUSTRALIA




William Street, Looking towards the City

by Harold Cazneaux




1st June 1927  Page 69 - ART IN AUSTRALIA




Woolloomooloo

by Harold Cazneaux




1st June 1927  Page 70 - ART IN AUSTRALIA




Berry’s Bay

by Harold Cazneaux




1st June 1927  Page 71 - ART IN AUSTRALIA




Argyle Cut

by Harold Cazneaux




1st June 1927  Page 72 - ART IN AUSTRALIA




Bridge Street, looking towards George Street,
showing Union House

by Harold Cazneaux




1st June 1927  Page 73 - ART IN AUSTRALIA




Building the Harbour Bridge, Dawes Point

by Harold Cazneaux




1st June 1927  Page 74 - ART IN AUSTRALIA




The National Art Gallery, Sydney

by Harold Cazneaux




1st June 1927  Page 75 - ART IN AUSTRALIA




Timber Wharves, Darling Harbour

by Harold Cazneaux




1st June 1927  Page 76 - ART IN AUSTRALIA




Hyde Park in Winter. Showing David Jones new store in
construction and Daily Telegraph Building in distance

by Harold Cazneaux




1st June 1927  Page 77 - ART IN AUSTRALIA




Darling Harbour Wharves

by Harold Cazneaux




1st June 1927  Page 78 - ART IN AUSTRALIA




Town Hall, George Street.
Queen Victoria Markets in distance

by Harold Cazneaux




1st June 1927  Page 79 - ART IN AUSTRALIA




Flower Stall, Martin Place

by Harold Cazneaux




1st June 1927  Page 80 - ART IN AUSTRALIA




Sydney from Milson's Point.
Showing where the Bridge will span the Harbour

by Harold Cazneaux




1st June 1927  Page 81 - ART IN AUSTRALIA




Old Milson's Point.
Now demolished to make way for the Bridge

by Harold Cazneaux




1st June 1927  Page 82 - ART IN AUSTRALIA




The Harbour from Government House Grounds

by Harold Cazneaux




1st June 1927  Page 83 - ART IN AUSTRALIA




The Old Treasury, Lang Street

by Harold Cazneaux




1st June 1927  Page 84 - ART IN AUSTRALIA




South Head

by Harold Cazneaux




1st June 1927  Page 85 - ART IN AUSTRALIA




Union Club, Bligh Street

by Harold Cazneaux




1st June 1927  Page 86 - ART IN AUSTRALIA




Centre of Sydney, Martin Place, showing Post Office

by Harold Cazneaux




1st June 1927  Page 87 - ART IN AUSTRALIA




St. James Church, Queen's Square

by Harold Cazneaux




1st June 1927  Page 88 - ART IN AUSTRALIA




Circular Quay

by Harold Cazneaux




1st June 1928  Plate 1 - ART IN AUSTRALIA




The Artist Hans Heysen

by F.A. Joyner, Adelaide




15th June 1932  Plate 1 - ART IN AUSTRALIA




Hans Heysen painting in the Flinders Range

by F.A. Joyner, Adelaide